Reviews
Praise for Elena Ferrante and The Neapolitan Novels "Everyone should read anything with Ferrante's name on it." -The Boston Globe "Ferrante's novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader." - James Wood , The New Yorker "One of the more nuanced portraits of feminine friendship in recent memory." - Megan O'Grady , Vogue "Amazing! My Brilliant Friend took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can't look up from the page, when your eyes seem to be popping from your head, when you think: I didn't know books could do this!" - Elizabeth Strout, author of Olive Kitteridge "Elena Ferrante will blow you away." - Alice Sebold, author of The Lovely Bones "Ferrante's emotional and carnal candor are so potent." - Janet Maslin , The New York Times "I like the Italian writer, Elena Ferrante, a lot. I've been reading all her work and all about her." - John Waters , actor and director ""Elena Ferrante tackles girlhood and friendship with amazing force."- Gwenyth Paltrow "Elena Ferrante may be the best contemporary novelist you've never heard of"- The Economist "[Ferrante's Neapolitan Novels] don't merely offer a teeming vision of working-class Naples, with its cobblers and professors, communists and mobbed-up businessmen, womanizing poets and downtrodden wives; they present one of modern fiction's richest portraits of a friendship." - John Powers , Fresh Air, NPR "Ferrante's freshness has nothing to do with fashion…it is imbued with the most haunting music of all, the echoes of literary history." - The New York Times Book Review "Elena Ferrante's THE STORY OF A NEW NAME, book two in her Naples series. Two words. Read it." - Ann Hood , author of The Obituary Writer "Ferrante writes with a ferocious, intimate urgency." - Susanna Sonnenberg , author of Her Last Death: A Memoir " The Days of Abandonment is a powerful, heartrending novel." - Jhumpa Lahiri, author of The Lowlands "I am such a fan of Ferrante's work, and have been for quite a while." - Jennifer Gilmore , author of The Mothers "No one has a voice quite like Ferrante's. Her gritty, ruthlessly frank novels roar off the page with a barbed fury, like an attack that is also a defense…Imagine if Jane Austen got angry and you'll have some idea of how explosive these works are." - John Freeman , The Australian "The women's fraught relationship and shifting fortunes are the life forces of the poignant book" - Publisher's Weekly "An engrossing, wildly original contemporary epic about the demonic power of human (and particularly female) creativity checked by the forces of history and society." - The Los Angeles Review of Books, "Everyone should read anything with [Elena Ferrante's] name on it." - The Boston Globe "One of the more nuanced portraits of feminine friendship in recent memory." - Vogue "This gorgeous novel should bring a host of new reader's to one of Italy's most acclaimed authors." - The Barnes and Noble Review "Ferrante, beautifully translated by Ann Goldstein...writes with a ferocious, intimate urgency." - The San Francisco Chronicle "Ferrante draws an indelible picture." - Shelf Awareness "A compelling and moving coming-of-age story" - Booklist "More than a conventional up-from-poverty tale." - Publishers Weekly, "Everyone should read anything with [Elena Ferrante's] name on it." -- The Boston Globe "One of the more nuanced portraits of feminine friendship in recent memory." -- Vogue "This gorgeous novel should bring a host of new reader's to one of Italy's most acclaimed authors." -- The Barnes and Noble Review "Ferrante, beautifully translated by Ann Goldstein...writes with a ferocious, intimate urgency." -- The San Francisco Chronicle "Ferrante draws an indelible picture." -- Shelf Awareness "A compelling and moving coming-of-age story" -- Booklist "More than a conventional up-from-poverty tale." -- Publishers Weekly