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Magazine Novels of Pauline Hopkins : (Including Hagar's Daughter, Winona, and of One Blood) by Pauline Hopkins (1990, Trade Paperback)
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The Magazine Novels of Pauline Hopkins: (Including Hagar""s Daughter, Winona, and Of One Blood) (The. Title : The Magazine Novels of Pauline Hopkins: (Including Hagar""s Daughter, Winona, and Of One Blood) (The. ).
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About this product
Product Identifiers
PublisherOxford University Press, Incorporated
ISBN-100195063252
ISBN-139780195063257
eBay Product ID (ePID)44623
Product Key Features
Book TitleMagazine Novels of Pauline Hopkins : (Including Hagar's Daughter, Winona, and of One Blood)
Number of Pages672 Pages
LanguageEnglish
Publication Year1990
TopicAmerican / African American, General, Women's Studies, Ethnic Studies / African American Studies
FeaturesReprint
GenreLiterary Criticism, Social Science, Fiction
AuthorPauline Hopkins
Book SeriesThe ^Aschomburg Library of Nineteenth-Century Black Women Writers Ser.
FormatTrade Paperback
Dimensions
Item Height1.8 in
Item Weight17.6 Oz
Item Length6.4 in
Item Width4.6 in
Additional Product Features
Intended AudienceTrade
LCCN87-021182
TitleLeadingThe
Dewey Edition19
Reviews"Brilliant....It is not hard to imagine that, once her fiction is given the attention it deserves, Hopkins could replace Chestnutt as the foremost black novelist of the period."--Eric J. Sundquist inThe New York Times Book Review "The three novels published in theSchomburg Libraryfor the first time since their appearance inThe Colored American Magazinefrom 1901 to 1903 not only represent an early example of black people producing popular fiction for and about themselves, but extend the cultural and political discourse introduced in Harper's novel [Iola Leroy]."--The Women's Review of Books, "Brilliant....It is not hard to imagine that, once her fiction is given the attention it deserves, Hopkins could replace Chestnutt as the foremost black novelist of the period."--Eric J. Sundquist in The New York Times Book Review"The three novels published in the Schomburg Library for the first time since their appearance in The Colored American Magazine from 1901 to 1903 not only represent an early example of black people producing popular fiction for and about themselves, but extend the cultural and political discourse introduced in Harper's novel [Iola Leroy]."--The Women's Review of Books"Brilliant....It is not hard to imagine that, once her fiction is given the attention it deserves, Hopkins could replace Chestnutt as the foremost black novelist of the period."--Eric J. Sundquist in The New York Times Book Review"The three novels published in the Schomburg Library for the first time since their appearance in The Colored American Magazine from 1901 to 1903 not only represent an early example of black people producing popular fiction for and about themselves, but extend the cultural and political discourse introduced in Harper's novel [Iola Leroy]."--The Women's Review of Books, "Brilliant....It is not hard to imagine that, once her fiction is given the attention it deserves, Hopkins could replace Chestnutt as the foremost black novelist of the period."--Eric J. Sundquist in The New York Times Book Review "The three novels published in the Schomburg Library for the first time since their appearance in The Colored American Magazine from 1901 to 1903 not only represent an early example of black people producing popular fiction for and about themselves, but extend the cultural and political discourse introduced in Harper's novel [Iola Leroy]."--The Women's Review of Books, "Brilliant....It is not hard to imagine that, once her fiction is given the attention it deserves, Hopkins could replace Chestnutt as the foremost black novelist of the period."--Eric J. Sundquist in The New York Times Book Review, "Brilliant....It is not hard to imagine that, once her fiction is given the attention it deserves, Hopkins could replace Chestnutt as the foremost black novelist of the period."--Eric J. Sundquist in The New York Times Book Review"The three novels published in the Schomburg Library for the first time since their appearance in The Colored American Magazine from 1901 to 1903 not only represent an early example of black people producing popular fiction for and about themselves, but extend the cultural and political discourse introduced in Harper's novel [Iola Leroy]."--The Women's Review of Books, "Brilliant....It is not hard to imagine that, once her fiction is giventhe attention it deserves, Hopkins could replace Chestnutt as the foremost blacknovelist of the period."--Eric J. Sundquist in The New York Times BookReview, "The three novels published in the Schomburg Library for the first time since their appearance in The Colored American Magazine from 1901 to 1903 not only represent an early example of black people producing popular fiction for and about themselves, but extend the cultural and politicaldiscourse introduced in Harper's novel [Iola Leroy]."--The Women's Review of Books
Dewey Decimal813/.52
Edition DescriptionReprint
SynopsisFirst published in May 1900, the Colored American Magazine provided a pioneering forum for black literary talent previously stifled by lack of encouragement and opportunity. Not only a prolific writer for the journal, Pauline Hopkins also served as one of its powerful editorial forces. This volume of her magazine novels, which appeared serially in the journal between March 1901 and November 1903, reveals Hopkins' commitment to fiction as a vehicle for social change. She weaves important political themes into the narrative formulas of nineteenth-century dime-store novels and story papers, which emphasize suspense, action, complex plotting, multiple and false identities, and the use of disguise. Offering both instruction and entertainment, Hopkins' novels also expose the limitations of popular American narrative forms when telling the stories of black characters.
