Reviews
"That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte --is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument." ---Charles Harrison, Art Monthly, Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written. ---Eugen Weber, The Times Literary Supplement, That he restores a social and historical context to the work he discusses--from Manet'sMusique aux Tuileriesto Seurat'sGrande Jatte--is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument., The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy. ---David Harvey, Journal of Historical Geography, Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals. ---John Gross, The New York Times, That he restores a social and historical context to the work he discusses--from Manet'sMusique aux Tuileriesto Seurat'sGrande Jatte--is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument. -- Charles Harrison, Art Monthly, "Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written."-- Eugen Weber, The Times Literary Supplement, Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals., The Painting of Modern Lifeis a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy. -- David Harvey, Journal of Historical Geography, That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte --is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument., "Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals."-- John Gross, The New York Times, That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte --is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument. ---Charles Harrison, Art Monthly, "That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte --is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument." --Charles Harrison, Art Monthly, The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy., "Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals." ---John Gross, The New York Times, " The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy."-- David Harvey, Journal of Historical Geography, The Painting of Modern Lifeis a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy., Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written., "Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written." ---Eugen Weber, The Times Literary Supplement, That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte --is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument. -- Charles Harrison, Art Monthly, " The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy." --David Harvey, Journal of Historical Geography, "That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte --is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument."-- Charles Harrison, Art Monthly, " The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy." ---David Harvey, Journal of Historical Geography, "Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written." --Eugen Weber, The Times Literary Supplement, "Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals." --John Gross, The New York Times, Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals. -- John Gross, The New York Times, Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written. -- Eugen Weber, The Times Literary Supplement, The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy. -- David Harvey, Journal of Historical Geography
