It's Not Funny If I Have to Explain It: A Dilbert Treasury [Volume 24]

DoubleM Treasures
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Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“Pre-owned and in good condition”
ISBN
9780740746581
Book Title
It's Not Funny if I Have to Explain It : a Dilbert Treasury
Book Series
Dilbert Ser.
Publisher
Andrews McMeel Publishing
Item Length
10.8 in
Publication Year
2004
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.6 in
Author
Scott Adams
Genre
Humor
Topic
Form / Comic Strips & Cartoons, General
Item Weight
23.6 Oz
Item Width
8.6 in
Number of Pages
240 Pages
Category

About this product

Product Identifiers

Publisher
Andrews McMeel Publishing
ISBN-10
0740746588
ISBN-13
9780740746581
eBay Product ID (ePID)
30527208

Product Key Features

Book Title
It's Not Funny if I Have to Explain It : a Dilbert Treasury
Number of Pages
240 Pages
Language
English
Topic
Form / Comic Strips & Cartoons, General
Publication Year
2004
Illustrator
Yes
Genre
Humor
Author
Scott Adams
Book Series
Dilbert Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
23.6 Oz
Item Length
10.8 in
Item Width
8.6 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-105597
Dewey Edition
22
Series Volume Number
24
Synopsis
Office workers, cubicle squatters, and corporate drones everywhere read Dilbert in their morning papers and see their own bosses and coworkers in the frames of the strip, enacting on newsprint the weird rituals and bizarre activities that are conducted each day in the American workplace. The characters' names and hairstyles have been changed to protect their identities, but Dilbert's readers aren't fooled. After all, they spend every day with these idiots and lunatics. Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier! Since 1989 Dilbert has lampooned not only the people but also the accepted conventions and practices of the business world. Office politics, management trends, business travel, personnel policies, corporate bureaucracy, irrational strategies, unfathomable accounting practices, unproductive meetings, dysfunctional organizations, oppressive work spaces, silly protocols, and inscrutable jargon are all targets of Adams's darkly goofy satirical pen. Dilbert strikes a deeply resonant chord with fans because it casts such a dead-on reflection of the realities of the white-collar workplace, even with its off-the-wall delivery. It's Not Funny If I Have to Explain It, features Adams's personal all-time favorite selections, along with his own handwritten commentary about the strips., Office workers, cubicle squatters, and corporate drones everywhere read Dilbert in their morning papers and see their own bosses and coworkers in the frames of the strip, enacting on newsprint the weird rituals and bizarre activities that are conducted each day in the American workplace. The characters' names and hairstyles have been changed to protect their identities, but Dilbert's readers aren't fooled. After all, they spend every day with these idiots and lunatics. Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier Since 1989 Dilbert has lampooned not only the people but also the accepted conventions and practices of the business world. Office politics, management trends, business travel, personnel policies, corporate bureaucracy, irrational strategies, unfathomable accounting practices, unproductive meetings, dysfunctional organizations, oppressive work spaces, silly protocols, and inscrutable jargon are all targets of Adams's darkly goofy satirical pen. Dilbert strikes a deeply resonant chord with fans because it casts such a dead-on reflection of the realities of the white-collar workplace, even with its off-the-wall delivery. It's Not Funny If I Have to Explain It, features Adams's personal all-time favorite selections, along with his own handwritten commentary about the strips., Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier. Since 1989 Dilbert has lampooned not only the people but also the accepted conventions and practices of the business world. Office politics, management trends, business travel, personnel policies, corporate bureaucracy, irrational strategies, unfathomable accounting practices, unproductive meetings, dysfunctional organizations, oppressive work spaces, silly protocols, and inscrutable jargon are all targets of Adams's darkly goofy satirical pen. Dilbert strikes a deeply resonant chord with fans because it casts such a dead-on reflection of the realities of the white-collar workplace, even with its off-the-wall delivery. Today, Dilbert runs in 2,000 newspapers in 19 languages, reaching 150 million readers in 65 countries. The 24th Dilbert collection, Author's Cut, features Adams's personal all-time favorite selections, along with his own handwritten commentary about the strips.
LC Classification Number
PN6727.A3D55283 2004

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