About this product

Product Identifiers

PublisherUniversity Press of Florida

ISBN-100813027306

ISBN-139780813027302

eBay Product ID (ePID)30218237

Product Key Features

Number of Pages320 Pages

Publication NameEdith Wharton's Writings from the Great War

LanguageEnglish

SubjectWomen Authors, Subjects & Themes / Historical events, Military / World War I, American / General

Publication Year2004

TypeTextbook

Subject AreaLiterary Criticism, History

AuthorJulie Olin-Ammentorp

FormatHardcover

Dimensions

Item Height0.9 in

Item Weight19.2 Oz

Item Length9.3 in

Item Width6.2 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN2004-044187

Dewey Edition22

IllustratedYes

Dewey Decimal813/.52

SynopsisThrough a detailed examination of a wide range of texts, this book reclaims Edith Wharton's writings from World War I and places Wharton in the company of other "Great War" writers., Edith Wharton resided in France during World War I, visiting combat zones and hospitals and working tirelessly with refugee and children's relief organizations. In magazines and newspapers such as the New York Times, Saturday Evening Post, and Scribner's, she wrote prodigiously about the war - dispatches, feature articles, and poems. During this time she also completed a number of short stories, two books (Summer and The Marne), and the essays that were collected in French Ways and Their Meaning. The war remained a topic for her after its conclusion, most notably in her 1923 novel. A Son at the Front. Yet none of this work has received the critical attention it deserves. Julie Olin-Ammentorp, through her detailed examination of a wide range of texts, including archival sources and materials long out of print, reclaims Wharton's war writings and places her in the company of other Great War writers. discusses common themes, and examines issues such as Wharton's exclusion from the canon of Great War writers; the effect of the war on her choice of subject, style, and tone; her shifting perspective on the war itself; her sense of personal, social, and literary destabilization during the war; and her increased sense of the role of history during and after the war. Olin-Ammentorp quotes many evocative passages from Wharton's wartime correspondence - most notably to Henry James, who avidly read Wharton's letters to him during the war as if they were dispatches from the front. Particularly new is the inclusion of Wharton's poetry composed during the war years, most of which has remained unpublished until now. In addition to providing a thorough analysis of Wharton's war writings, the book includes two appendixes of her out-of-print and scattered writings; this book makes them available for the first time in over 85 years. Wharton's war-related nonfiction prose, including newspaper reportage, magazine articles, an obituary for her young friend Ronald Simmons who died in the war, and a speech she gave to American servicemen., An examination of Edith Wharton's works from World War I, reclaiming Wharton as a "Great War" writer Edith Wharton resided in France during World War I, visiting combat zones and hospitals and working tirelessly with refugee and children's relief organizations. In magazines and newspapers such as the New York Times, Saturday Evening Post , and Scribner's , she wrote prodigiously about the war--dispatches, feature articles, and poems. During this time she also completed a number of short stories, two books ( Summer and The Marne ), and the essays that were collected in French Ways and Their Meaning . The war remained a topic for her after its conclusion, most notably in her 1923 novel, A Son at the Fron t. Yet none of this work has received the critical attention it deserves. Julie Olin-Ammentorp, through her detailed examination of a wide range of texts, including archival sources and materials long out of print, reclaims Wharton's war writings and places her in the company of other "Great War" writers. Olin-Ammentorp integrates all of Wharton's war-time literary genres, discusses common themes, and examines issues such as Wharton's exclusion from the canon of Great War writers; the effect of the war on her choice of subject, style, and tone; her shifting perspective on the war itself, as it dragged on far longer than anyone anticipated; her sense of personal, social, and literary destabilization during the war; and her increased sense of the role of history during and after the war. Olin-Ammentorp quotes many evocative passages from Wharton's wartime correspondence--most notably to Henry James, who avidly read Wharton's letters as if they were dispatches from the front. Particularly new is the inclusion of Wharton's poetry composed during the war years, most of which has remained unpublished until now. In addition, Olin-Ammentorp's examination of A Son at the Front is more detailed, comprehensive, and complex than any study to date. She concludes with a reflection on Wharton's last depiction of the war years in her memoir, A Backward Glance. In addition to providing a thorough analysis of Wharton's war writings, the book includes two appendixes of her out-of-print and scattered writings, available for the first time in over 85 years. The first contains the war poetry; the second includes a sampling of Wharton's war-related nonfiction prose, including newspaper reportage, magazine articles, an obituary for her young friend Ronald Simmons who died in the war, and a speech she gave to American servicemen., An examination of Edith Wharton's works from World War I, reclaiming Wharton as a "Great War" writer Edith Wharton resided in France during World War I, visiting combat zones and hospitals and working tirelessly with refugee and children's relief organizations. In magazines and newspapers such as the New York Times, Saturday Evening Post, and Scribner's, she wrote prodigiously about the war--dispatches, feature articles, and poems. During this time she also completed a number of short stories, two books (Summer and The Marne), and the essays that were collected in French Ways and Their Meaning. The war remained a topic for her after its conclusion, most notably in her 1923 novel, A Son at the Front. Yet none of this work has received the critical attention it deserves. Julie Olin-Ammentorp, through her detailed examination of a wide range of texts, including archival sources and materials long out of print, reclaims Wharton's war writings and places her in the company of other "Great War" writers. Olin-Ammentorp integrates all of Wharton's war-time literary genres, discusses common themes, and examines issues such as Wharton's exclusion from the canon of Great War writers; the effect of the war on her choice of subject, style, and tone; her shifting perspective on the war itself, as it dragged on far longer than anyone anticipated; her sense of personal, social, and literary destabilization during the war; and her increased sense of the role of history during and after the war. Olin-Ammentorp quotes many evocative passages from Wharton's wartime correspondence--most notably to Henry James, who avidly read Wharton's letters as if they were dispatches from the front. Particularly new is the inclusion of Wharton's poetry composed during the war years, most of which has remained unpublished until now. In addition, Olin-Ammentorp's examination of A Son at the Front is more detailed, comprehensive, and complex than any study to date. She concludes with a reflection on Wharton's last depiction of the war years in her memoir, A Backward Glance. In addition to providing a thorough analysis of Wharton's war writings, the book includes two appendixes of her out-of-print and scattered writings, available for the first time in over 85 years. The first contains the war poetry; the second includes a sampling of Wharton's war-related nonfiction prose, including newspaper reportage, magazine articles, an obituary for her young friend Ronald Simmons who died in the war, and a speech she gave to American servicemen.

LC Classification NumberPS3545.H16Z755 2004