Crossings : Nietzsche and the Space of Tragedy by John Sallis (1991, Trade Paperback)

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Accepted and simplistic ideas about Nietzsche's early. The Birth of Tragedy is a rethinking of art at the. crossing of these basic art impulses in tragedy.

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Product Identifiers

PublisherUniversity of Chicago Press
ISBN-100226734374
ISBN-139780226734378
eBay Product ID (ePID)98894

Product Key Features

Number of Pages168 Pages
LanguageEnglish
Publication NameCrossings : Nietzsche and the Space of Tragedy
Publication Year1991
SubjectPhilosophy & Social Aspects, Drama, Individual Philosophers, History & Surveys / Modern, Semiotics & Theory
TypeTextbook
Subject AreaLiterary Criticism, Music, Philosophy
AuthorJohn Sallis
FormatTrade Paperback

Dimensions

Item Height0 in
Item Weight8.8 Oz
Item Length0.9 in
Item Width0.6 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN90-043060
Dewey Edition20
Dewey Decimal193
Table Of ContentAcknowledgments Texts and Abbreviations Das Masslose 1. Apollo Shining Phantasy 2. Dionysus Resounding Excess 3. Tragedy Sublime Ecstasy 4. Socrates Writing Music "It should have sung . . . " Index
SynopsisBoldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. "Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering."-Richard Schacht, Times Literary Supplement, Boldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. "Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering."--Richard Schacht, Times Literary Supplement
LC Classification NumberB3313.G43S24 1991

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