Along with Henry Miller, Brassai scoured Paris for his censored images. "Textbook examples of candid photography being used as a tool for cultural investigation.". - New Republic. 8 x 11 x 1in.
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About this product
Product Identifiers
PublisherThames & Hudson
ISBN-100500271089
ISBN-139780500271087
eBay Product ID (ePID)1818124
Product Key Features
Book TitleSecret Paris of the 30s : Brassaï
Number of Pages192 Pages
LanguageEnglish
TopicEurope / France, Collections, Catalogs, Exhibitions / General, Artists, Architects, Photographers, Photoessays & Documentaries, Sociology / Urban
Publication Year2001
FeaturesReprint
IllustratorYes
GenreSocial Science, Photography, Biography & Autobiography, History
AuthorRichard Miller
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight29.6 Oz
Item Length10.5 in
Item Width8.2 in
Additional Product Features
Intended AudienceTrade
LCCN00-109467
TitleLeadingThe
Edition DescriptionReprint
SynopsisThis volume contains many photographs taken by Brassai which have never had wide circulation before because of their daring nature. His subject is the forbidden Paris of the 1930s, its opium dens, its brothels and its whores, where high society mingled with the underworld., The Secret Paris of the 30s is one of the most remarkable photographic memoirs ever published. For years it was known that Brassaï had taken a series of 'secret photographs' that could not be published because of their daring nature. Alone, or in the company of friends, he discovered the forbidden Paris of the 1930s - its brothels, its whores, its pimps, its opium dens - the sordid yet bewitching bas-monde where high society mingled with the underworld. Brassaï's photographs reveal a milieu previously only known through books such as the novels of Henry Miller (a frequent companion on his nocturnal rambles): the seamy, grimy yet infinitely exciting reality that tourists still think of when they seek 'Paris by night'. These fascinating images are accompanied by Brassaï's own text, in which he describes the extraordinary conditions under which he took his photographs.