Basees/Routledge Series on Russian and East European Studies: Russian and Soviet Film Adaptations of Literature, 1900-2001 : Screening the Word by Anat Vernitskaia (2005, Hardcover)

Great Book Prices Store (341249)
96.7% positive feedback
Price:
$209.74
Free shipping
Estimated delivery Wed, Aug 27 - Wed, Sep 3
Returns:
14 days returns. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Condition:
Brand New
Russian And Soviet Film Adaptations Of Literature, 1 : Screening The Word, Hardcover by Hutchings, Stephen C. (EDT); Vernitski, Anat (EDT), ISBN 0415306671, ISBN-13 9780415306676, Brand New, Free shipping in the US Examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on public consciousness.

About this product

Product Identifiers

PublisherRoutledge
ISBN-100415306671
ISBN-139780415306676
eBay Product ID (ePID)30871272

Product Key Features

Number of Pages256 Pages
LanguageEnglish
Publication NameRussian and Soviet Film Adaptations of Literature, 1900-2001 : Screening the Word
SubjectFilm / General, Russia & the Former Soviet Union, Russian & Former Soviet Union, Film / History & Criticism
Publication Year2005
TypeTextbook
Subject AreaPerforming Arts, Literary Collections, History
AuthorAnat Vernitskaia
SeriesBasees/Routledge Series on Russian and East European Studies
FormatHardcover

Dimensions

Item Height0.7 in
Item Weight7.7 Oz
Item Length9.5 in
Item Width6.3 in

Additional Product Features

Intended AudienceCollege Audience
LCCN2004-013383
Reviews'While each article addresses different theoretical approaches, and strives to answer dissimilar questions, they are unified by the book's mission, and the collection as a whole manages to create an illuminating overall picture of the development of Russian/Soviet/post-Sovietekranizatsii...This collection is a perceptive overview and agreat reference book--for the curious general reader as well as for the specialist--which can be used as a textbook for a course on Russian literature and cinema, as an insightful addition to a course on Socialist Realism, or as a source for anyone interested in Soviet and Post-Soviet culture."-Slavic and East European Journal, 50.2 (Summer 2006) 'This volume contains thorough studies, which in their entirety do justice to the editor's claim of providing a general overview, as set out in the introduction.' - MLR, 102.1, 2007 'The contributors develop useful paradigms for every decade and illustrate them with examples. These ten pages alone represent a comprehensive history of film adaptions, which illustrates the complex interaction between ideological premisses and a reassessment of the great writers of Russian and Soviet literature, as well as world literature.'- Christine Engel, University of Innsbruck, 'While each article addresses different theoretical approaches, and strives to answer dissimilar questions, they are unified by the book's mission, and the collection as a whole manages to create an illuminating overall picture of the development of Russian/Soviet/post-Soviet ekranizatsii...This collection is a perceptive overview and a great reference book--for the curious general reader as well as for the specialist--which can be used as a textbook for a course on Russian literature and cinema, as an insightful addition to a course on Socialist Realism, or as a source for anyone interested in Soviet and Post-Soviet culture."-Slavic and East European Journal, 50.2 (Summer 2006) 'This volume contains thorough studies, which in their entirety do justice to the editor's claim of providing a general overview, as set out in the introduction.' - MLR, 102.1, 2007 'The contributors develop useful paradigms for every decade and illustrate them with examples. These ten pages alone represent a comprehensive history of film adaptions, which illustrates the complex interaction between ideological premisses and a reassessment of the great writers of Russian and Soviet literature, as well as world literature.' - Christine Engel, University of Innsbruck
Dewey Edition22
Series Volume NumberVol. 18
IllustratedYes
Dewey Decimal791.436
Table Of ContentIntroduction: The Importance of the Ekranizatsiia in 20th Century Russian and Soviet Culture Part 1 Soviet Film Adaptations under Lenin and Stalin: Manufacturing the Myth 1. Popular Literature in Film Adaptations of the NEP Period 2. Moving Images and Eye-deologies: Visuality and the Political in the Soviet Screen Adaptation of Literature 3. National Historical Mythologies on the Soviet Screen: The Film Version of Tolstoy's 'Peter the Great' Part 2 Literature and Film in the Post-Stalin Era: The Myth in Retreat 4. Unauthor-ized Copies: The Image of the Writer in the Post-Stalin Film Adaptation 5. Kozintsev's Film Adaptations of Shakespeare 6. Aksenov: Young Prose and the Cinema of the Thaw 7. Pushkin's 'Arap Petra Pervogo' and its Film Adaptation 8. The Writer as Director in Late Soviet Russia: Vasilii Shukshin Part 3 From Text to Screen, Soviet to Post-Soviet: Re-viewing the Russian National Myth 9. Imperially My Dear Watson: The Sherlock Holmes Series and the Decline of the Soviet Empire 10. Official versus Dissent: The Mikhalkov Brothers' View of Russia's Past 11. 'I Love You Dear Captive': Gender, Narrative and Chronotope in The Screened Caucasus Tale 12. Re-reading/Re-viewing Dostoevskii in the Post-Soviet Era: The Challenge of the Spiritual
SynopsisProviding many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people.
LC Classification NumberPN1997.85.F437 2004

All listings for this product

Buy It Now
Any Condition
New
Pre-owned
No ratings or reviews yet
Be the first to write a review