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Condition:
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Blue board binding and blue cloth board spine with silver lettering. Dust Jacket Condition: Fine: Not price clipped. Light shelfwear. Book Condition: Fine: A sharp, tight, square copy.
I have read a couple of dozen Maigret mysteries (all in English, I have not studied French), and when I finish one
I always want to read another one, although I'm not sure why. Maigret mysteries are mostly not about finding the clues scattered throughout the text and trying to get to the solution one step ahead of the detective (although I have read a few Maigrets like that).
Most of the blurbs say that Simenon is the master of the psychological solution: The reader is supposed to read the characters of the characters and realize which of them is capable of committing the crime. That may be.
I confess that I have not yet been able to do that. Some blurbs say that the Maigret mysteries are essentially existential, and that Simenon expresses the philosophies of Sartre and Camus. I confess I don't have enough philosophy credits on my transcript to say whether that is true.
I think that the writing is to some extent "hard boiled", in that it is clean, not because it is tough. Simenon does not waste words: He sketches, he doesn't paint. But the stories draw me in and pull me along. I have sometimes "put one down", but not willingly. Usually when I begin a Maigret mystery, I find myself trying to find any way I can to finish it in one sitting.
One last comment: In my opinion, the English in the translations published by Harcourt, Brace, Jovanovich is much
more readable than the current paperback series published by a group named for an Antarctic bird.