SynopsisWinner of the California Book Award Finalist for the National Book Critics Circle Award Finalist for the National Book Award "Beautiful and absorbing."-- New York Times An Unnecessary Woman is a breathtaking portrait of one reclusive woman's late-life crisis, which garnered a wave of rave reviews and love letters to Alameddine's cranky yet charming septuagenarian protagonist, Aaliya, a character you "can't help but love" (NPR). Aaliya's insightful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and her volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. Here, the gifted Rabih Alameddine has given us a nuanced rendering of one woman's life in the Middle East and an enduring ode to literature and its power to define who we are. "A paean to the transformative power of reading, to the intellectual asylum from one's circumstances found in the life of the mind." -- LA Review of Books "[The novel] throbs with energy...[Aaliya's] inventive way with words gives unfailing pleasure, no matter how dark the events she describes, how painful the emotions she reveals." -- Washington Post, A happily misanthropic Middle East divorcee finds refuge in books in a "beautiful and absorbing" novel of late-life crisis ( The New York Times ). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya's musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this "meditation on, among other things, aging, politics, literature, loneliness, grief and resilience" ( The New York Times ), Alameddine conjures "a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex" ( San Francisco Chronicle ). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is "a fun, and often funny . . . grave, powerful . . . [and] extraordinary" ( Washington Independent Review of Books ) ode to literature and its power to define who we are. "Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one's a keeper" ( The Independent ), Winner of the California Book Award Finalist for the National Book Critics Circle Award Finalist for the National Book Award "Beautiful and absorbing."-- New York Times An Unnecessary Woman is a breathtaking portrait of one reclusive woman's late-life crisis, which garnered a wave of rave reviews and love letters to Alameddine's cranky yet charming septuagenarian protagonist, Aaliya, a character you "can't help but love" (NPR). Aaliya's insightful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and her volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. Here, the gifted Rabih Alameddine has given us a nuanced rendering of one woman's life in the Middle East and an enduring ode to literature and its power to define who we are. "A paean to the transformative power of reading, to the intellectual asylum from one's circumstances found in the life of the mind."-- LA Review of Books " The novel] throbs with energy... Aaliya's] inventive way with words gives unfailing pleasure, no matter how dark the events she describes, how painful the emotions she reveals."-- Washington Post