Dewey Decimal808/.042/0712
Table Of ContentThe Essentials of Writing Making Meaning on the Page and in Our Lives Tap the Energy for Writing Rehearsal: Living the Writerly Life Drafting and Revision: Letting Our Worlds Instruct and Surprise Us Let Children Show Us How to Teach Lessons from Children The Foundation of Literacy: Writing in the Home, the Nursery School, and the Kindergarten Growing Up Writing: Grades K, l, and 2 In the Middle :Second and Third Grades Grades FourETH;Six Adolescence :The Best of Times, the Worst of Times Ongoing Structures in the Writing Workshop Establish a Predictable Workshop Environment Don't Be Afraid to Teach: Tools to Help Us Create Mini-Lessons Conferring: Writing Becomes a Tool for Thought Learning to Confer Peer Conferring, Response Groups, Share Sessions Writing Literature Under the Influence of Literature Publication :The Beginning of the Writerly Life Apprenticeships in the Writing Workshop: Learning from Authors Editing: Learning the Conventions of Written Language Assessment: A Minds-On Approach to Teaching The Changing Curriculum in a Writing Workshop A Curriculum Within the Writing Workshop Genre Studies Poetry: It Begins in Delight and Ends in Wisdom Making Memoir out of the Pieces of Our Lives Literary Nonfiction Thematic Studies: Reading the World, Reading the Word Writing Workshop Teaching in a Larger Context Writing to Learn Throughout the Day Workshop Teaching Throughout the Day The Home/School Connection :Composing Literate Lives in Homes and Neighborhoods Teaching Matters
SynopsisAn outstanding publication on the latest developments in writing instruction. - Language Arts When Lucy Calkins wrote the first edition of The Art of Teaching Writing, the writing workshop was a fledgling idea, piloted by a few brave innovators. Now, as she brings us this new edition, the writing workshop is at the foundation of language arts education throughout the English-speaking world. This new edition, then, could easily have been a restatement, in grander, more confident tones, of the original classic. Instead, it is an almost entirely new book. Clearly, during the time in which Calkins's original ideas have spread like wildfire, her focus has not been on articulating and defending those ideas, but on developing and rethinking them. Respecting and responding to the questions which have arisen as thousands of teachers establish writing workshops in their classrooms, and drawing upon the latest knowledge in the field and her own intimate understanding of classroom life, Calkins has re-thought every line and every facet of her original text. In this new edition, Lucy has major new chapters on assessment, thematic studies, writing throughout the day, reading/writing relationships, publication, curriculum development, nonfiction writing and home/school connections. More than this, she has deepened her understanding of the writing process itself: "When I wrote the first edition, I saw writing as a process of choosing a topic, turning the topic into the best possible draft, sharing the draft with friends, then revising it. But I've come to think that it's very important that writing is a process not only of recording, but also of developing a story or an idea. Now, in this new edition, I describe writing episodes that do not begin with a topic and a draft but instead with something noticed or something wondered about. When writing begins with something that has not yet found its significance, it is more apt to become a process of growing meaning.", Cloth Edition. The Art of Teaching Writing, New Edition, has major new chapters on assessment, thematic studies, writing throughout the day, reading/writing relationships, publication, curriculum development, nonfiction writing and home/school connections.
LC Classification NumberPE1404.C29 1994