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About this product
Product Identifiers
PublisherYale University Press
ISBN-101857096142
ISBN-139781857096149
eBay Product ID (ePID)237589406
Product Key Features
Book TitleMonochrome : Painting in Black and White
Number of Pages272 Pages
LanguageEnglish
Publication Year2017
TopicCollections, Catalogs, Exhibitions / General, Techniques / Color, History / General
IllustratorYes
GenreArt
AuthorJennifer Sliwka, Lelia Packer
FormatHardcover
Dimensions
Item Height0.1 in
Item Weight52.9 Oz
Item Length1.1 in
Item Width0.9 in
Additional Product Features
Intended AudienceTrade
LCCN2017-939575
Dewey Edition23
Dewey Decimal752
SynopsisPainting "without color" has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l'oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer's attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual - epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck - to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly., Painting "without color" has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l'oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer's attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual - epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck - to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (10/30/17-02/18/18) Museum Kunstpalast, Düsseldorf (03/21/18-07/15/18)