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Wolfgang Amadeus Mozart Mozart Keyboard Music - Volume 3 (CD) Album

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US $25.29
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eBay item number:395116405148
Last updated on Apr 15, 2024 04:11:16 PDTView all revisionsView all revisions

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer’s sealing (if ...
Title
Mozart Keyboard Music - Volume 3
EAN
0093046749927
Edition
Album
Style
Instrumental
Release Date
01/09/2012
No Of Discs
1
Composer
Wolfgang Amadeus Mozart
MPN
HMU907499
UPC
0093046749927
Artist
Mozart / Bezuidenhout
Format
CD
Release Year
2012
Record Label
HMF, Harmonia Mundi
Release Title
Keyboard Music 3
Genre
Classical Composers

About this product

Product Identifiers

Record Label
HMF, Harmonia Mundi
UPC
0093046749927
eBay Product ID (ePID)
21046050065

Product Key Features

Release Year
2012
Format
CD
Genre
Classical Composers
Artist
Mozart / Bezuidenhout
Release Title
Keyboard Music 3

Dimensions

Item Height
0.22in
Item Weight
0.18lb.
Item Length
5.57in
Item Width
5.07in

Additional Product Features

Number of Tracks
16
Number of Discs
1
Tracks
1.1 Piano Sonata No. 13 in B Flat Major, K. 333 (K. 315C): 1. Allegro 1.2 Piano Sonata No. 13 in B Flat Major, K. 333 (K. 315C): 2. Andante Cantabile 1.3 Piano Sonata No. 13 in B Flat Major, K. 333 (K. 315C): 3. Allegretto Grazioso 1.4 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Thema 1.5 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 1 1.6 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 2 1.7 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 3 1.8 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 4 1.9 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 5 1.10 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 6 1.11 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 7 1.12 Variations (8) on 'Ein Weib Ist Das Herrlichste Ding,' for Piano in F Major, K. 613: Variation 8 1.13 Movement for Violin ; Piano (Or Piano Solo) in C minor (Fragment), K. 396 (K. 385F) 1.14 Piano Sonata No. 12 in F Major, K. 332 (K. 300K): 1. Allegro 1.15 Piano Sonata No. 12 in F Major, K. 332 (K. 300K): 2. Adagio 1.16 Piano Sonata No. 12 in F Major, K. 332 (K. 300K): 3. Allegro Assai
Notes
Mozart: Keyboard Music Vol 3 / Kristian Bezuidenhout / Mozart / Bezuidenhout / Release Date: 01/10/2012 / Label: Harmonia Mundi Catalog #: 907499 / Composer: Wolfgang Amadeus Mozart / Performer: Kristian Bezuidenhout / Number of Discs: 1 / MOZART Piano Sonatas: No. 12; No. 13. Fantasy, K 396. Variations on "Ein Weib is das herrlichste Ding," K 613 • Kristian Bezuidenhout (fp) • HARMONIA MUNDI 907499 (69:05) My pleasure in Kristian Bezuidenhout's traversal of Mozart's keyboard works, now at it's third installment, grows unabated. If anything it has been enhanced by deep and repeated samplings of some of his other recent recordings: early Mendelssohn concertos with the Freiburg Baroque Orchestra and Gottfried von der Goltz, his collaborations with Mark Padmore in Schumann and Lachner songs, and, something I simply can't get enough of, his "Kreutzer" Sonata with Victoria Mullova. (All but the last are Harmonia Mundi; the Beethoven sonatas with Mullova are on Onyx.) I can also happily report that, at least in most of the critical organs I track, response to this Mozart series is well nigh unanimous: praise for Bezuidenhout as pianist, as musician, and admiration for his tremendous gifts. The anchors of Volume 3 are the two Sonatas, K 332 in F Major and K 333 in B?, both ripe fruits of 1783. In the first movement of the F-Major Sonata, with it's suddenly overcast skies as the rippling major flows suddenly into choppy, syncopated minor waters, Bezuidenhout demonstrates his ability to turn on an emotional dime, yet always within the logically inevitable construct of Mozart's sublime affective discourse. The Adagio unfolds with all the rich characterizations and contrasts of an operatic scena, and we are the spellbound observers of a gripping drama whose outcome we can only guess. While Bezuidenhout embellishes all repeats in quick movements, his ornamentation in slow tempos is conspicuously apt, always abetting the lyrical flow. The finale, it's emotional contrasts notwithstanding, gambols, skips, and gallops in a fine kinesthetic madness fluctuating between merriment and elation. The B?-Sonata is as grandly august as anyone could wish, though it's golden hues seem especially burnished and radiant. The piano Bezuidenhout uses is another superb Paul McNulty replica, this one from 2009. Like the instruments used in the two earlier recordings, it is based on an original by Anton Walter & Sohn, but a slightly later vintage (1805). To say that this is state-of-the-art Mozart playing is only meaningful with the qualification that there are at most three or four pianists in the world today capable of anything remotely similar. I know of no player on a modern Steinway or Bösendorfer, in fact, who could pull off an F-Major Sonata of greater charm or vivacity, or inflected with more color or nuance. Bezuidenhout seems to have it all: grasp of the characteristic rhetoric, comfort with late 18th-century style, exquisite sense of pacing, identification with every note he plays, and a highly developed musical discernment that allows him to distinguish the important from the subsidiary, substance from ornament. Plus he plays the fortepiano like nobody else. I can't wait for the next installment. FANFARE: Patrick Rucker

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