Reviews
We know that in the Cold War transportation infrastructures boomed, electronic infrastructures had to be hardened. We know about weapons and counter-weapons; we even have learned about the astonishing proliferation of security mechanisms put in place during the War on Terror. What Joseph Masco shows us in The Theater of Operations is an entire affective structure--the management of anxiety, resilience, steadfastness, sacrifice--that is demanded of every citizen. Alert to liquid containers above 2.4 ounces, hypervigilant to abandoned bags, suspicious loitering, or the detonation of a thermonuclear weapon--we learn to live our lives aware of tiny and apocalyptic things. With an anthropologist's eye long attuned to life in the para-wartime state, Masco is the perfect guide to the theater of our lives in the security state., The Theater of Operations is a joy to read. Masco's writing style is eloquent and effortless. ... [A]nthropologists of security, violence, war and peace should look to Masco's concept work and reflect on their own ethnographic experiences. At a cost of just under US$8 trillion, the War on Terror has succeeded in displacing governance from many genuine sources of violence and suffering. Anthropology has a role to play in attending to this and to the replacement of one defective social contract with another one based on emotion and violence., This book would work well as a monograph for graduate seminars in historical social science, the anthropology of the United States, expertise, subjectivity and affect, or the state. Written in highly sophisticated engagement with a wide range of theory, its writing nonetheless has a clarity, crispness, and vividness that would allow it to be used with advanced undergraduates to introduce them to what is sure to be one of this decade's most important works in our field and in interdisciplinary study of the United States., "Anthropologist Masco takes a cultural-anthropological lens to the study of a "counterterror state," which he argues the US has become since the horrors of 9/11. ... His remarkable treatise powerfully, sometimes cynically, demonstrates how the terrorist events of September 11 were deployed in the service of a "conceptual project" that 'mobilizes affects (fear, terror, anger) via imaginary processes (worry, precarity, threat) to constitute an unlimited space and time horizon for military state action.' ... Essential. Graduate and undergraduate collections in cultural anthropology, cultural studies, political violence, and terrorism studies.", The Theater of Operations is an important, well-argued book ... [that] comes at a time when it is highly relevant and needed. As real threats multiply and the idea of ultimate security becomes obsolete, the country may have to prioritise its goals so that its own values and world security will not be undermined. It may be hard for the United States to do so, but, at least, Masco's work reminds us how complex and multifaceted the relations between security, democracy and empire are., Masco's robust and historically rigorous comparison yields a deep understanding of the evolution of U.S. hegemony in the long postwar era and into the twenty-first century., Masco's contribution to the emergent field of security studies and the anthropology of the military is undeniable. Students and practitioners across a broad scope of policy planning would benefit from reading a credible account of the evolution of the complex network of security structures to which Americans submit daily, and perhaps rarely pause to question. In fact, the book could provide the basis for a critical study of counterinsurgency operations in Iraq and Afghanistan since 2001. The most compelling point of the book--and, perhaps, its most disheartening--is that our national security ethos is not necessarily predicated upon real, existential threats, but imagined dangers which are only as finite as the limits of our imagination., Joseph Masco's brilliance lies in his ability to make visible the complex affective and discursive technologies that emerged from the long history of the Cold War, and to illuminate their effects on our everyday perceptions of security and harm. This much-anticipated book will be read widely in cultural anthropology and cultural studies. It is beautifully written and argued. That one leaves The Theater of Operations a bit paranoid is a tribute to Masco's rhetorical skill.
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Synopsis
How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations , Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats--real, imagined, and emergent., The anthropologist Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. Global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations.
