The A. W. Mellon Lectures in the Fine Arts Ser.: Cézanne and America : Dealers, Collectors, Artists, and Critics, 1891-1921 by John Rewald (1989, Hardcover)
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Several chapters are devoted to the important Armory Show of 1913. Each chapter is copiously illustrated, not only with Cézannes works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers ledgers, and Cézannes own correspondence.
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About this product
Product Identifiers
PublisherPrinceton University Press
ISBN-10069109960X
ISBN-139780691099606
eBay Product ID (ePID)20038700161
Product Key Features
Number of Pages352 Pages
LanguageEnglish
Publication NameCézanne and America : Dealers, Collectors, Artists, and Critics, 1891-1921
Publication Year1989
SubjectArt, Individual Artists / General, History / Modern (Late 19th Century to 1945), European
TypeTextbook
Subject AreaArt, Antiques & Collectibles
AuthorJohn Rewald
SeriesThe A. W. Mellon Lectures in the Fine Arts Ser.
FormatHardcover
Dimensions
Item Weight49.1 Oz
Item Length10 in
Item Width7.5 in
Additional Product Features
Intended AudienceCollege Audience
LCCN88-022578
Dewey Edition19
Series Volume Number28
Dewey Decimal759.4
SynopsisJohn Rewald, the internationally acclaimed Cezanne scholar, presents here for the first time a full account of how the artist's reputation and influence became established in America between 1891 and 1921, and of how some of the world's largest collections of Cezanne's works were formed in the United States. Recounted in Rewald's characteristically urbane and masterly style, this is the fascinating story of enthusiastic young American artists who took up Cezanne's cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work--Leo and Gertrude Stein, the Havemeyers and John Quinn, among others--many of whom made their first purchases from Cezanne's wily dealer Vollard or from the dealer Alfred Stieglitz in America, and of the beginning of the famous collection of Dr. Albert C. Barnes. Rewald discusses the exhibitions at which Cezanne's works were first shown and describes the outraged reactions of all but a few of the American critics. Several chapters are devoted to the important Armory Show of 1913. Throughout the text runs a compelling narrative in which all the actors revolve around the absent protagonist Cezanne. Each chapter is copiously illustrated, not only with Cezanne's works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers' ledgers, and Cezanne's own correspondence., The classic work by internationally acclaimed Cézanne scholar John Rewald Cézanne and America presents for the first time a full account of how the Paul Cézanne's reputation and influence became established in America between 1891 and 1921, and of how some of the world's largest collections of his works were formed in the United States. Recounted in John Rewald's characteristically urbane and masterly style, this is the fascinating story of enthusiastic young American artists who took up Cézanne's cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work--Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others--many of whom made their first purchases from Cézanne's wily dealer Vollard or from the dealer Alfred Stieglitz in America, and of the beginning of the famous collection of Dr. Albert C. Barnes. Rewald discusses the exhibitions at which Cézanne's works were first shown and describes the outraged reactions of all but a few of the American critics. Several chapters are devoted to the important Armory Show of 1913. Throughout the text runs a compelling narrative in which all the actors revolve around the absent protagonist Cézanne. Each chapter is copiously illustrated, not only with Cézanne's works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers' ledgers, and Cézanne's own correspondence.