Action/Abstraction : Pollock, de Kooning, and American Art, 1940-1976 by Irving Sandler (2009, Trade Paperback)

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Abstract Paintings of Jackson Pollack, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others artists impacting the 1940s and 50s.

About this product

Product Identifiers

PublisherYale University Press
ISBN-100300139209
ISBN-139780300139204
eBay Product ID (ePID)73384237

Product Key Features

Book TitleAction/Abstraction : Pollock, De Kooning, and American Art, 1940-1976
Number of Pages344 Pages
LanguageEnglish
TopicHistory / Contemporary (1945-), Criticism & Theory, Collections, Catalogs, Exhibitions / General, American / General
Publication Year2009
IllustratorYes
GenreArt
AuthorIrving Sandler
FormatTrade Paperback

Dimensions

Item Height0.1 in
Item Weight72.9 Oz
Item Length1.2 in
Item Width1 in

Additional Product Features

Intended AudienceTrade
LCCN2007-046613
ReviewsWinner of the 2010 National Jewish Book Award in the Visual Arts Category sponsored by the Jewish Book Council
Dewey Edition22
Dewey Decimal709.73/0747471
SynopsisThe abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art--Clement Greenberg and Harold Rosenberg--whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger., The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art--Clement Greenberg and Harold Rosenberg--whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger. Published in association with The Jewish Museum, New York Exhibition Schedule: The Jewish Museum, New York (May 4, 2008 - September 21, 2008) Saint Louis Art Museum (October 19, 2008 - January 11, 2009) The Albright-Knox Art Gallery, Buffalo (February 13 - May 31, 2009)
LC Classification NumberN6512.5.A25A33 2008

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