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Facing down the Furies : Suicide, the Ancient Greeks, and Me by Edith Hall (2024, Hardcover)

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To prepare listeners for this terrible news, he announces, “The tragedies that hurt the most are those that sufferers have chosen for themselves.”.

About this product

Product Identifiers

PublisherYale University Press

ISBN-100300273533

ISBN-139780300273533

eBay Product ID (ePID)12063288049

Product Key Features

Number of Pages256 Pages

Publication NameFacing Down the Furies : Suicide, the Ancient Greeks, and Me

LanguageEnglish

Publication Year2024

SubjectPersonal Memoirs, Internal Medicine, Ancient & Classical, Suicide

TypeTextbook

Subject AreaLiterary Criticism, Biography & Autobiography, Psychology, Medical

AuthorEdith Hall

FormatHardcover

Dimensions

Item Height1.1 in

Item Weight15 Oz

Item Length8.9 in

Item Width5.9 in

Additional Product Features

LCCN2023-941992

ReviewsIncluded in the New Statesman's "Best of the Academic Presses" roundup "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in The New Statesman "Best of the Academic Presses" roundup "A richly multifaceted book. . . . Family and travel memoir, pandemic project, investigative journalism and study in the application of Greek myth to family pathology: Facing Down the Furies is all these, written not only with Hall's signature clarity, but also with candour and courage."--Rachel Hadas, Times Literary Supplement , "Books of the Year" "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book."--Nigel Warburton, New European Included in New Statesman 's "20 Best Books of 2024" "A timely book . . . well written (and excellently proof-read). . . . What makes this book so successful is that [Hall's] family saga allows her to create a narrative which is both personal and universal."--John Godwin, Classics for All "Extremely easy to read, despite the subject matter. It oscillates between dark personal memoir and really illuminating discussions of passages of ancient Greek tragedy."--Nigel Warburton, Five Books Included in Five Books ' "Best Philosophy Books of 2024" "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in the New Statesman 's "Best of the Academic Presses" roundup "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book."--Nigel Warburton, New European "A timely book . . . well written (and excellently proof-read). . . . What makes this book so successful is that [Hall's] family saga allows her to create a narrative which is both personal and universal."--John Godwin, Classics for All "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in the New Statesman 's "Best of the Academic Presses" roundup "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book"--Nigel Warburton, New European "A timely book . . . well written (and excellently proof-read). . . . What makes this book so successful is that [Hall's] family saga allows her to create a narrative which is both personal and universal."--John Godwin, Classics for All "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge, Included in the New Statesman's "Best of the Academic Presses" roundup "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book"--Nigel Warburton, New European "A timely book . . . well written (and excellently proof-read). . . . What makes this book so successful is that [Hall's] family saga allows her to create a narrative which is both personal and universal."--John Godwin, Classics for All "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in the New Statesman's "Best of the Academic Presses" roundup "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in The New Statesman "Best of the Academic Presses" roundup "A richly multifaceted book. . . . Family and travel memoir, pandemic project, investigative journalism and study in the application of Greek myth to family pathology: Facing Down the Furies is all these, written not only with Hall's signature clarity, but also with candour and courage."--Rachel Hadas, Times Literary Supplement , "Books of the Year" "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book."--Nigel Warburton, New European "A timely book . . . well written (and excellently proof-read). . . . What makes this book so successful is that [Hall's] family saga allows her to create a narrative which is both personal and universal."--John Godwin, Classics for All "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A.E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in the New Statesman 's "Best of the Academic Presses" roundup "A richly multifaceted book. . . . Family and travel memoir, pandemic project, investigative journalism and study in the application of Greek myth to family pathology: Facing Down the Furies is all these, written not only with Hall's signature clarity, but also with candour and courage."--Rachel Hadas, Times Literary Supplement , "Books of the Year" "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book."--Nigel Warburton, New European "A timely book . . . well written (and excellently proof-read). . . . What makes this book so successful is that [Hall's] family saga allows her to create a narrative which is both personal and universal."--John Godwin, Classics for All "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in the New Statesman's "Best of the Academic Presses" roundup "[A] remarkable, brave and compassionate book." --Rowan Williams, New Statesman "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright, Included in the New Statesman's "Best of the Academic Presses" roundup "[A] remarkable, brave and compassionate book."--Rowan Williams, New Statesman "[A] thought provoking book"--Nigel Warburton, New European "Edith Hall combines personal memoir with her own intimate understanding and painstakingly researched use of ancient Greek tragedy to address the subject of suicide. This important book aims to help readers who may find themselves in a similar position of suffering."--Paul Cartledge, University of Cambridge "The best book on suicide I have read. Edith Hall intertwines family history, autobiography, and philosophy, with close readings of ancient Greek authors in this moving exploration of those who decide they can't go on and the effects their actions have on family, friends, and descendants."--Nigel Warburton, author of A Little History of Philosophy "Edith Hall is a clear-eyed classicist in the real world, confronting family furies of depression and suicide alongside sensitive and revelatory readings of the Greek plays: the result is ultimately a humane and affirming vision of life."--A. E. Stallings, author of This Afterlife , Like , and Olives "Original, witty and profound: Edith Hall leavens her magisterial scholarship with a personal story that is searingly honest and inspiringly redemptive. She makes the Ancient Greeks relevant and feeling."--Margaret Reynolds, author of The Wild Track and editor of The Sappho Companion "A song of sorrow, tenderness, and heartbreak, the most powerful thing I have read in an age. I stayed up all night to finish it."--Marina Carr, award-winning playwright

Dewey Edition23

IllustratedYes

Dewey Decimal179.7

SynopsisAn award-winning classicist turns to Greek tragedies for the wisdom to understand the damage caused by suicide and help those who are contemplating suicide themselves, An award-winning classicist turns to Greek tragedies for the wisdom to understand the damage caused by suicide and help those who are contemplating suicide themselves "Remarkable, brave and compassionate."--Rowan Williams, New Statesman In Sophocles' tragedy Oedipus the Tyrant , a messenger arrives to report that Jocasta, queen of Thebes, has killed herself. To prepare listeners for this terrible news, he announces, "The tragedies that hurt the most are those that sufferers have chosen for themselves." Edith Hall, whose own life and psyche have been shaped by such loss--her mother's grandfather, mother, and first cousin all took their own lives--traces the philosophical arguments on suicide, from Plato and Aristotle to David Hume and Albert Camus. In this deeply personal story, Hall explores the psychological damage that suicide inflicts across generations, relating it to the ancient Greek idea of a family curse. She draws parallels between characters from Greek tragedy and her own relatives, including her great-grandfather, whose life and death bore similar motivations to Sophocles' Ajax: both men were overwhelmed by shame and humiliation. Hall, haunted by her own periodic suicidal urges, shows how plays by Sophocles and other Greek dramatists helped her work through the loss of her grandmother and namesake Edith and understand her relationship with her own mother. The wisdom and solace found in the ancient tragedies, she argues, can help one choose survival over painful adversity and offer comfort to those who are tragically bereaved.

LC Classification NumberRC569.H3 2024