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Architect's Brain : Neuroscience, Creativity, and Architecture by Harry Francis Mallgrave (2011, Trade Paperback)

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About this product

Product Identifiers

PublisherWiley & Sons, Incorporated, John

ISBN-100470658258

ISBN-139780470658253

eBay Product ID (ePID)109134869

Product Key Features

Number of Pages284 Pages

Publication NameArchitect's Brain : Neuroscience, Creativity, and Architecture

LanguageEnglish

Publication Year2011

SubjectIndividual Architects & Firms / General, Movements / Phenomenology, General

TypeTextbook

Subject AreaPhilosophy, Architecture

AuthorHarry Francis Mallgrave

FormatTrade Paperback

Dimensions

Item Height0.6 in

Item Weight12.8 Oz

Item Length9 in

Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN2011-655060

Reviews"Hence these two books from the same publisher and by the same author, Harry Francis Mallgrave, sole writer of the former and co-author with David Goodman of the second book, make a valuable contribution to this growing field of knowledge." (Architectural Review, 1 July 2011)

TitleLeadingThe

Dewey Edition22

IllustratedYes

Dewey Decimal612.8/233

Table Of ContentIntroduction Part One: Historical Essays 1. The Humanist Brain (Alberti, Vitruvius, and Leonardo). 2. The Enlightened Brain (Perrault, Laugier, and Le Roy). 3. The Sensational Brain (Burke, Price, and Knight). 4. The Transcendental Brain (Kant and Schopenhauer). 5. The Animate Brain (Schinkel, Bötticher, and Semper). 6. The Empathetic Brain (Vischer, Wölfflin, and Göller). 7. The Gestalt Brain (The Dynamics of the Sensory Field). 8. The Neurological Brain (Hayek, Hebb, and Neutra). 9. The Phenomenal Brain (Merleau-Ponty, Rasmussen, and Pallasmaa). Part Two: Neuroscience and Architecture. 10. Anatomy: Architecture of the Brain. 11. Ambiguity: Architecture of Vision. 12. Metaphor: Architecture of Embodiment. 13. Hapticity: Architecture of the Senses. 14. Epilogue: The Architect's Brain. Endnotes. Bibliography. Index.

SynopsisDid classical and Renaissance theory in fact have a biological basis? Does the architect possess a highly specialized brain? Is neuroscience today providing architecture with a new foundation for design thought? These are a few of the compelling suggestions offered by this richly detailed study, which explores--from two perspectives--the issue of how architects and designers view the phenomenal world. In part one of The Architects Brain , Mallgrave sketches various moments of architectural thought over the last 500 years as a cognitive manifestation of philosophical, psychological, and physiological theory. In part two, he repositions this question from the perspective of the remarkable insights of contemporary neuroscience, particularly as they have advanced within the last decade. What emerges is a surprising neurological justification for some very timeless architectural ideas, from the multisensory nature of the architectural experience to the essential relationship of ambiguity and metaphor to creative thinking. The author cogently argues that architecture (aside from its intellectual affectations) is radically an emotional and perceptual act grounded in biological values that should be placed in the foreground. Not since Richard Neutras Survival Through Design (1954) has such a provocative thesis been put forth in the field of architectural theory., The Architect's Brain: Neuroscience, Creativity, and Architecture is the first book to consider the relationship between the neurosciences and architecture, offering a compelling and provocative study in the field of architectural theory. Explores various moments of architectural thought over the last 500 years as a cognitive manifestation of philosophical, psychological, and physiological theory Looks at architectural thought through the lens of the remarkable insights of contemporary neuroscience, particularly as they have advanced within the last decade Demonstrates the neurological justification for some very timeless architectural ideas, from the multisensory nature of the architectural experience to the essential relationship of ambiguity and metaphor to creative thinking, This richly detailed study explores the issue of how architects view the phenomenal world. Mallgrave sketches various moments of architectural thought as a cognitive manifestation of philosophical, psychological, and physiological theory. He later repositions this question from the perspective of contemporary neuroscience.

LC Classification NumberNA2540