Film Curatorship : Archives, Museums, and the Digital Marketplace by David Francis, Alexander Horwath, Michael Loebenstein and Paolo Cherchi Usai (2020, Trade Paperback)
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Film Curatorship: Archives, Museums, and the Digital Marketplace (FilmmuseumSynemaPublications) by Usai, Paolo Cherchi, Francis, David, Horwath, Alexander, Loebenstein, Michael [Paperback]
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About this product
Product Identifiers
PublisherSynema Gesellschaft Fur Film U. Medien
ISBN-103901644822
ISBN-139783901644825
eBay Product ID (ePID)9050408045
Product Key Features
Edition2
Book TitleFilm Curatorship : Archives, Museums, and the Digital Marketplace
Number of Pages240 Pages
LanguageEnglish
Publication Year2020
TopicFilm / History & Criticism
GenrePerforming Arts
AuthorDavid Francis, Alexander Horwath, Michael Loebenstein, Paolo Cherchi Usai
Book SeriesFilmmuseumsynemapublications Ser.
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight12.6 Oz
Item Length7.8 in
Item Width6.8 in
Additional Product Features
Intended AudienceTrade
Dewey Edition22
ReviewsThe volume on hand is actually about curatorship in the original sense: how people build up a collection of (art) objects and related materials, take care of the corpus created, and show parts of it in a way that makes sense of the objects and thus helps create further levels of enlightenment and meaning.
Dewey Decimal025.1773
SynopsisWhat are the major issues and challenges that film archives, cinémathèques, and film museums are bound to face in the digital age and at a time when there is an expectation of access on demand? What is curatorship, and what does it imply in the context of film preservation and presentation? Is there a concept of "cinema event" that transcends the idea of film as "content" or "art" in the era of information? Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century. The first edition of this book was jointly published with Le Giornate del Cinema muto, Pordenone, Italy. The second edition features a new preface by the authors., Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century.