Reviews
"A new take on the much mentioned self-fashioning in The Renaissance is to be found in Douglas Biow's remarkable book In Your Face . . . Here we are introduced to Italian masters such as Aretino, Castiglione, Cellini, Anton Francesco Doni, and Michelangelo as they promote not only their artistic works but their individual careers."-- Bibliotheque d'humanisme et renaissance, "Douglas Biow's In Your Face is a fascinating study of the nature of literary and artistic eccentricity in late Renaissance Italy. He reminds us that, in an era in which writers such as Castiglione polished the image of the perfect courtier, many of the most interesting figures were deliberately and provocatively uncouth. This is a terrific, thought-provoking book." --Paula Findlen, Stanford University, "This latest book is [Biow's] most original and challenging contribution yet."--S. Botterill, Choice "Clearly influenced by the project of Renaissance self-fashioning, Biow is intrigued by those figures who appeared to defy all the rules for getting ahead in the dominant court culture of the period and yet who nonetheless found patrons or customers . . . As a literary scholar Biow spends most of his time unfolding the meaning of the textual self-representations of his selected individuals, emphasizing in his interpretations the importance to them of work. This is a helpful counterbalance to the usual sixteenth-century discourse of nobility that disparages both manual labor and commerce."--Laurie Nussdorfer, Journal of Modern History "Once again, Douglas Biow gives us a clear, clever, engaging rethinking of a crucial aspect of Italian Renaissance culture and life. This truly unique work is highly intelligent, exciting, and thought-provoking."--Guido Ruggiero, University of Miami "Douglas Biow's In Your Face is a fascinating study of the nature of literary and artistic eccentricity in late Renaissance Italy. He reminds us that, in an era in which writers such as Castiglione polished the image of the perfect courtier, many of the most interesting figures were deliberately and provocatively uncouth. This is a terrific, thought-provoking book." --Paula Findlen, Stanford University, "This is a book to read and also to revisit for subsequent readings . . . Students of the Italian Renaissance will find much that is at once familiar and fresh in this intriguing volume."—Patrice Ross, Sixteenth Century Journal, "A new take on the much mentioned self-fashioning in The Renaissance is to be found in Douglas Biow's remarkable book In Your Face . . . Here we are introduced to Italian masters such as Aretino, Castiglione, Cellini, Anton Francesco Doni, and Michelangelo as they promote not only their artistic works but their individual careers."- Bibliotheque d'humanisme et renaissance, "Biow offers many thoughtful and insightful readings of both literary texts and artistic images, and his approach is a testimony to his ability to cross disciplines and unite the literary, the art historical, and the historical."—George McClure, American Historical Review, "Once again, Douglas Biow gives us a clear, clever, engaging rethinking of a crucial aspect of Italian Renaissance culture and life. This truly unique work is highly intelligent, exciting, and thought-provoking." -Guido Ruggiero, University of Miami, "A new take on the much mentioned self-fashioning in The Renaissance is to be found in Douglas Biow's remarkable book In Your Face . . . Here we are introduced to Italian masters such as Aretino, Castiglione, Cellini, Anton Francesco Doni, and Michelangelo as they promote not only their artistic works but their individual careers."— Bibliotheque d'humanisme et renaissance, "Biow offers many thoughtful and insightful readings of both literary texts and artistic images, and his approach is a testimony to his ability to cross disciplines and unite the literary, the art historical, and the historical."--George McClure, American Historical Review, "Douglas Biow'sIn Your Faceis a fascinating study of the nature of literary and artistic eccentricity in late Renaissance Italy. He reminds us that, in an era in which writers such as Castiglione polished the image of the perfect courtier, many of the most interesting figures were deliberately and provocatively uncouth. This is a terrific, thought-provoking book." -Paula Findlen, Stanford University, "The fascinating case studies of In Your Face . . . offer stimulus and insight not only to historians of creativity and artistic production, but to scholars interested in the inexhaustible question as to how individual identity was conditioned by, and influenced, contemporary society."—Nicholas A. Eckstein, European History Quarterly, "This is a book to read and also to revisit for subsequent readings . . . Students of the Italian Renaissance will find much that is at once familiar and fresh in this intriguing volume."--Patrice Ross, Sixteenth Century Journal, "This Latest Book Is [Biow's] Most Original and Challenging Contribution Yet."--S. Botterill, Choice, Clearly influenced by the project of Renaissance self-fashioning, Biow is intrigued by those figures who appeared to defy all the rules for getting ahead in the dominant court culture of the period and yet who nonetheless found patrons or customers . . .|9780804762168|, "Biow offers many thoughtful and insightful readings of both literary texts and artistic images, and his approach is a testimony to his ability to cross disciplines and unite the literary, the art historical, and the historical."-George McClure, American Historical Review, "Once again, Douglas Biow gives us a clear, clever, engaging rethinking of a crucial aspect of Italian Renaissance culture and life. This truly unique work is highly intelligent, exciting, and thought-provoking."--Guido Ruggiero, University of Miami, "This is a book to read and also to revisit for subsequent readings . . . Students of the Italian Renaissance will find much that is at once familiar and fresh in this intriguing volume."-Patrice Ross, Sixteenth Century Journal, "The fascinating case studies of In Your Face . . . offer stimulus and insight not only to historians of creativity and artistic production, but to scholars interested in the inexhaustible question as to how individual identity was conditioned by, and influenced, contemporary society."--Nicholas A. Eckstein, European History Quarterly, "The fascinating case studies of In Your Face . . . offer stimulus and insight not only to historians of creativity and artistic production, but to scholars interested in the inexhaustible question as to how individual identity was conditioned by, and influenced, contemporary society."-Nicholas A. Eckstein, European History Quarterly, "Clearly influenced by the project of Renaissance self-fashioning, Biow is intrigued by those figures who appeared to defy all the rules for getting ahead in the dominant court culture of the period and yet who nonetheless found patrons or customers . . . As a literary scholar Biow spends most of his time unfolding the meaning of the textual self-representations of his selected individuals, emphasizing in his interpretations the importance to them of work. This is a helpful counterbalance to the usual sixteenth-century discourse of nobility that disparages both manual labor and commerce."—Laurie Nussdorfer, Journal of Modern History
