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Symbolist Prints of Edvard Munch : The Vivian and David Campbell Collection by Elizabeth Prelinger and Michael Parke-Taylor (1996, Hardcover)
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"The Symbolist Prints of Edvard Munch: The Vivian and David Campbell Collection" is a comprehensive catalog of Edvard Munch's prints, featuring 246 pages of detailed information and images. Published by Yale University Press in 1996, this hardcover textbook delves into the history and individual works of the renowned artist. Authored by Elizabeth Prelinger and Michael Parke-Taylor, this collection showcases Munch's unique style and symbolism, making it a valuable resource for art enthusiasts and collectors alike. Sealed brand new.
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About this product
Product Identifiers
PublisherYale University Press
ISBN-100300069529
ISBN-139780300069525
eBay Product ID (ePID)203709
Product Key Features
Number of Pages246 Pages
Publication NameSymbolist Prints of Edvard Munch : the Vivian and David Campbell Collection
LanguageEnglish
Publication Year1996
SubjectIndividual Artists / General, Printmaking, Collections, Catalogs, Exhibitions / General, Prints, History / General
TypeTextbook
Subject AreaArt, Crafts & Hobbies
AuthorElizabeth Prelinger, Michael Parke-Taylor
FormatHardcover
Dimensions
Item Height0.1 in
Item Weight56.4 Oz
Item Length1 in
Item Width1 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN96-003074
Dewey Edition20
TitleLeadingThe
IllustratedYes
Dewey Decimal769.92
SynopsisEdvard Munch is one of the twentieth century's greatest printmakers, and his works--particularly The Scream and Madonna-- have made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de si cle imagery. Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations., Edvard Munch is one of the twentieth century's greatest printmakers, and his works-particularly The Scream and Madonna- have made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siècle imagery. Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations.
LC Classification NumberNE694.M8A4 1996
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