Intended AudienceTrade
ReviewsLeveraged for political ends by Michael Moore on film and adopted for convenience by the news media as shorthand for teenage violence, Columbine has begun to feel as impenetrable and allegorical as Greek myth. So the intensive reporting of Denver-based journalist Dave Cullen is welcome. . . Cullen creates more than a nuanced portrait of school shooters as young men. He writes a human story - a compassionate narrative of teenagers with guns (and bombs, too), and the havoc they wreak on a school, a community, and America.-- Esquire|9781538766842|, "Salon magazine's Dave Cullen has been on top of the Columbine story from the start... We don't like our evil to be banal. Ten years after Columbine, it only now may be sinking in that the psychopathic killers were not jock-hating dorks from a 'Trench Coat Mafia,' or, as ABC News maintained at the time, 'part of a dark, underground national phenomenon known as the Gothic movement.' In the new bestseller COLUMBINE, the journalist Dave Cullen reaffirms that Dylan Klebold and Eric Harris were instead ordinary American teenagers who worked at the local pizza joint, loved their parents and were popular among their classmates."-- Frank Rich , The New York Times, "Salon magazine's Dave Cullen has been on top of the Columbine story from the start... We don't like our evil to be banal. Ten years afterColumbine, it only now may be sinking in that the psychopathic killers were not jock-hating dorks from a 'Trench Coat Mafia,' or, as ABC News maintained at the time, 'part of a dark, underground national phenomenon known as the Gothic movement.' In the new bestseller COLUMBINE, the journalist Dave Cullen reaffirms that Dylan Klebold and Eric Harris were instead ordinary American teenagers who worked at the local pizza joint, loved their parents and were popular among their classmates."-- Frank Rich , The New York Times
Edition DescriptionRevised edition
SynopsisWhat really happened on April 20, 1999? The horror of the Columbine school shooting left an indelible stamp on the American psyche. In remembrance of the 25th anniversary comes a new edition of this journalistic masterpiece: the definitive account of the Columbine massacre, its aftermath, and its significance, from the acclaimed journalist who followed the story from the outset. Columbine has become the template for nearly two decades of "spectacle murders." But it is a false script, seized upon by a generation of new killers. In the wake of New-town, Parkland, and Pulse, the imperative to understand the crime that sparked this plague grows more urgent every year. Dave Cullen was one of the first reporters on the scene, and he spent ten years on this book. With a keen investigative eye and psychological acumen, he draws on mountains of evidence, insight from the world's leading forensic psychologists, and the killers' own words and drawings-several of which are reproduced in the appendix. Cullen paints raw portraits of two polar-opposite killers, which contrast starkly with the flashes of resilience and redemption among the survivors., What really happened on April 20, 1999? The horror of the Columbine school shooting left an indelible stamp on the American psyche. In remembrance of the 25th anniversary comes a new edition of this journalistic masterpiece: the definitive account of the Columbine massacre, its aftermath, and its significance, from the acclaimed journalist who followed the story from the outset. Columbine has become the template for nearly two decades of "spectacle murders." But it is a false script, seized upon by a generation of new killers. In the wake of New- town, Parkland, and Pulse, the imperative to understand the crime that sparked this plague grows more urgent every year. Dave Cullen was one of the first reporters on the scene, and he spent ten years on this book. With a keen investigative eye and psychological acumen, he draws on mountains of evidence, insight from the world's leading forensic psychologists, and the killers' own words and drawings--several of which are reproduced in the appendix. Cullen paints raw portraits of two polar-opposite killers, which contrast starkly with the flashes of resilience and redemption among the survivors.