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About this product
Product Identifiers
PublisherRutgers University Press
ISBN-100813531772
ISBN-139780813531779
eBay Product ID (ePID)2208756
Product Key Features
Number of Pages256 Pages
LanguageEnglish
Publication NameFantasies of Fetishism : from Decadence to the Post-Human
SubjectSubjects & Themes / Erotica, Gender Studies, Anthropology / Cultural & Social, History & Surveys / Modern, Subjects & Themes / General, Human Sexuality (See Also Social Science / Human Sexuality)
Publication Year2002
TypeTextbook
Subject AreaLiterary Criticism, Art, Philosophy, Social Science, Psychology
AuthorAmanda Fernbach
FormatTrade Paperback
Dimensions
Item Weight28 Oz
Item Length9.8 in
Item Width7.5 in
Additional Product Features
Intended AudienceCollege Audience
LCCN2002-024837
Dewey Edition21
IllustratedYes
Dewey Decimal306.7/7
SynopsisAt the dawn of the new millennium, Western culture is marked by various fantasies that imagine our future selves and their forms of embodiment. These fantasies are part of a rapidly growing cultural discourse about the future of the human body; the ever more illusive boundary between the human, the animal, and the technological; and the cultural consequences of greater human-technological integration., At the dawn of the new millennium, Western culture is marked by various fantasies that imagine our future selves and their forms of embodiment. These fantasies are part of a rapidly growing cultural discourse about the future of the human body; the ever more illusive boundary between the human, the animal, and the technological; and the cultural consequences of greater human-technological integration. Amanda Fernbach argues that classic fetishism, as outlined by Sigmund Freud, never has been up to the task of explaining all cultural fetishisms. Exploring decadent, magical, matrix, and immortality fetishism, she shows how fetishism in all of its modes is an important conceptual tool for contesting postmodern malaise and for providing utopian tools for a post-human existence. Examining a wide range of texts and scenes, she argues that we should examine the new forms of fetishism emerging from the fringes of the pop culture scene in order to understand their complexities as they move into broader cultural contexts. She skillfully deploys these concepts of fetishisms in discussing topics such as sexual difference, queer identities, computer culture and the "post-human" as well as applying them to her objects of study: cross-cultural dressers, technofetishists, cyberspace cowboys, cyborgs, geekgirls, and SM/fetish culture.