Bruce Nauman : The True Artist by Peter Plagens (2014, Hardcover)

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About this product

Product Identifiers

PublisherPhaidon Press, Incorporated
ISBN-100714849952
ISBN-139780714849959
eBay Product ID (ePID)143648215

Product Key Features

Book TitleBruce Nauman : the True Artist
Number of Pages288 Pages
LanguageEnglish
TopicIndividual Artists / General, American / General
Publication Year2014
IllustratorYes
GenreArt
AuthorPeter Plagens
FormatHardcover

Dimensions

Item Height1.5 in
Item Weight73.2 Oz
Item Length12 in
Item Width9.4 in

Additional Product Features

Intended AudienceTrade
LCCN2014-498158
Reviews" " Bruce Nauman: The True Artist offers the fullest survey yet of this protean artist's work. [Peter Plagens's] first‐person journalistic tack is a welcome approach to an artist who often attracts jargon‐fond academics." - The New York Times Book Review "Bruce Nauman is known for almost always saying no to retrospectives, interviews, or anything else that might "totalize", as he's said to put it, his work and career. So this month's publication of Phaidon's monograph on the artist, Bruce Nauman: The True Artist , is a red‐letter occasion, if only because it represents one of the rare moments when Nauman said yes. Written by Peter Plagens, an abstract painter who was the art critic for Newsweek from 1989 to 2003, the book has been in the works since 2008 - or even longer, if you count the fact that Phaidon's co‐publisher, Amanda Renshaw, had been trying to get Nauman to agree to a project since she joined the company more than 20 years ago. . .While Nauman looms as a cross between the Marlboro Man and an art‐world Greta Garbo, Plagens is an unrepentant chatterbox who tends toward mighty digressions. But that's also what makes the book such a delight. Full of riffs on subjects ranging from the use of neon in art to the history of the Venice Biennale, it's as much a social history of the modern‐day art world as it is a guide to Nauman's life and career." - Carol Kino, The Wall Street Journal "An astute observer of the contemporary art scene from his days as Nauman's neighbor in 1970s Los Angeles, Plagens gives us a vivid vignette of the artist. . .This book will remain the definitive monograph for years to come." - ARTnews "In this meticulous authorized monograph, critic Plagens, a longtime friend of Nauman, weaves historical context, critical perspective, and his own reflections to study the career of one of the most, if not the most, influential artists of the last half‐century." - Publishers Weekly "Plagens's new book on Nauman is the closest I, and most of the world, may ever get to the artist." - Justin Jones, The Daily Beast "[Plagens] seeks to view the subject whole. His approach is not one of scholarly distance but of personal engagement and strong opinion." - Art in America ", ". . . Bruce Nauman is known for almost always saying no to retrospectives, interviews, or anything else that might "totalize," as he's said to put it, his work and career. So this month's publication of Phaidon's monograph on the artist, Bruce Nauman: The True Artist , is a red-letter occasion, if only because it represents one of the rare moments when Nauman said yes. Written by Peter Plagens, an abstract painter who was the art critic for Newsweek from 1989 to 2003, the book has been in the works since 2008 - or even longer, if you count the fact that Phaidon's co-publisher, Amanda Renshaw, had been trying to get Nauman to agree to a project since she joined the company more than 20 years ago. While Nauman looms as a cross between the Marlboro Man and an art-world Greta Garbo, [author Peter] Plagens is an unrepentant chatterbox who tends toward might digressions. But that's also what makes the book such a delight. Full of riffs on subjects ranging from the use of neon in art to the history of the Venice Biennale, it's as much a social history of the modern-day art world as it is a guide to Nauman's life and career.", "Bruce Nauman: The True Artistoffers the fullest survey yet of this protean artist's work. [Peter Plagens's] firstperson journalistic tack is a welcome approach to an artist who often attracts jargonfond academics."--The New York Times Book Review "Bruce Nauman is known for almost always saying no to retrospectives, interviews, or anything else that might "totalize", as he's said to put it, his work and career. So this month's publication of Phaidon's monograph on the artist, Bruce Nauman: The True Artist, is a redletter occasion, if only because it represents one of the rare moments when Nauman said yes. Written by Peter Plagens, an abstract painter who was the art critic for Newsweek from 1989 to 2003, the book has been in the works since 2008 - or even longer, if you count the fact that Phaidon's copublisher, Amanda Renshaw, had been trying to get Nauman to agree to a project since she joined the company more than 20 years ago... While Nauman looms as a cross between the Marlboro Man and an artworld Greta Garbo, Plagens is an unrepentant chatterbox who tends toward mighty digressions. But that's also what makes the book such a delight. Full of riffs on subjects ranging from the use of neon in art to the history of the Venice Biennale, it's as much a social history of the modernday art world as it is a guide to Nauman's life and career."--Carol Kino, The Wall Street Journal "An astute observer of the contemporary art scene from his days as Nauman's neighbor in 1970s Los Angeles, Plagens gives us a vivid vignette of the artist... This book will remain the definitive monograph for years to come."--ARTnews "In this meticulous authorized monograph, critic Plagens, a longtime friend of Nauman, weaves historical context, critical perspective, and his own reflections to study the career of one of the most, if not the most, influential artists of the last halfcentury."--Publishers Weekly "Plagens's new book on Nauman is the closest I, and most of the world, may ever get to the artist."--Justin Jones, The Daily Beast "[Plagens] seeks to view the subject whole. His approach is not one of scholarly distance but of personal engagement and strong opinion."--Art in America, " Bruce Nauman: The True Artist offers the fullest survey yet of this protean artist's work. [Peter Plagens's] first-person journalistic tack is a welcome approach to an artist who often attracts jargon-fond academics."-- The New York Times Book Review "Bruce Nauman is known for almost always saying no to retrospectives, interviews, or anything else that might "totalize", as he's said to put it, his work and career. So this month's publication of Phaidon's monograph on the artist, Bruce Nauman: The True Artist , is a red-letter occasion, if only because it represents one of the rare moments when Nauman said yes. Written by Peter Plagens, an abstract painter who was the art critic for Newsweek from 1989 to 2003, the book has been in the works since 2008 - or even longer, if you count the fact that Phaidon's co-publisher, Amanda Renshaw, had been trying to get Nauman to agree to a project since she joined the company more than 20 years ago... While Nauman looms as a cross between the Marlboro Man and an art-world Greta Garbo, Plagens is an unrepentant chatterbox who tends toward mighty digressions. But that's also what makes the book such a delight. Full of riffs on subjects ranging from the use of neon in art to the history of the Venice Biennale, it's as much a social history of the modern-day art world as it is a guide to Nauman's life and career."-- Carol Kino, The Wall Street Journal "An astute observer of the contemporary art scene from his days as Nauman's neighbor in 1970s Los Angeles, Plagens gives us a vivid vignette of the artist... This book will remain the definitive monograph for years to come."-- ARTnews "In this meticulous authorized monograph, critic Plagens, a longtime friend of Nauman, weaves historical context, critical perspective, and his own reflections to study the career of one of the most, if not the most, influential artists of the last half-century."-- Publishers Weekly "Plagens's new book on Nauman is the closest I, and most of the world, may ever get to the artist."-- Justin Jones, The Daily Beast "[Plagens] seeks to view the subject whole. His approach is not one of scholarly distance but of personal engagement and strong opinion."-- Art in America
Dewey Edition23
Dewey Decimal700.411
SynopsisBruce Nauman (b. 1941) is one of the most innovative, provocative and influential artists working today. His pioneering explorations of sculpture, performance, sound, video and installations - always questioning the role of the artist - have broken new ground and inspired innumerable artists' careers. Confronted with what to do in his studio soon after graduating, Nauman had the simple but profound realization that 'If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.' Exploring Nauman's relationship to the place where he creates his strikingly original works, Bruce Nauman: The True Artistretraces back to the artist's youth in Fort Wayne, Indiana, his graduate work at the University of California, Davis, through to the present day. Naumam's continual search for new means and sources of expression have led him to experiment with a very wide variety of medium (photography, performance, sculpture, installations, video, neon sign, and sound) as well as to explore the relationship between words and images. Nauman's apotheosis as one of the world's most highly lauded artists came as he was ranked No. 1 in the world by Artfacts.net in 2006, and he was the sole US representative in the American Pavilion at the 2009 Venice Biennale. Peter Plagens, best known to the general public for his work as art critic at Newsweek, has known Nauman for over forty years, and in his own words describes this book as 'about my trying to get at the real truth of Bruce Nauman's work'. They first met in 1970, when their studios were a block apart in Pasadena, California, and they played basketball together every Sunday. Since then Plagens has pursued a real understanding of his friend's art and in this book presents it from his uniquely insightful perspective, including chronicling as it happened the creation of works in Nauman's studio in Galisteo, New Mexico, and the organization, installation and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, and the artist's conversations about them, to offer the reader a vivid, personal and enlightening take on one of the key figures in contemporary art., Bruce Nauman (b. 1941) is one of the most innovative, provocative and influential artists working today. His pioneering explorations of sculpture, performance, sound, video and installations - always questioning the role of the artist - have broken new ground and inspired innumerable artists' careers. Confronted with what to do in his studio soon after graduating, Nauman had the simple but profound realization that 'If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.' Exploring Nauman's relationship to the place where he creates his strikingly original works, Bruce Nauman: The True Artist retraces back to the artist's youth in Fort Wayne, Indiana, his graduate work at the University of California, Davis, through to the present day. Naumam's continual search for new means and sources of expression have led him to experiment with a very wide variety of medium (photography, performance, sculpture, installations, video, neon sign, and sound) as well as to explore the relationship between words and images. Nauman's apotheosis as one of the world's most highly lauded artists came as he was ranked No. 1 in the world by Artfacts.net in 2006, and he was the sole US representative in the American Pavilion at the 2009 Venice Biennale. Peter Plagens, best known to the general public for his work as art critic at Newsweek , has known Nauman for over forty years, and in his own words describes this book as 'about my trying to get at the real truth of Bruce Nauman's work'. They first met in 1970, when their studios were a block apart in Pasadena, California, and they played basketball together every Sunday. Since then Plagens has pursued a real understanding of his friend's art and in this book presents it from his uniquely insightful perspective, including chronicling as it happened the creation of works in Nauman's studio in Galisteo, New Mexico, and the organization, installation and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, and the artist's conversations about them, to offer the reader a vivid, personal and enlightening take on one of the key figures in contemporary art., The first authorized monograph on the world-famous sculptor, photographer, and video artist. In Bruce Nauman: The True Artist , Peter Plagens - a renowned writer, critic, and author who has known Nauman for more than forty years - delivers a personal and authoritative account tracing Nauman's entire career, from his youth in Fort Wayne, Indiana, to his graduate work at the University of California, and through to the present day. Plagens first met Nauman in Pasadena, California, in 1970, where their studios were a block apart and they played basketball together every Sunday. Since then, Plagens has pursued a real understanding of his friend's art. The book chronicles Nauman's process, from the creation of works in his New Mexico studio to the organization, installation, and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, as well as the artist's conversations about them, to offer readers a vivid and enlightening take on one of the key figures in contemporary art.
LC Classification NumberN6537.N38

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