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Not the newest tech but it is great sounding. Lots of sounds to "dial" in. Very flexible and easy to get good sounds out of it. There are even some mods for the technically inclined or you can send it off to really make it a synth beast. Probably really works best on single notes, but I use it for chordal work all the time. Kind of fits the low fi, grunge type sound really well. The older big box ones are the one to get. The wired version is probably the best but most expensive. The bad part is probably the fragility of the sliders. You see a lot for sale with tips broken off. Usually they can still be manipulated but they should have been made more durable. Use it on the desktop and it shouldn't be a problem.
Verified purchase: Yes | Condition: Pre-owned
Product out of the box needs major modification in order to apply in any practical live setting. The sustain is awful. The noise gate prevents the pedal from ringing out even the slightest. Needs to be paired with a compressor from what I've read but I didn't even both trying that, I just returned it and moved on instead of sinking more good money after bad.
Verified purchase: Yes | Condition: Pre-owned
Outstanding effect brilliant engineering endless options incredible quality great bypass you can blend the square wave fuzz perfectly with the clean dry signal
Verified purchase: Yes | Condition: Pre-owned
The Mircro Synth that I have is the Classic Big Box Reissue version, not the newer "XO Version." I can't speaker for the newer XO Version, but the Classic Version that I have is the most fat, analog-y, and epic sounding (AND feeling) guitar synth I've ever plugged into. I wouldn't get rid of it for anything, and plan to scoop up more. Just condsider it a Moog-in-a-box.
So far so good. I bought this looking to expand my tonal palette, and this definitely has shaken things up. While it hasn't been as useful for my style as I initially had hoped, I am getting used to it and it is being incorporated into my playing and writing styles.
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