Theatre, Exhibition, and Curation: Displayed & Performed

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eBay item number:405461539122
Last updated on Sep 12, 2025 14:10:39 PDTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Theatre, Exhibition, and Curation: Displayed & Performed
ISBN
9781138832879
Subject Area
Drama, Performing Arts, Business & Economics
Publication Name
Theatre, Exhibition, and Curation : Displayed and Performed
Publisher
Routledge
Item Length
9.3 in
Subject
Marketing / General, Theater / General, Theater / History & Criticism, General
Publication Year
2016
Series
Routledge Advances in Theatre and Performance Studies
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.7 in
Author
Georgina Guy
Item Weight
16 Oz
Item Width
6 in
Number of Pages
212 Pages
Category

About this product

Product Identifiers

Publisher
Routledge
ISBN-10
1138832871
ISBN-13
9781138832879
eBay Product ID (ePID)
219215425

Product Key Features

Number of Pages
212 Pages
Publication Name
Theatre, Exhibition, and Curation : Displayed and Performed
Language
English
Publication Year
2016
Subject
Marketing / General, Theater / General, Theater / History & Criticism, General
Type
Textbook
Subject Area
Drama, Performing Arts, Business & Economics
Author
Georgina Guy
Series
Routledge Advances in Theatre and Performance Studies
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
16 Oz
Item Length
9.3 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2016-004398
Reviews
' Theatre, Exhibition, and Curation is a remarkable contribution to the field of theatre and performance studies' - Theatre Journal
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
792
Table Of Content
Introduction: Displaying Performance 1. Performer & Exhibit: Theatrical Conditions 2. Theatre & Gallery: Turning Away From Performance 3. Visitor & Performer: The Return of the Relational 4. Gesture & Object: Digital Display and Arrested Attention Coda: Missing & Returning: Attending the unvisited Conclusion: Final Movement
Synopsis
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for 'live' performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the 'theatrical' as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.
LC Classification Number
PN2037

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