Reviews
We need Auden again, sacred and profane. As the New Age lunges into the volcano, we could do worse than read the Auden of the '30s, if only to prepare us to understand, and value, the later Audens . . . The Complete Works, edited with elegant scruple by Auden's literary executor Edward Mendelson is . . . the only way to get at Auden as he happened, year by year, bit by bit, and not as he, or his later biographers, want us to think of him., "For anyone interested in 'early Auden' this book is indispensable." --Bernard Knox, New York Review of Books, Auden displays the capacious intellect, wide-ranging sympathies, and unfaltering brilliance that make him one of the most admired writers of the 20th century. Mendelson's meticulously edited collection will be a delight for all who relish the work of this massive, mid-century mind., For anyone interested in 'early Auden' this book is indispensable. -- Bernard Knox, New York Review of Books, To read a mere decade¹s worth of Auden's essays, reviews, articles and miscellaneous musings is to be reminded that the best English poet of the 20th century was one of its brightest commentators. His range of interests was incomparably wide, his manner generally clear and always insightful, his curiosity unflagging., At last, we have a big book in which we can step into the quarry of ideas, good and bad, from which [Auden] mined [his] poems. . . . The essays are overwhelming in the number and variety of the subjects addressed, ideas aired, capital letters employed, and systems invented to prove a small point. . . . The essays are also a reminder of how many more places a poet could work out his worries in public fifty years ago. . . . If he sometimes sounds in the forties as if he were speaking to us from a very high soapbox in a very big square, well, listen: we can hear him, still. -- Adam Gopnik, The New Yorker, Auden's range of topics is impressively, even dizzyingly broad. . . . Auden did not sacrifice depth; numerous pieces are reflective, analytic, and otherwise carefully developed, and few of the pieces seem dated. . . . Like its predecessors, the book is the model of an intelligently edited compilation. -- Choice, "To read a mere decade's worth of Auden's essays, reviews, articles and miscellaneous musings is to be reminded that the best English poet of the 20th century was one of its brightest commentators. His range of interests was incomparably wide, his manner generally clear and always insightful, his curiosity unflagging."-- Glyn Maxwell, The Guardian, "Before famously (and more or less permanently) emigrating to New York in 1939, W. H. Auden was not only the foremost English poet of his generation but also a prolific reviewer and essayist whose tastes and political sensibilities dominated the anti-fascist England of the 1930s. . . . This essential volume in a projected complete edition restores the voracious reader and never pedantic critic to the master poet."-- Publisher's Weekly, "At last, we have a big book in which we can step into the quarry of ideas, good and bad, from which [Auden] mined [his] poems. . . . The essays are overwhelming in the number and variety of the subjects addressed, ideas aired, capital letters employed, and systems invented to prove a small point. . . . The essays are also a reminder of how many more places a poet could work out his worries in public fifty years ago. . . . If he sometimes sounds in the forties as if he were speaking to us from a very high soapbox in a very big square, well, listen: we can hear him, still."-- Adam Gopnik, The New Yorker, We need Auden again, sacred and profane. As the New Age lunges into the volcano, we could do worse than read the Auden of the '30s, if only to prepare us to understand, and value, the later Audens .. . . The Complete Works , edited with elegant scruple by Auden's literary executor Edward Mendelson is . . . the only way to get at Auden as he happened, year by year, bit by bit, and not as he, or his later biographers, want us to think of him., "We need Auden again, sacred and profane. As the New Age lunges into the volcano, we could do worse than read the Auden of the '30s, if only to prepare us to understand, and value, the later Audens .. . . The Complete Works , edited with elegant scruple by Auden's literary executor Edward Mendelson is . . . the only way to get at Auden as he happened, year by year, bit by bit, and not as he, or his later biographers, want us to think of him." --Tom D'Evelyn, Boston Book Review, "Auden's range of topics is impressively, even dizzyingly broad. . . . Auden did not sacrifice depth; numerous pieces are reflective, analytic, and otherwise carefully developed, and few of the pieces seem dated. . . . Like its predecessors, the book is the model of an intelligently edited compilation." -- Choice, "To have found and contextualized the material collected in this second volume of Auden's prose is a magnificent achievement, and Edward Mendelson's immaculately handled edition will be a scholarly resource of a permanent kind." --Peter MacDonald, Times Literary Supplement, At last, we have a big book in which we can step into the quarry of ideas, good and bad, from which [Auden] mined [his] poems. . . . The essays are overwhelming in the number and variety of the subjects addressed, ideas aired, capital letters employed, and systems invented to prove a small point. . . . The essays are also a reminder of how many more places a poet could work out his worries in public fifty years ago. . . . If he sometimes sounds in the forties as if he were speaking to us from a very high soapbox in a very big square, well, listen: we can hear him, still., "The collection, which can be dipped into as well as read as a whole, is a feast of language and insight, and a brilliant, if indirect, cultural history of the World War II period as well as an often prophetic look at our own." --Arthur Kirsch, Washington Post Book World, "Auden's range of topics is impressively, even dizzyingly broad. . . . Auden did not sacrifice depth; numerous pieces are reflective, analytic, and otherwise carefully developed, and few of the pieces seem dated. . . . Like its predecessors, the book is the model of an intelligently edited compilation."-- Choice, "To read a mere decade's worth of Auden's essays, reviews, articles and miscellaneous musings is to be reminded that the best English poet of the 20th century was one of its brightest commentators. His range of interests was incomparably wide, his manner generally clear and always insightful, his curiosity unflagging." --Glyn Maxwell, The Guardian, "We need Auden again, sacred and profane. As the New Age lunges into the volcano, we could do worse than read the Auden of the '30s, if only to prepare us to understand, and value, the later Audens .. . . The Complete Works , edited with elegant scruple by Auden's literary executor Edward Mendelson is . . . the only way to get at Auden as he happened, year by year, bit by bit, and not as he, or his later biographers, want us to think of him."-- Tom D'Evelyn, Boston Book Review, Before famously (and more or less permanently) emigrating to New York in 1939, W.H. Auden was not only the foremost English poet of his generation but also a prolific reviewer and essayist whose tastes and political sensibilities dominated the anti-fascist England of the 1930s. . . . this essential volume in a projected complete edition restores the voracious reader and never pedantic critic to the master poet., To have found and contextualized the material collected in this second volume of Auden's prose is a magnificent achievement, and Edward Mendelson's immaculately handled edition will be a scholarly resource of a permanent kind. -- Peter MacDonald, Times Literary Supplement, Mendelson has put together an impressively comprehensive and rigorously thorough literary compendium that charts one of the twentieth century's most influential expat poets., Before famously (and more or less permanently) emigrating to New York in 1939, W. H. Auden was not only the foremost English poet of his generation but also a prolific reviewer and essayist whose tastes and political sensibilities dominated the anti-fascist England of the 1930s. . . . This essential volume in a projected complete edition restores the voracious reader and never pedantic critic to the master poet. -- Publisher's Weekly, We need Auden again, sacred and profane. As the New Age lunges into the volcano, we could do worse than read the Auden of the '30s, if only to prepare us to understand, and value, the later Audens .. . .The Complete Works, edited with elegant scruple by Auden's literary executor Edward Mendelson is . . . the only way to get at Auden as he happened, year by year, bit by bit, and not as he, or his later biographers, want us to think of him. -- Tom D'Evelyn, Boston Book Review, Auden's range of topics is impressively, even dizzyingly broad. . . . Auden did not sacrifice depth; numerous pieces are reflective, analytic, and otherwise carefully developed, and few of the pieces seem dated. . . . Like its predecessors, the book is the model of an intelligently edited compilation., The collection, which can be dipped into as well as read as a whole, is a feast of language and insight, and a brilliant, if indirect, cultural history of the World War II period as well as an often prophetic look at our own. -- Arthur Kirsch, Washington Post Book World, We need Auden again, sacred and profane. As the New Age lunges into the volcano, we could do worse than read the Auden of the '30s, if only to prepare us to understand, and value, the later Audens .. . . The Complete Works , edited with elegant scruple by Auden's literary executor Edward Mendelson is . . . the only way to get at Auden as he happened, year by year, bit by bit, and not as he, or his later biographers, want us to think of him. -- Tom D'Evelyn, Boston Book Review, "For anyone interested in 'early Auden' this book is indispensable."-- Bernard Knox, New York Review of Books, To have found and contextualized the material collected in this second volume of Auden's prose is a magnificent achievement, and Edward Mendelson's immaculately handled edition will be a scholarly resource of a permanent kind., The collection, which can be dipped into as well as read as a whole, is a feast of language and insight, and a brilliant, if indirect, cultural history of the World War II period as well as an often prophetic look at our own., "Auden displays the capacious intellect, wide-ranging sympathies, and unfaltering brilliance that make him one of the most admired writers of the 20th century. Mendelson's meticulously edited collection will be a delight for all who relish the work of this massive, mid-century mind." -- Virginia Quarterly Review, Auden displays the capacious intellect, wide-ranging sympathies, and unfaltering brilliance that make him one of the most admired writers of the 20th century. Mendelson's meticulously edited collection will be a delight for all who relish the work of this massive, mid-century mind. -- Virginia Quarterly Review, Before famously (and more or less permanently) emigrating to New York in 1939, W. H. Auden was not only the foremost English poet of his generation but also a prolific reviewer and essayist whose tastes and political sensibilities dominated the anti-fascist England of the 1930s. . . . This essential volume in a projected complete edition restores the voracious reader and never pedantic critic to the master poet., "Before famously (and more or less permanently) emigrating to New York in 1939, W. H. Auden was not only the foremost English poet of his generation but also a prolific reviewer and essayist whose tastes and political sensibilities dominated the anti-fascist England of the 1930s. . . . This essential volume in a projected complete edition restores the voracious reader and never pedantic critic to the master poet." -- Publisher's Weekly, "At last, we have a big book in which we can step into the quarry of ideas, good and bad, from which [Auden] mined [his] poems. . . . The essays are overwhelming in the number and variety of the subjects addressed, ideas aired, capital letters employed, and systems invented to prove a small point. . . . The essays are also a reminder of how many more places a poet could work out his worries in public fifty years ago. . . . If he sometimes sounds in the forties as if he were speaking to us from a very high soapbox in a very big square, well, listen: we can hear him, still." --Adam Gopnik, The New Yorker, "The collection, which can be dipped into as well as read as a whole, is a feast of language and insight, and a brilliant, if indirect, cultural history of the World War II period as well as an often prophetic look at our own."-- Arthur Kirsch, Washington Post Book World, To read a mere decade's worth of Auden's essays, reviews, articles and miscellaneous musings is to be reminded that the best English poet of the 20th century was one of its brightest commentators. His range of interests was incomparably wide, his manner generally clear and always insightful, his curiosity unflagging. -- Glyn Maxwell, The Guardian, "To have found and contextualized the material collected in this second volume of Auden's prose is a magnificent achievement, and Edward Mendelson's immaculately handled edition will be a scholarly resource of a permanent kind."-- Peter MacDonald, Times Literary Supplement, "Auden displays the capacious intellect, wide-ranging sympathies, and unfaltering brilliance that make him one of the most admired writers of the 20th century. Mendelson's meticulously edited collection will be a delight for all who relish the work of this massive, mid-century mind."-- Virginia Quarterly Review, To read a mere decade's worth of Auden's essays, reviews, articles and miscellaneous musings is to be reminded that the best English poet of the 20th century was one of its brightest commentators. His range of interests was incomparably wide, his manner generally clear and always insightful, his curiosity unflagging.
