Table of Content
Ebony and Topaz: A Collectanea 1925Ebony and Topaz: A Collectanea (New York: Opportunity, 1925), Charles S. JohnsonDefining the Harlem Renaissance and Black Literature"The Negro-Art Hokum." Nation 122 (1926), George S. Schuyler * "The Negro Artist and the Racial Mountain." Nation122 (1926), Langston Hughes * "American Negro Art." Opportunity 4 (1926), Charles S. Johnson * "Gambling the Lyre." Opportunity4 (1926) * "Some Perils of the Renaissance." Opportunity5 (1927) * "Characteristics of Negro Expression." In Nancy Cunard, ed., Negro: Anthology Made by Nancy Cunard(London, 1934), Zora Neale Hurston * "Harlem Reviewed." In Nancy Cunard, ed., Negro: Anthology Made by Nancy Cunard" (London, 1934), Nancy CunardArt, Theater, and Music"A Negro Art Exhibit." Southern Workman51 (1922) * "To Certain of Our Phillistines." Opportunity 3 (1925), Alain Locke * "Negro Art." Opportunity 4 (1926) * "Negro Art, Past and Present." Opportunity 4 (1926), Albert C. Barnes * "The Negro Spirituals and American Art." Opportunity4 (1926), Laurence Buermeyer * "More About African Art." Opportunity 5 (1927) * "The Art of the Congo." Opportunity 5 (1927), Melville J. Herskovits * "African Plastic in Contemporary Art." Opportunity 5 (1927), Harry Alan Potamkin * "The Negro in Dramatic Art." Crisis27 (1924), Raymond O'Neil * "The Negro in the Field of Drama." Opportunity 6 (1928), Rowena Woodham Jelliffe * "Has the Negro a Place in Theatre?" Opportunity 6 (1928), Jules Bledsoe * "A Criticism of the Negro Drama as it Relates to the Negro Dramatist and Artist." Opportunity 6 (1928), Eulalie Spence * "Porgy: An Impression." Opportunity6 (1928), Harry S. Keelan * "The Gift of Laughter." In Addison Gayle, Jr., ed., Black Expression: Essays by and about Black Americans in the Creative Arts (New York: Weybright and Talley, 1969), Jessie Fauset * "The Negro's Cycle of Song-A Review." Opportunity 3 (1925), Arthur Huff Fauset * "Self-Portraiture and Social Criticism in Negro Folk-Song." Opportunity5 (1927), B.A. Botkin * "The Profanation of Negro Spirituals." Opportunity 6 (1928), George A. Webb * "Spirituals and Neo-Spirituals." In Nancy Cunard, ed., Negro: Anthology Made by Nancy Cunard (London, 1934), Zora Neale Hurston * "A Folk Culture in the Making." Southern Workman 57 (1928), E. Franklin FrazierSetting the Political Agenda for the Harlem Renaissance"The Dilemma of the Negro Author." The American Mercury 15 (1928), James Weldon Johnson * "The Larger Success." Southern Workman 52 (1923), James Weldon Johnson * "On Writing About Negroes." Opportunity 3 (1925) * "A Note on the Sociology of Negro Literature." Opportunity 3 (1925), Fred De Armond * "The Advance of the Negro." Opportunity 4 (1926), V.F. Calverton * "The Negro Enters Literature." The Carolina Magazine 57 (1927), Charles S. Johnson * "Race Prejudice and the Negro Artist." Harper's Monthly(1928), James Weldon Johnson * "The Negro Looks at an Outworn Tradition." Southern Workman57 (1928), Alice Dunbar Nelson * "Negro Authors and White Publishers." Crisis36 (1929), James Weldon Johnson * "Negro Authors Must Eat." Nation 128 (1929), George W. Jacobs * "Our Literary Audience." Opportunity 8 (1930), Sterling A. Brown * "The Burden of Credulity." Opportunity 9(1931), H.L. Mencken * "H.L. Mencken Finds Flowers in a 'Dunghill.'" Opportunity 9 (1931), A. Clayton Powell * "Art Is Not Enough." Southern Workman 61 (1932), Benjamin Brawley * "Claude McKay to Nancy Cunard, September 18, 1932 from Tangier, Morocco." * "Claude McKay to Nancy Cunard, September 29, 1932 from Tangier, Morocco." * "Writers, Words and the World." Typed manuscr
