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THE PHILOSOPHICAL DISENFRANCHISEMENT OF ART By Arthur C. Danto *Mint Condition* - Picture 1 of 1

Philosophical Disenfranchisement of Art by Arthur Coleman Danto (1988, Trade Paperback)

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THE PHILOSOPHICAL DISENFRANCHISEMENT OF ART By Arthur C. Danto **Mint Condition**.

About this product

Product Identifiers

PublisherEastern European Monographs

ISBN-100231063652

ISBN-139780231063654

eBay Product ID (ePID)66813

Product Key Features

Number of Pages216 Pages

LanguageEnglish

Publication NamePhilosophical Disenfranchisement of Art

Publication Year1988

SubjectCriticism & Theory, General, Aesthetics

TypeTextbook

AuthorArthur Coleman Danto

Subject AreaArt, Philosophy

FormatTrade Paperback

Dimensions

Item Height0.6 in

Item Weight11.1 Oz

Item Length9 in

Item Width6.4 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN86-002260

TitleLeadingThe

Dewey Edition22

Reviews"Danto's view is an important corrective to naive formalism as well as to the recent 'institutional analysis of art'.... The magnitude of the issues Mr. Danto's book raises is a mark of the book's importance." -- The New York Times Book Review, "Danto's critical pieces -- witty and urbane essays -- are uniformly a joy to read." -- The Journal of Philosophy, "To read Danto on any topic in philosophical aesthetics is invariably to emerge with one's sense of that topic enlarged." -- Philosophy and Literature, "[Danto is] a fluent writer and cogent theoretician... A coherent treatise both accessible to critically aware general readers and of value to students and scholars of philosophy and art." -- Library Journal

IllustratedYes

Dewey Decimal700/.1

Table Of ContentI. The Philosophical Disenfranchisement of Art II. The Appreciation and Interpretation of Works of Art III. Deep Interpretation IV. Language, Art, Culture, Text V. The End of Art VI. Art and Disturbation VII. Philosophy as/and/of Literature VIII. Philosophizing Literature IX. Art, Evolution, and the Consciousness of History

SynopsisThis acclaimed work is of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians. Danto explores the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it.