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Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992
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A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
- Buy It NowUp Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992
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Item specifics
- Condition
- Binding
- Paperback
- Product Group
- Book
- Weight
- 6 lbs
- IsTextBook
- No
- ISBN
- 9780814740118
- Book Title
- Up Is Up, but So Is Down : New York's Downtown Literary Scene, 1974-1992
- Publisher
- New York University Press
- Item Length
- 11 in
- Publication Year
- 2006
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.9 in
- Genre
- Literary Criticism, Travel, Social Science, Literary Collections
- Topic
- Special Interest / Literary, General, American / General, Sociology / Urban
- Item Weight
- 51.8 Oz
- Item Width
- 8.4 in
- Number of Pages
- 500 Pages
About this product
Product Identifiers
Publisher
New York University Press
ISBN-10
0814740111
ISBN-13
9780814740118
eBay Product ID (ePID)
52416695
Product Key Features
Book Title
Up Is Up, but So Is Down : New York's Downtown Literary Scene, 1974-1992
Number of Pages
500 Pages
Language
English
Topic
Special Interest / Literary, General, American / General, Sociology / Urban
Publication Year
2006
Illustrator
Yes
Genre
Literary Criticism, Travel, Social Science, Literary Collections
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
51.8 Oz
Item Length
11 in
Item Width
8.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-002277
Reviews
Up Is Up is a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy., " Up Is Up itself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-'transgressive' female and gay writers." - New York Times Book Review ,, Up Is Up is a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy., "This is a kind of three-decade book celebrating the possibilities of a self-sufficient writing community right under the nose of the decaying, increasingly irrelevant, empire of New York publishing." - American Book Review ,, "This book is inspiring in so many ways: it makes you want to write, to get outside and meet people, and more than anything, to travel back in time. . . . Everything here is amazing." -- Jonathan Safran Foer, "This book made me love the Downtown Scene all over again. The rants are here, the funky glamour, the gloriously dysfunctional idealism, the romantic dystopia, the ambition and the running joke that was made of fame." -- Robert Gluck, " Up Is Up is a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy." - New York Press, "Up Is Upitself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-'transgressive' female and gay writers." -New York Times Book Review, Exhilarating. . . . Up Is Up reproduces flyers and pages from lit mags to convey downtown's heady DIY ethos. The writing itself displays sensibilities that are at once fiery and cool. Cookie Mueller, Dennis Cooper, Wojnarowicz and many others merge crackling prose and a matter-of-fact tone to burrow into disturbing corners of sexual desire. AIDS takes a serious toll in the '80s, and becomes the haunting focus in amazing selections by novelist Gary Indiana and poet Tim Dlugos. Even as the scene begins to wind down, the book nails the deep thrills of talk and collaboration, especially in novelist Lynne Tillman's complex rendering of two friends' bar-set conversation. That gift for gab lives on in the epilogue, a spirited conversation between Eileen Myles and Cooper, who resist mythologizing but invoke the scene's glory nonetheless., Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts of Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992, a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity., This is a kind of three-decade book celebrating the possibilities of a self-sufficient writing community right under the nose of the decaying, increasingly irrelevant, empire of New York publishing., Up Is Up itself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-'transgressive' female and gay writers., "This is a kind of three-decade book celebrating the possibilities of a self-sufficient writing community right under the nose of the decaying, increasingly irrelevant, empire of New York publishing." -American Book Review, "Exhilarating. . . . Up Is Up reproduces flyers and pages from lit mags to convey downtown's heady DIY ethos. The writing itself displays sensibilities that are at once fiery and cool. Cookie Mueller, Dennis Cooper, Wojnarowicz and many others merge crackling prose and a matter-of-fact tone to burrow into disturbing corners of sexual desire. AIDS takes a serious toll in the '80s, and becomes the haunting focus in amazing selections by novelist Gary Indiana and poet Tim Dlugos. Even as the scene begins to wind down, the book nails the deep thrills of talk and collaboration, especially in novelist Lynne Tillman's complex rendering of two friends' bar-set conversation. That gift for gab lives on in the epilogue, a spirited conversation between Eileen Myles and Cooper, who resist mythologizing but invoke the scene's glory nonetheless." - Time Out New York ,, Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts of Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992 , a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity., "Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts of Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992 , a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity." - Village Voice, "Up Is Upis a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy." -New York Press, "Exhilarating. . . . Up Is Up reproduces flyers and pages from lit mags to convey downtown's heady DIY ethos. The writing itself displays sensibilities that are at once fiery and cool. Cookie Mueller, Dennis Cooper, Wojnarowicz and many others merge crackling prose and a matter-of-fact tone to burrow into disturbing corners of sexual desire. AIDS takes a serious toll in the '80s, and becomes the haunting focus in amazing selections by novelist Gary Indiana and poet Tim Dlugos. Even as the scene begins to wind down, the book nails the deep thrills of talk and collaboration, especially in novelist Lynne Tillman's complex rendering of two friends' bar-set conversation. That gift for gab lives on in the epilogue, a spirited conversation between Eileen Myles and Cooper, who resist mythologizing but invoke the scene's glory nonetheless." - Time Out New York, Up Is Up itself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-& transgressive female and gay writers., "As Kmart and Subway sandwiches invade NYC, it's crucial to remember that great art, writing and music once flourished downtown. As Patti Smith has said 'We created it, let's take it over.'" -- Kathleen Hanna, "Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts ofUp Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992, a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity." -Village Voice, " Up Is Up is a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy." - New York Press ,, "Exhilarating. . . .Up Is Upreproduces flyers and pages from lit mags to convey downtown's heady DIY ethos. The writing itself displays sensibilities that are at once fiery and cool. Cookie Mueller, Dennis Cooper, Wojnarowicz and many others merge crackling prose and a matter-of-fact tone to burrow into disturbing corners of sexual desire. AIDS takes a serious toll in the '80s, and becomes the haunting focus in amazing selections by novelist Gary Indiana and poet Tim Dlugos. Even as the scene begins to wind down, the book nails the deep thrills of talk and collaboration, especially in novelist Lynne Tillman's complex rendering of two friends' bar-set conversation. That gift for gab lives on in the epilogue, a spirited conversation between Eileen Myles and Cooper, who resist mythologizing but invoke the scene's glory nonetheless." -Time Out New York, "Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts of Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992 , a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity." - Village Voice ,, " Up Is Up itself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-'transgressive' female and gay writers." - New York Times Book Review, "This is a kind of three-decade book celebrating the possibilities of a self-sufficient writing community right under the nose of the decaying, increasingly irrelevant, empire of New York publishing." - American Book Review
Dewey Edition
22
Dewey Decimal
810.99747109045
Synopsis
"This book is inspiring in so many ways: it makes you want to write, to get outside and meet people, and more than anything, to travel back in time. It is proof of a New York that is now very hard to believe ever existed. But beyond all there is this writing, and everything in here is amazing." --Jonathan Safran Foer"As Kmart and Subway sandwiches invade NYC, it's crucial to remember that great art, writing and music once flourished downtown. As Patti Smith has said 'We created it, let's take it over.'" --Kathleen Hanna"This genuinely important cultural document will undoubtedly be an inspiration to any young artist who feels alienated from the mainstream." --Bret Easton Ellis"A sprawling collection of exquisitely made choices, Up Is Up, But So Is Down conveys the reality of one of the great Bohemias, an 'underground' like mid-19th century Paris and Berlin in the 20s. This book made me love the Downtown Scene all over again. The rants are here, the funky glamour, the gloriously dysfunctional idealism, the romantic dystopia, the ambition and the running joke that was made of fame. [How great that room was made for the ephemeral with the iconic, the unknown with the mighty, and the losses with the survivors.]" --Robert Gl]ck"A fascinating gallery. Downtown--fact or phantom--haunts me still." --Wayne KoestenbaumSometime after Andy Warhol's heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as "Downtown." Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, DavidWojnarowicz, Lynne Tillman, Miguel Piqero, and Eric Bogosian broke free from mainstream publishing to pr, Among The Village Voices 25 Favorite Books of 2006 Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category. Sometime after Andy Warhol's heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as "Downtown." Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Pinero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street. The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design-complete with 2-color interior-brings each of these unique documents and images to life. Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker's short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life. With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City's smartest and most explosive-as well as hard to find-writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history., Among The Village Voice s 25 Favorite Books of 2006 Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category. Sometime after Andy Warhol's heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as "Downtown." Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Pi ero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street. The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design--complete with 2-color interior--brings each of these unique documents and images to life. Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker's short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life. With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City's smartest and most explosive--as well as hard to find--writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history., Among The Village Voices 25 Favorite Books of 2006 Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category. Sometime after Andy Warhol's heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as "Downtown." Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Piñero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street. The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design--complete with 2-color interior--brings each of these unique documents and images to life. Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker's short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life. With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City's smartest and most explosive--as well as hard to find--writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history., View the Table of Contents. Read the Introduction.Among "The Village Voice"s 25 Favorite Books of 2006Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category. Up Is Up itself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-'transgressive' female and gay writers. -- "New York Times Book Review""Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts of Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992, a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity." -- "Village Voice""Exhilarating. . . . Up Is Up reproduces flyers and pages from lit mags to convey downtowns heady DIY ethos. The writing itself displays sensibilities that are at once fiery and cool. Cookie Mueller, Dennis Cooper, Wojnarowicz and many others merge crackling prose and a matter-of-fact tone to burrow into disturbing corners of sexual desire. AIDS takes a serious toll in the 80s, and becomes the haunting focus in amazing selections by novelist Gary Indiana and poet Tim Dlugos. Even as thescene begins to wind down, the book nails the deep thrills of talk and collaboration, especially in novelist Lynne Tillmans complex rendering of two friends bar-set conversation. That gift for gab lives on in the epilogue, a spirited conversation between Eileen Myles and Cooper, who resist mythologizing but invoke the scenes glory nonetheless." -- "Time Out New York"Up Is Up is a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy. -- "New York Press"Stosuys anthology commemorates the underground writings and visual culture that proliferated below 14th Street after the Beats and the New York School poets and before the ravages of Aids, rising rent and blogs...Such writings rarely appeared above ground. They were disseminated in graffiti, on the body, in homemade zines posted to friends or in Xeroxed chapbooks. -- "London Review of Books""New York University Press has released the cutting-edge equivalent of a memory book: Up Is Up, But So Is Down: New Yorks Downtown Literary Scene, 1974-1992, Brooklyn writer Brandon Stosuys magisterial anthology-cum-reliquary of downtown writing and literary art. Its oversized, gorgeously decorated and even decorous pages host an impossibly rich variety of prose, poetry and the unidentifiable either/or -- all produced by writers who either lived or worked or once visited or were published on or readin small presses and performance spaces below Manhattans Union Square but north of Mammons Wall Street." -- "Forward""For the hipster: Up is Up, But So is Down: New York's Downtown Literary Scene, 1974-1992, edited by Brandon Stousy. Long before Starbucks took over Greenwich Village, and one-bedroom rents hit $3,000, downtown Manhattan was scuzzy, vibrant and alive with arts. Collecting the work of rock-star poets and beat-down bohemians, this book attests to the fact that the life portrayed in Mary Gaitskill's edgy work wasn't a dream." -- "Salt Lake City Weekly""While the major players in New York's, Gathers almost twenty years of New York City's smartest and most explosive-as well as hard to find- writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. History.
LC Classification Number
PS549.N5U65 2006
Item description from the seller
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- o***f (14)- Feedback left by buyer.Past monthVerified purchaseseller did the best they could. very well packaged. USPS sent this thing back to the seller just before reaching my house... the 2 day shipping cost was a waste. id contact usps if i was the seller or ebay. i was livid when i had to wait. great seller.
- a***s (2622)- Feedback left by buyer.Past 6 monthsVerified purchaseThe CD arrived quickly, well packaged and as listed. Excellent seller. Great communication!
- t***s (194)- Feedback left by buyer.Past 6 monthsVerified purchaseShipping was very fast ,the packing was great and exactly as described, the price was great as well thank you very much A++++ Seller highly recommend
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Seller feedback (2,462)
- o***f (14)- Feedback left by buyer.Past monthVerified purchaseseller did the best they could. very well packaged. USPS sent this thing back to the seller just before reaching my house... the 2 day shipping cost was a waste. id contact usps if i was the seller or ebay. i was livid when i had to wait. great seller.
- a***s (2622)- Feedback left by buyer.Past 6 monthsVerified purchaseThe CD arrived quickly, well packaged and as listed. Excellent seller. Great communication!
- t***s (194)- Feedback left by buyer.Past 6 monthsVerified purchaseShipping was very fast ,the packing was great and exactly as described, the price was great as well thank you very much A++++ Seller highly recommend