This movie is often cited one of the classic examples of B Movie greatness. 300 years after his torment (he smirks through most of it, couldn't have been too bad) a victim of the Spanish Inquisition, named Vitelius, returns to exact revenge on his tormentors descendants. His return is heralded by the hokiest comet ever filmed. Actors wander around closed sets, and you can still see the walls, even during outdoor scenes. Vitelius is now a 'hideous' demon who looks like a cheap Halloween mask. The mask has a built in air pump, so his face pulsates exactly as though it were a Halloween mask with an air pump. He also has a three foot tongue that pushes out to eat peoples's brains. You can watch it bounce off their heads. I think it makes him angry, that he wants brains but only has a weak rubber tongue. When he catches people, his rubber pinchers bend and collapse, much like his tongue when he attacks. Toward the end, the heroes blast him with a flamethrower. This is the first sensible thing that occurs in this film. Usually you have the standard horror fare of people trying in various weak ways at first to kill the villain. Not these guys, they lay the pipe to him first thing. He dies, ironically because when they burned him during the Inquisition it had no effect. Maybe it worked this time because he was covered in a cheap plastic Halloween suit.Read full review
The title is a quote from the cover of Casanegra's DVD cover for "Brainiac" (US title-in Mexico, it went by, "El Baron Del Terror"), and I would have to say that this cult classic of Mexican horror comes pretty darn close to living up to that pronouncement. For many fans, Brainiac over the past fifty-so years has meant over the top, tongue-in-cheek horror, much on the same level as Same Raimi achieved with his Evil Dead films a quarter of a century later. There has always been a fringe group that thought "Brainiac" was unintentional humor on the part of producer, star Abel Salizar, and director Chano Urueta, however, both men and the production crew they worked with had already achieved great success producing "straight horror" films before "Brainiac", strengthening the belief for the rest of us that all that craziness was intensional. A spoof in a very comic-book fashion on the very horror medium that Mexican cinema excelled at. If you take the time to watch other classic horror films from Mexico in the same time period, films like "The Witch's Mirror", "The Vampire" and its sequel, "The Vampire's Coffin", "The Curse of the Crying Woman", and "The Black Pit of Dr. M", then you'll see talented artists creating atmospheric black-and-white horror every bit as entertaining and frightening as their Univeral Horror film counterparts. These "serious" horror films were produced by polished craftsmen who knew how to make creepy, gothic horror and science-fiction for a public starving for it; and not just in Mexico; many of these titles were dubbed and released in the United States to an appreciative audiece "Brainiac" stands out among its fans as a giddy, tasteless (see Salizar spoon chilled brains into his hungry mouth), campy, tongue-in-cheek romp, with just enough fright mixed in, paying homage to all the horror/sci-fi films to precede it, in a style that stands out in bizzare contradiction to the horror films preceeding it. Go ahead and join the rest of us for revenge, twisted humor, creepy murders, and campy horror at the foggy Mexican estate of Baron. I hear they're serving chilled brains and fine wine.Read full review
Brainiac is a very fun and amusing creature feature. Yet I disagree with that reviewer's comment that this is "the most bizarre horror movie ever." The Japanese film House is far more distorted visually. Even from Mexico, the sci-fi/horror movie Killer Tongue is off the charts with bizarro action!
Verified purchase: Yes | Condition: New
I have loved this movie for a long time and have been looking for this copy for a while. I only wish CasaNegra had lasted long enough to have released a few other such classics.
Verified purchase: Yes | Condition: Pre-owned
A Classic Piece of Campy Late 1950s/ Early 1960s Low-Budget Mexican Science-Fiction-Horror Cinema, with doses of effective atmosphere, containing one of the most original and (laughably) unusual monsters captured on celluloid, reminiscent of the creature-creations of Paul (SHE CREATURE, INVASION OF THE SAUCER MEN) Blaisdell. The plot initially draws upon Mario Bava's BLACK SUNDAY (1960) with an accused magic-user suffering the wrath of the Inquisition, then proceeds to throw in the element of a fallen meteorite that releases the titular brain-sucking, forked-tongued monster, a sort of 1960s variant of the Chupacabra of contemporary popular culture. The imagination of the filmmakers makes up for the cut-and-paste plot elements.
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