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Until Rovner began its innovative line of ligatures, we clarinetists were reliant upon nickel-plated metal ones that put uneven pressure on the reed. Rovner ligatures are engineered to insure that the reed sits perfectly on the “table” of the mouthpiece, with equal pressure applied to the entire body of the reed. Rovner’s ligatures are broadly divided into “light” and “dark,” referring to their effect upon the clarinet’s tones. Rover ligatures are seen in almost every reed section of any orchestra, professional or amateur, and the results speak for themselves.
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