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About this product
Product Identifiers
PublisherBoydell & Brewer, The Limited
ISBN-101843832100
ISBN-139781843832102
eBay Product ID (ePID)51065005
Product Key Features
Number of Pages258 Pages
Publication NameGrieg : Music, Landscape and Norwegian Identity
LanguageEnglish
Publication Year2006
SubjectHistory & Criticism
TypeTextbook
Subject AreaMusic
AuthorDaniel Grimley
FormatHardcover
Dimensions
Item Height0.8 in
Item Weight19 Oz
Item Length9.4 in
Item Width6.5 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2006-283621
Reviews[Grimley] shows an impressive and wide-ranging scholarship and a mastery not only of Grieg's music but the culture of his time...an authoritative and well documented survey with generous musical examples and unlikely to be surpassed. BBC MUSIC MAGAZINE [Robert Layton] An excellent source for new understandings of Grieg's music. CHOICE Rigorously argued and strongly focused...a very fine study. MUSIC & LETTERS
Dewey Edition22
IllustratedYes
Dewey Decimal780.92
SynopsisWhile Grieg's music continues to enjoy a prominent place in the concert hall and recording catalogues, it has yet to attract sustained analytical attention in Anglo-American scholarship. Daniel Grimley examines the role which music and landscape played in the formation of Norwegian cultural identity in the nineteenth century, and the function that landscape has performed in Grieg's work. It presents new perspectives on the relationships between music, landscape and identity. This tension between competing musical discourses - the folklorist, the nationalist and the modernist - offers one of the most vivid narratives in late-nineteenth and early-twentieth-century music, and suggests that Grieg is a more complex and challenging historical figure than his critical reception has often appeared to suggest. It is through the contested category of landscape, this book argues, that these tensions can be contextualised and ultimately resolved., An examination of the role of landscape and cultural identity in the music of Edvard Grieg. While Grieg's music continues to enjoy a prominent place in the concert hall and recording catalogues, it has yet to attract sustained analytical attention in Anglo-American scholarship. Daniel Grimley examines the role which music and landscape played in the formation of Norwegian cultural identity in the nineteenth century, and the function that landscape has performed in Grieg's work. It presents new perspectives on the relationships between music, landscape and identity. This tension between competing musical discourses - the folklorist, the nationalist and the modernist - offers one of the most vivid narratives in late-nineteenth and early-twentieth-century music, and suggests that Grieg is a more complex and challenging historical figure than his critical reception has often appeared to suggest. It is through the contested category of landscape, this book argues, that these tensions can be contextualised and ultimately resolved.