About this product

Product Identifiers

Record LabelCD Baby, Cdb

UPC0609224278907

eBay Product ID (ePID)20046062081

Product Key Features

Release Year2012

FormatCD

GenreJazz

ArtistGlen David Andrews

Release TitleLive at Three Muses

Dimensions

Item Height0.23 in

Item Weight0.11 lb

Item Length5.58 in

Item Width4.91 in

Additional Product Features

Number of Tracks11

Number of Discs1

TracksBasin Street Blues, Treme Song, Flat Like That (Get That Gator), At the Foot of Canal Street, Rock Star (Like Mike), Whatever Happened to Peanut, Bury the Hatchet, Tipitina, Takin' It to Church, I Want You (Brothers Johnson Jam), Guilded Splinters [Bonus Track]

NotesRecorded Live @ Three Muses, 536 Frenchmen St, New Orleans LA August 19, 2011 Recorded and mixed by Michael Seaman, listen up! Studios / Producer Arranger - Glen David Andrews Producer - Big Baby Genius (aka Michael Seaman) / Producer - Kimball Packard ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Trombone and Vocals - Glen David Andrews Saxophone - Calvin Johnson Piano - Kyle Roussel Bass - Barry Stephenson Drums - Jermal Watson Guitar - Josh Starkman Guitar - Paul Sanchez (tracks 2,4,10) Trumpet - Glen Andrews Rub Board - Solomon B. Doyle III (track 3) I would not have the talent or gift without my Lord and Savior Jesus Christ. Thanks to my mother Vana Acker, Auntie Wanda, Auntie Desiree and Auntie Debra, my dream team of cousins, Patrice Carter, Aisha, Temeka, Terrence and Buster Andrews, My father Aldo Andrews, you've been the only father I've ever known. My confidant, Mr. Jacques Morial, my heart, Bonnie Tabb, Mary Howell, Quint Davis, Chef Thomas Woods and Eric Kaiser at Maximo's, Big Mike and Tom at dba, my dearest friend Paul Sanchez, John Blancher, Miss Sophie Lee, John and Lisa Grillot who founded Trumpets not Guns with me, Scott Lopker and the Red Bull flying team, especially Helicopter pilot Chuck Aaron, and Lowell Pickett at the Dakota Jazz Club. A very special thanks to Mr. Ted Kurland for signing me and believing in my talent, and to Jack Randall and Roxanne Randall, my manager, Mr. Kimball Packard, thank you for your hard work and for taking a chance on working with me, Kimball, I love you! Most importantly Revert "Peanut" Andrews, you told me I could do it, and helped me get here, love you Peanut. Special thanks to Ms. Tiffany Junot, without your love and support I wouldn't have come so far in my life, you changed me as a man and helped me become a better person every day. I thank God for you and wish you the best in your career and life, I love you, and to Pookie and Snooks, our "children", I want you to grow and be the cutest little angels for your mother that you can be! This CD is dedicated to the memory of Mr. Louis "Fritz" Nelson, Patrick Harold Joseph, Anthony "Tuba Fats" Lacen, Kerwin James, Damion "Monti" Wheller, Mr. Arthur Lawson Jr., and Corey "Penny Pinching" Page, love you all dearly! Red Beans and Ricely Yours, Glen David Andrews Artwork: Thom Sandberg / Photos: John Knappe glendavidandrewsband.com / trumpetsnotguns.org Management: Sound Advice Artist Management / 504-298-NOLA / soundadvicenola (dot) com / packard1@gmail.com Booking: Blue Mountain Artists / 704-525-1559 / bmatours (dot) com / micah@bmatours.com Offbeat Review - February 2, 2012 Glen David Andrews - Live at Three Muses 01 February 2012 - by John Swenson Anyone who's witnessed Glen David Andrews on a good night knows he is capable of being the most charismatic performer in New Orleans. Up until now, you had to be there to appreciate his talent, though. His 2004 Dumaine Street Blues demonstrated his capabilities playing traditional jazz and New Orleans street favorites quite well but didn't distinguish itself from many similar recordings. 2009's live Walking Through Heaven's Gate captured GDA's impressive gospel roots, but technical difficulties made the album a less than perfect medium for his galvanic talents. Finally, Live at Three Muses captures the full force of GDA's live act for posterity. The Frenchmen Street club decided to record all of it's regular acts over the summer of 2011 with the idea of putting together a compilation record. In the process, Andrews managed to condense his peripatetic performance into the perfect live recording. Andrews can be sprawling from set to set, brilliantly unpredictable and over the top. He takes so many chances that his moves don't always work, but he adjusts to the moment so it's always just a short wait until the next spectacular turn. But on this record, he exercised outstanding discipline in charting a program that takes him throug