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MUSICIAN'S BUSINESS & LEGAL GUIDE, THE, Mark Halloran -- 489 pps
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Item specifics
- Condition
- ISBN
- 9780130316813
- Subject Area
- Music, Law
- Publication Name
- Musician's Business and Legal Guide
- Publisher
- Prentice Hall PTR
- Item Length
- 11 in
- Subject
- Entertainment, General
- Publication Year
- 2001
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.2 in
- Features
- Revised
- Item Weight
- 35.3 Oz
- Item Width
- 8.4 in
- Number of Pages
- 489 Pages
About this product
Product Identifiers
Publisher
Prentice Hall PTR
ISBN-10
0130316814
ISBN-13
9780130316813
eBay Product ID (ePID)
1716324
Product Key Features
Number of Pages
489 Pages
Publication Name
Musician's Business and Legal Guide
Language
English
Subject
Entertainment, General
Publication Year
2001
Features
Revised
Type
Textbook
Subject Area
Music, Law
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
35.3 Oz
Item Length
11 in
Item Width
8.4 in
Additional Product Features
Edition Number
3
Intended Audience
College Audience
LCCN
2001-024939
Dewey Edition
21
TitleLeading
The
Dewey Decimal
780/.23/73
Edition Description
Revised edition
Table Of Content
Introduction, Stephen L. Raucher, Esq., Chair, Beverly Hills Bar Association Committee for the Arts I. GETTING STARTED: MUSIC AS A BUSINESS. Group Breakups, Peter Paterno. Entertainment Group Names, Stephen Bigger. Business Entities, Edward (Ned) R. Hearn. How to Set Up a Money Deal, Edward (Ned) R. Hearn. Music Attorneys, Mark Halloran. Mediation for Musicians, Madeleine Seltzer. II. PROTECTING YOUR COMPOSITIONS. Copyrights: The Law and You, Mark Halloran. Copyright Infringement, Robert Dudnik. Sampling, Gregory T. Victoroff. Collaborator/Songwriter Agreements, Mark Halloran and Edward (Ned) R. Hearn. Digital Downloads and Streaming: Copyright and Distribution Issues, Edward (Ned) R. Hearn. International Copyright, E. Scott Johnson. III. MUSIC PUBLISHING. Performing Rights Organizations: An Overview, Mark Halloran. Music Publishing, Neville L. Johnson. Analysis of a Single-Song Agreement, Neville L. Johnson. Analysis of an Exclusive Term Songwriter Agreement, Evanne L. Levin. Music Licensing for Television and Film: A Perspective for Songwriters, Ronald H. Gertz. Pop Music for Soundtracks, Mark Halloran and Thomas A. White. IV. PERFORMING AND MARKETING. Club Contracts, Edward (Ned) R. Hearn. The Internet and Music, Neville L. Johnson. Getting Started as an Internet Artist, Peter Spellman. Music Unions, James A. Sedivy and Gregory T. Victoroff. V. MANAGERS AND AGENTS. What a Manager Does, Alfred Schlesinger. Analysis of a Personal Management Agreement, Neville L. Johnson. Talent Agencies, Steven H. Gardner and Brad Gelfond. Business Managers, Margaret Robley. VI. RECORDING. Practical Aspects of Securing Major Label Agreements, Neville L. Johnson. Analysis of a Recording Contract, Lawrence J. Blake, Esq. And Daniel K. Stuart, Esq. How to Read and Evaluate Artist Royalty Statements, John R. Phillips. Royalty Statements: Audits and Lawsuits, Stephen Ames Brown. Analysis of a Record Producer Agreement, Linda A. Newmark. Recording and Distribution Contracts with Independent Labels, Edward (Ned) R. Hearn. Contracts and Relationships between Independent and Major Labels, Bartley F. Day and Christopher Knab. Resources. Contributors. Index. About Jerome Headlands Press.
Synopsis
For courses in Overview of the Music Industry, Copyright and Publishing, Recording and Merchandising: Major and Independent Levels, Performing and Marketing Your Music, and Managers and Agents. Definitive in scope and written specifically for musicians and songwriters by top professionals currently working in the industry, this text demystifies the music business and the indecipherable body of law which shapes it, and provides substantive information on actual practices with clause-by-clause commentaries on all major contracts in the industry., This volume demystifies the music business and the indecipherable body of law which shapes it. It provides helpful information about how the Internet is changing the way music is marketed and sold and contains expanded/updated information on the impact of the Internet on the music industry.
LC Classification Number
ML3790.M84 2001
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