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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-100521599679
ISBN-139780521599672
eBay Product ID (ePID)680977
Product Key Features
Number of Pages270 Pages
Publication NameIdeology and Inscription : Cultural Studies after Benjamin, De Man and Bakhtin
LanguageEnglish
Publication Year1998
SubjectIndividual Philosophers, General, Anthropology / Cultural & Social, Semiotics & Theory, Historical
TypeTextbook
AuthorTom Cohen
Subject AreaLiterary Criticism, Philosophy, Social Science, Biography & Autobiography
SeriesLiterature, Culture, Theory Ser.
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight12.3 Oz
Item Length8.5 in
Item Width5.5 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN97-044526
Reviews"This book presents the most comprehensive and brilliant study of critical theory in our day. Tom Cohen writes in a lucid, unrelenting prose of the repressed traumas that pervade most forms of contemporary thought." Avital Ronell, 'Cohen's brilliant study is a landmark book that presents in bold delineation the future directions of humanistic studies.' J. Hillis Miller, 'This book presents the most comprehensive and brilliant study of critical theory in our day. Tom Cohen writes in lucid, unrelenting prose of the repressed traumas that pervade most forms of contemporary thought.' Avital Ronell, ‘This book presents the most comprehensive and brilliant study of critical theory in our day. Tom Cohen writes in lucid, unrelenting prose of the repressed traumas that pervade most forms of contemporary thought.’Avital Ronell, 'Cohen's brilliant study is a landmark book that presents in bold delineation the future directions of humanistic studies.'J. Hillis Miller, ‘Cohen’s brilliant study is a landmark book that presents in bold delineation the future directions of humanistic studies.’J. Hillis Miller
Series Volume NumberSeries Number 27
IllustratedYes
Table Of ContentIntroduction: Webwork, or 'That spot is bewitched'; Part I. Ciphers - Or Counter-Genealogies for a Critical 'Present': 1. Reflections on post 'post-mortem de Man'; 2. The ideology of dialogue: the de Man/Bakhtin connection; 3. Mnemotechnics: time of the seance, or the Mimetic blind of 'cultural studies'; Part II. Expropriating 'Cinema' - Or, Hitchcock's Mimetic War: 4. Beyond 'the Gaze': Hitchcock, Zizek, and the ideological sublime; 5. Sabotaging the ocularist state; Part III. Tourings - Or, the Monadic Switchboard: 6. Echotourism: Nietzschean Cyborgs, Anthropophagy, and the rhetoric of science in cultural studies; 7. Altered states: stoned in Marseilles, or the addiction to reference; 8. Contretemps: notes, on contemporary 'travel'.
SynopsisIn Ideology and Inscription Tom Cohen questions the way history is currently invoked in cultural studies and argues for a new politics of memory., Tom Cohen questions the way history, ideology and politics are invoked in contemporary cultural studies. Enlisting the work of three seminal figures in literary theory--Walter Benjamin, Paul de Man, and M. Bakhtin--Cohen argues for a new politics of memory that moves beyond what he sees as our current paralyzing preoccupation with the present, and also for a new approach to the reading and analysis of cultural texts that breaks with the mimetic premises of traditional criticism., In Ideology and Inscription Tom Cohen questions the way history, ideology and politics are invoked in contemporary cultural studies. Enlisting the work of three seminal figures in literary theory - Walter Benjamin, Paul de Man, and M. Bakhtin - Cohen argues for a new politics of memory that moves beyond what he sees as our current paralysing preoccupation with the present, and also for a new approach to the reading and analysis of cultural texts that breaks with the mimetic premises of traditional criticism. The book challenges many of the prevailing methodologies and assumptions of the contemporary critical scene and, through analyses of such topics as the rhetoric of science, ecological criticism, and the films of Hitchcock, demonstrates the subtlety and critical power of a more genuinely 'materialist' approach to a wide range of cultural texts.