SynopsisGetting Away with It is a hilarious, insightful conversation between two visionary directors, Steven Soderbergh and Richard Lester, about the manifold joys and hardships of being a filmmaker. Though a generation apart, both share the infectious passion of cinephilia and have had a wide impact on the world film community. Soderbergh's freshman effort as a writer-director, sex, lies, and videotape, inaugurated a movement in low-budget, independent American film that remains a vital part of contemporary cinema today. Lester's freewheeling films of the sixties and seventies (including the Beatles' movies Help! and A Hard Day's Night ; The Knack ; How I Won the War and Petulia ) helped to create a "new wave" of British film-making. Together they discuss their respective adventures in motion pictures in a free-ranging and sardonically educational dialogue. Interwoven with this dialogue is a similarly witty and insightful journal by Soderbergh, recounting an extraordinary twelve months in which he rejected the Hollywood system and ventured into "guerilla film-making" with the offbeat projects Schizopolis and Gray's Anatomy, before returning to the Hollywood fray with his acclaimed adaptation of Elmore Leonard's "Out of Sight", starring George Clooney., Getting Away with It is a hilarious, insightful conversation between two visionary directors, Steven Soderbergh and Richard Lester, about the manifold joys and hardships of being a filmmaker. Though a generation apart, both share the infectious passion of cinephilia and have had a wide impact on the world film community. Soderbergh's freshman effort as a writer-director, sex, lies, and videotape, inaugurated a movement in low-budget, independent American film that remains a vital part of contemporary cinema today. Lester's freewheeling films of the sixties and seventies (including the Beatles' movies Help and A Hard Day's Night ; The Knack ; How I Won the War and Petulia ) helped to create a "new wave" of British film-making. Together they discuss their respective adventures in motion pictures in a free-ranging and sardonically educational dialogue. Interwoven with this dialogue is a similarly witty and insightful journal by Soderbergh, recounting an extraordinary twelve months in which he rejected the Hollywood system and ventured into "guerilla film-making" with the offbeat projects Schizopolis and Gray's Anatomy, before returning to the Hollywood fray with his acclaimed adaptation of Elmore Leonard's "Out of Sight," starring George Clooney., Steven Soderbergh and Richard Lester are a generation apart, but theyshare a sense of humour and a passion for cinema. Soderbergh's freshman film, sex, lies and videotape , inaugurated a movementin US independent cinema. Lester's freewheeling work in the '60s and '70s ( Help! , A Hard Day's Night , The Knack , How I Won the War , Petulia ) helped create a 'new wave' of British film-making. Here, the two cineastes discuss their mutual passion for the medium in a frank,funny and free-ranging series of interviews. Also included is Soderbergh's diary of an extraordinary twelve months in which he ventured into 'guerilla film-making' with offbeatprojects Schizopolis and Gray's Anatomy , before returning to the Hollywood fray with the George Clooney hit Out of Sight .
LC Classification NumberPN1998.3.S593A5 1999