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About this product
Product Identifiers
PublisherMcGraw-Hill Companies, T.H.E.
ISBN-100072977434
ISBN-139780072977431
eBay Product ID (ePID)30510018
Product Key Features
Number of Pages312 Pages
Publication NameCriticizing Photographs : an Introduction to Understanding Images
LanguageEnglish
SubjectGeneral, Criticism
Publication Year2005
FeaturesRevised
TypeTextbook
Subject AreaPhotography
AuthorTerry Barrett
FormatPerfect
Dimensions
Item Height0.5 in
Item Weight1.1 Oz
Item Length9.1 in
Item Width7.3 in
Additional Product Features
Edition Number4
Intended AudienceCollege Audience
LCCN2005-049619
Dewey Edition22
IllustratedYes
Dewey Decimal770/.1
Edition DescriptionRevised edition
Table Of ContentCriticizing Photographs, Fourth Edition, Terry Barrett Tentative (10/20/04) 1. About Art Criticism Defining Criticism Sources of Criticism Kinds of Criticism The Backgrounds of Critics Stances Toward Criticism Relations Between Critics and Artists Criticizing Criticism The Value of Criticism 2. Describing Photographs: What Do I See? Defining Description Descriing an Exhibition: Avedon'sIn the American West Describing Subject Matter Describing Form Describing Medium Describing Style Comparing and Contrasting Internal and External Sources of Information Description and Interpretation Description and Evaluation The Importance of Description to Readers Principles for Describing Photographs 3. Interpreting Photographs: What Does It Mean? An Exemplary Interpretation About Interpretation Defining Interpretation The Objects of Interpretation Interpretive Claims and Arguments Interpretive Perspectives Three Interpretations ofEleanor Other Interpretive Strategies Combinations of Interpretive Approaches "Right" Interpretations Interpretations and the Artist's Intent Interpretations and Feelings Interpretation, Meaning, and Personal Significance The Community of Interpreters 4. Types of Photographs Categories of Photographs New Categories Descriptive Photographs Explanatory Photographs Interpretive Photographs Ethically Evaluative Photographs Aesthetically Evaluative Photographs Theoretical Photographs 5. Photographs and Contexts Internal Context Original Context External Context External Contexts and Connotations Interpreting Barbara Kruger'sUntitled("Surveillance"), with Contextual Information "Surveillance" and Internal Context "Surveillance" and Original Context "Surveillance" and External Context Barbara Kruger'sUntitled("Surveillance"), and the Categories Descriptive Photographs Explanatory Photographs Interpretive Photographs Ethically Evaluative Photographs Aesthetically Evaluative Photographs Theoretical Photographs The Interpretive Process: A Summary 6. Judging Photographs: Is It Good? Examples of Judgmental Statements Positive Judgments Negative Judgments Implied Judgments Opposing Judgments Comparative Judgments Jugments and Reasons Judgments and Criteria Different Criteria Realism Expressionism Formalism Instrumentalism Other Criteria Choosing Among Criteria Differing Judgments Judgments Are Arguments Reappraisals Judgments and Preferences Intentionalism and Judgments The Objects of Judgments Judgments of Robert Mapplethorpe's Photographs Hilton Kramer's and Grace Glueck's Views of Mapplethorpe's Work Other Critics' Views of Mapplethorpe's Work Conclusion 7. Photography Theory: Is It Art? Is It True? Is It Moral? Photography Theory and Practice Ontological Concerns: What Is a Photograph? Digital Images and Ontology Epistemological Concerns: Are Photographs True? Realist Theory Conventionalist Theory Photographic Truth
SynopsisThis brief text is designed to help both beginning and advanced students of photography better develop and articulate thoughtful criticism. Organized around the major activities of criticism (describing, interpreting, evaluating, and theorizing), Criticizing Photographs provides a clear framework and vocabulary for students' critical skill development. The fourth edition includes new black and white and color images, updated commentary, a completely revised chapter on theory that offers a broad discussion of digital images, and an expanded chapter eight on studio critiques and writing about photographs, plus examples of student writing and critique.