Reviews
Gillock excels at conveying his understanding of the meaning and spirit of the pieces, and this aspect forms the core of the book.... With the most complete primary-source guide in English to the performance of this music, Gillock presents an invaluable and deeply felt manual.... [He]... imparts vividly in words the involvement and passion the performer needs in order to bring the music to life, encouraging the player again and again to feel the gesture., "Jon Gillock is a true messenger of Messiaen's music.... Through him, audiences can easily understand the musical message of the great composer Olivier Messiaen. In his performances, [Gillock] takes the listener with him into Messiaen's spiritual world from the sounding of the first note until the very end." -Yuko Hayashi, New England Conservatory, An organist and a former student of Olivier Messiaen (1908-1992), Gillock has compiled a useful, comprehensive companion to the organ works of this important composer. Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years. The first of the book's two parts examines Messiaen's entire output for organ in a series of 66 master classes, each devoted to a work or movement (arranged chronologically by composition date). Historical information, performance issues, and technical and aesthetic perspectives abound; Gillock is especially adept at linking the music to its religious roots. Part 2 provides technical, aesthetic, and historical information on the organ at Paris's Eglise de la Sainte-Trinite--Messiaen's organ. Included is a 1980 essay by the composer on the instrument. Appendixes provide a short biographical sketch and a liturgical calendar identifying appropriate feast days for the performance of specific works. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals. --ChoiceB. Doherty, New College, July 2010--B. Doherty, New College (01/01/2010), Performing Messiaen's Organ Music is a significant contribution to both the Messiaen literature as well as to performance practice in general. . . . [T]hrough his numerous interpretative insights about Messiaen's organ works, Gillock has shown himself to be not only a first-rate artist but also a fabulous teacher of a music whose beauty and grandeur reflect the qualities of the French Romantic-symphonic organ school from which it emerged.16.1 2011, "Gillock excels at conveying his understanding of the meaning and spirit of the pieces, and this aspect forms the core of the book.... With the most complete primary-source guide in English to the performance of this music, Gillock presents an invaluable and deeply felt manual.... [He]... imparts vividly in words the involvement and passion the performer needs in order to bring the music to life, encouraging the player again and again to feel the gesture." -The Diapason, September 1, 2010, "Gillock excels at conveying his understanding of the meaning and spirit of the pieces, and this aspect forms the core of the book.... With the most complete primary-source guide in English to the performance of this music, Gillock presents an invaluable and deeply felt manual.... [He]... imparts vividly in words the involvement and passion the performer needs in order to bring the music to life, encouraging the player again and again to feel the gesture." --The Diapason, September 1, 2010, "Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years.... Highly recommended." -- Choice, July 2010, "Jon Gillock is a true messenger of Messiaen's music.... Through him, audiences can easily understand the musical message of the great composer Olivier Messiaen. In his performances, [Gillock] takes the listener with him into Messiaen's spiritual world from the sounding of the first note until the very end." -- Yuko Hayashi, New England Conservatory, Jon Gillock is a true messenger of Messiaen's music.... Through him, audiences can easily understand the musical message of the great composer Olivier Messiaen. In his performances, [Gillock] takes the listener with him into Messiaen's spiritual world from the sounding of the first note until the very end., "Jon Gillock is a true messenger of Messiaen's music.... Through him, audiences can easily understand the musical message of the great composer Olivier Messiaen. In his performances, [Gillock] takes the listener with him into Messiaen's spiritual world from the sounding of the first note until the very end." --Yuko Hayashi, New England Conservatory, Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years.... Highly recommended., "An organist and a former student of Olivier Messiaen (1908-1992), Gillock has compiled a useful, comprehensive companion to the organ works of this important composer. Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years. The first of the book's two parts examines Messiaen's entire output for organ in a series of 66 master classes, each devoted to a work or movement (arranged chronologically by composition date). Historical information, performance issues, and technical and aesthetic perspectives abound; Gillock is especially adept at linking the music to its religious roots. Part 2 provides technical, aesthetic, and historical information on the organ at Paris's Église de la Sainte-Trinité--Messiaen's organ. Included is a 1980 essay by the composer on the instrument. Appendixes provide a short biographical sketch and a liturgical calendar identifying appropriate feast days for the performance of specific works. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals. --Choice"--B. Doherty, New College, July 2010 " Performing Messiaen's Organ Music provides an essential reference for organists and a useful guide for all interpreters of Messiaen. Rich with historical background, descriptive analysis, and subjective insight, it makes these towering works more intelligible to organists and will enable them to consult an authoritative source for their performances."-- Notes "[This] book . . . has been acclaimed for its exhaustive scope and insights. Nov. 16, 2011"-- New York Times "Performing Messiaen's Organ Music is a significant contribution to both the Messiaen literature as well as to performance practice in general. . . . [T]hrough his numerous interpretative insights about Messiaen's organ works, Gillock has shown himself to be not only a first-rate artist but also a fabulous teacher of a music whose beauty and grandeur reflect the qualities of the French Romantic-symphonic organ school from which it emerged.16.1 2011"-- Performance Practice review "For anyone who plays Messiaen on the organ, this is a book to treasure."-- Music & Vision "Gillock excels at conveying his understanding of the meaning and spirit of the pieces, and this aspect forms the core of the book. . . . With the most complete primary-source guide in English to the performance of this music, Gillock presents an invaluable and deeply felt manual. . . . [He] . . . imparts vividly in words the involvement and passion the performer needs in order to bring the music to life, encouraging the player again and again to feel the gesture. September 1, 2010"-- The Diapason "Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years. . . . Highly recommended.July 2010"-- Choice "Jon Gillock is a true messenger of Messiaen's music. . . . Through him, audiences can easily understand the musical message of the great composer Olivier Messiaen. In his performances, [Gillock] takes the listener with him into Messiaen's spiritual world from the sounding of the first note until the very end."--Yuko Hayashi, New England Conservatory, "Gillock excels at conveying his understanding of the meaning and spirit of the pieces, and this aspect forms the core of the book.... With the most complete primary-source guide in English to the performance of this music, Gillock presents an invaluable and deeply felt manual.... [He]... imparts vividly in words the involvement and passion the performer needs in order to bring the music to life, encouraging the player again and again to feel the gesture." -- The Diapason, September 1, 2010, "Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years.... Highly recommended." --Choice, July 2010, An organist and a former student of Olivier Messiaen (1908-1992), Gillock has compiled a useful, comprehensive companion to the organ works of this important composer. Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years. The first of the book's two parts examines Messiaen's entire output for organ in a series of 66 master classes, each devoted to a work or movement (arranged chronologically by composition date). Historical information, performance issues, and technical and aesthetic perspectives abound; Gillock is especially adept at linking the music to its religious roots. Part 2 provides technical, aesthetic, and historical information on the organ at Paris's Église de la Sainte-Trinité--Messiaen's organ. Included is a 1980 essay by the composer on the instrument. Appendixes provide a short biographical sketch and a liturgical calendar identifying appropriate feast days for the performance of specific works. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals. --Choice, Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years. . . . Highly recommended.July 2010, "Drawing on intensive experience with the music and his close relationship with Messiaen, the author provides organists and others interested in this music with an engaging, accessible narrative that sheds much new light on Messiaen's complex music, which has confounded performers for many years.... Highly recommended." -Choice, July 2010, Gillock excels at conveying his understanding of the meaning and spirit of the pieces, and this aspect forms the core of the book. . . . With the most complete primary-source guide in English to the performance of this music, Gillock presents an invaluable and deeply felt manual. . . . [He] . . . imparts vividly in words the involvement and passion the performer needs in order to bring the music to life, encouraging the player again and again to feel the gesture. September 1, 2010
Table of Content
Table of Contents List of Figures Foreword by Yvonne Loriod-Messiaen Preface Acknowledgments Note to Reader: How to Use This Book Part 1. The 66 Masterclasses Introduction: A Philosophy of the Performer's Role as an Interpreter 1. Le Banquet céleste (1928) 2. Diptyque (1928) 3. Apparition de l'Église éternelle (1932) 4. L'Ascension (1933, version for organ) I. Majesté du Christ demandant sa Gloire à son Père II. Alléluias sereins d'une me qui désire le Ciel III. Transports de Joie d'une Âme devant la Gloire du Christ qui est la sienne IV. Prière du Christ montant vers son Père 5. La Nativité du Seigneur, Nine Meditations (1935) I. La Vierge et l'Enfant II. Les Bergers III. Desseins éternels IV. Le Verbe V. Les Enfants de Dieu VI. Les Anges VII. Jésus accepte la Souffrance VIII. Les Mages IX. Dieu parmi nous 6. Les Corps glorieux, Seven Short Visions of the Life of the Resurrected (1939) I. Subtilité des Corps Glorieux II. Les Eaux de la Gr'ce III. L'Ange aux Parfums IV. Combat de la Mort et de la Vie V. Force et Agilité des Corps glorieux VI. Joie et Clarté des Corps glorieux VII. Le Mystère de la Sainte Trinité 7. Messe de la Pentecôte (1950) I. Entrée?Les Langues de Feu II. Offertoire?Les Choses visibles et invisibles III. Consécration?Le Don de Sagesse IV. Communion?Les Oiseaux et les Sources V. Sortie?Le Vent de l'Esprit 8. Livre d'Orgue, Seven Pieces (1951) I. Reprises par Interversion II. Pièce en Trio III. Les Mains de l'Abîme IV. Chants d'Oiseaux V. Pièce en Trio VI. Les Yeux dans les Roues VII. Soixante-Quatre Durées 9. Verset pour la Fête de la Dédicace (1960) 10. Méditations sur le Mystère de la Sainte Trinité (1969) I. (Le Père inengendré) II. (La Sainteté de Jésus Christ) III. ("La Relation réelle en Dieu est réellement identique à l'Essence") IV. ("Je suis, je suis!") V. (Dieu est immense, éternel, immuable?Le Souffle de l'Esprit?Dieu est Amour) VI. (Le Fils, Verbe et Lumière) VII. ("Le Père et le Fils aiment, par le Saint-Esprit, eux-mêmes et nous") VIII. (Dieu est simple) IX. ("Je suis Celui qui suis") 11. Livre du Saint Sacrement (1984) I. Adoro te II. La Source de Vie III. Le Dieu caché IV. Acte de Foi V. Puer natus est nobis VI. La Manne et le Pain de Vie VII. Les Ressuscités et la Lumière de Vie VIII. Institution de l'Eucharistie IX. Les Ténèbres X. La Résurrection du Christ XI. L'Apparition du Christ ressuscité à Marie-Madeleine XII. La Transsubstantiation XIII. Les deux Murailles d'Eau XIV. Prière avant la Communion XV. La Joie de la Gr'ce XVI. Prière après la Communion XVII. La Présence multipliée XVIII. Offrande et Alléluia final 12. Monodie (1997, posthumous) 13. Offrande au Saint Sacrement (2001, posthumous) 14. Prélude (2002, posthumous) Part 2. The Organ at L'Èglise de la Sainte-Trinité, Paris 15. Les Grandes Orgues de l'Èglise de la Sainte-Trinité à Paris (A brochure by Olivier Messiaen, October 1980) 16. Evolution of the Organ, 19301992 17. Characteristics of the Organ since 1966 Appendix A: A Biographical Sketch of Olivier Messiaen Appendix B: Pieces Appropriate for Specific Services and Feasts during the Liturgical Year Glossary of Terms and Techniques Unique to Messiaen Notes Bibliography Index, Table of Contents List of Figures Foreword by Yvonne Loriod-Messiaen Preface Acknowledgments Note to Reader: How to Use This Book Part 1. The 66 Masterclasses Introduction: A Philosophy of the Performer's Role as an Interpreter 1. Le Banquet céleste (1928) 2. Diptyque (1928) 3. Apparition de l'Église éternelle (1932) 4. L'Ascension (1933, version for organ) I. Majesté du Christ demandant sa Gloire à son Père II. Alléluias sereins d'une me qui désire le Ciel III. Transports de Joie d'une Âme devant la Gloire du Christ qui est la sienne IV. Prière du Christ montant vers son Père 5. La Nativité du Seigneur, Nine Meditations (1935) I. La Vierge et l'Enfant II. Les Bergers III. Desseins éternels IV. Le Verbe V. Les Enfants de Dieu VI. Les Anges VII. Jésus accepte la Souffrance VIII. Les Mages IX. Dieu parmi nous 6. Les Corps glorieux, Seven Short Visions of the Life of the Resurrected (1939) I. Subtilité des Corps Glorieux II. Les Eaux de la Gr'ce III. L'Ange aux Parfums IV. Combat de la Mort et de la Vie V. Force et Agilité des Corps glorieux VI. Joie et Clarté des Corps glorieux VII. Le Mystère de la Sainte Trinité 7. Messe de la Pentecôte (1950) I. Entrée--Les Langues de Feu II. Offertoire--Les Choses visibles et invisibles III. Consécration--Le Don de Sagesse IV. Communion--Les Oiseaux et les Sources V. Sortie--Le Vent de l'Esprit 8. Livre d'Orgue, Seven Pieces (1951) I. Reprises par Interversion II. Pièce en Trio III. Les Mains de l'Abîme IV. Chants d'Oiseaux V. Pièce en Trio VI. Les Yeux dans les Roues VII. Soixante-Quatre Durées 9. Verset pour la Fête de la Dédicace (1960) 10. Méditations sur le Mystère de la Sainte Trinité (1969) I. (Le Père inengendré) II. (La Sainteté de Jésus Christ) III. ("La Relation réelle en Dieu est réellement identique à l'Essence") IV. ("Je suis, je suis!") V. (Dieu est immense, éternel, immuable--Le Souffle de l'Esprit--Dieu est Amour) VI. (Le Fils, Verbe et Lumière) VII. ("Le Père et le Fils aiment, par le Saint-Esprit, eux-mêmes et nous") VIII. (Dieu est simple) IX. ("Je suis Celui qui suis") 11. Livre du Saint Sacrement (1984) I. Adoro te II. La Source de Vie III. Le Dieu caché IV. Acte de Foi V. Puer natus est nobis VI. La Manne et le Pain de Vie VII. Les Ressuscités et la Lumière de Vie VIII. Institution de l'Eucharistie IX. Les Ténèbres X. La Résurrection du Christ XI. L'Apparition du Christ ressuscité à Marie-Madeleine XII. La Transsubstantiation XIII. Les deux Murailles d'Eau XIV. Prière avant la Communion XV. La Joie de la Gr'ce XVI. Prière après la Communion XVII. La Présence multipliée XVIII. Offrande et Alléluia final 12. Monodie (1997, posthumous) 13. Offrande au Saint Sacrement (2001, posthumous) 14. Prélude (2002, posthumous) Part 2. The Organ at L'Èglise de la Sainte-Trinité, Paris 15. Les Grandes Orgues de l'Èglise de la Sainte-Trinité à Paris (A brochure by Olivier Messiaen, October 1980) 16. Evolution of the Organ, 1930-1992 17. Characteristics of the Organ since 1966 Appendix A: A Biographical Sketch of Olivier Messiaen Appendix B: Pieces Appropriate for Specific Services and Feasts during the Liturgical Year Glossary of Terms and Techniques Unique to Messiaen Notes Bibliography Index
