Dewey Decimal791.430233092
Table Of ContentPreface 2005 Preface Abbreviations 1. A Life in Cinema From Theatre to Cinema The Silent Films Europe, Hollywood, and Mexico Projects and Problems Triumph and Decline The Particularities of Method 2. Monumental Heroics: The Silent Films Toward Plotless Cinema Strike Potemkin October Old and New A Note on Versions of Eisenstein's Silent Films 3. Seizing the Spectator: Film Theory in the Silent Era Between Theory and Practice Agitation as Excitation Montage in Theatre and Film Film Language and Intellectual Cinema Film Form as Dialectics The Eclectic Modernist 4. Practical Aesthetics: Pedagogy Structure and Style: The Episode Structure and Style: From Episode to Work Assaulting the Eye 5. Cinema as Synthesis: Film Theory, 1930-1948 From Agitprop Formalism to Socialist Realism Conceptions of Psychological Activity Film Form: Organic Unity Montage: The Musical Analogy Revisited Pathos and Ecstasy A Mature Poetics 6. History and Tragedy: The Late Films Alexander Nevsky Ivan the Terrible 7. The Making and Remaking of Sergei Eisenstein Legend in Life The Assimilation into Orthodoxy The Exemplary Modernist Eisenstein Our Contemporary Chronology Filmography Further Reading Bibliography Photo Credits Index
SynopsisThe Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema., The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible , October , Strike, and Alexander Nevsky , Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.
LC Classification NumberPN1998.3