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Turners and Burners : The Folk Potters of North Carolina by Charles G. Zug and Charles G. Zug III (1986, Hardcover)

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About this product

Product Identifiers

PublisherUniversity of North Carolina Press

ISBN-10080781704X

ISBN-139780807817049

eBay Product ID (ePID)7038912259

Product Key Features

Book TitleTurners and Burners : the Folk Potter`s of North Carolina

Number of Pages488 Pages

LanguageEnglish

TopicFolk & Outsider Art, Ceramics

Publication Year1986

FeaturesReprint

IllustratorYes

GenreArt

AuthorCharles G. Zug, Charles G. Zug III

FormatHardcover

Dimensions

Item Height1 in

Item Weight10 oz

Item Length11 in

Item Width8.5 in

Additional Product Features

Intended AudienceTrade

LCCN86-001456

Reviews" Turners and Burners makes an enormous contribution to the study of North Carolina folklife. It should be equally at home in an academic's library, on a living-room coffee table, or on a collector's or potter's bookshelf. . . . North Carolinians, rejoice!"-- North Carolina Folklore Journal, Turners and Burners makes an enormous contribution to the study of North Carolina folklife. It should be equally at home in an academic's library, on a living-room coffee table, or on a collector's or potter's bookshelf. . . . North Carolinians, rejoice!-- North Carolina Folklore Journal, " Turners and Burners brings the simple utilitarian wares of North Carolina into meaningful historical and cultural context."-- Journal of American Folklore, Turners and Burners brings the simple utilitarian wares of North Carolina into meaningful historical and cultural context.-- Journal of American Folklore, "An excellent book to read if you are interested in North Carolina, American ceramics, folk life, or general craft practices, and it will undoubtedly remain a classic for many years to come."-- Winterthur Portfolio, An excellent book to read if you are interested in North Carolina, American ceramics, folk life, or general craft practices, and it will undoubtedly remain a classic for many years to come.-- Winterthur Portfolio

Dewey Edition19

Dewey Decimal738/.09756

Edition DescriptionReprint

SynopsisThis richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of 'tuners and burners' whose creation are much admired for their strength and beauty. The first comprehensive ceramic history for the state, this book examines the largely vanished world of folk potters and the continuing achievements of their descendants., This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of "turners and burners" whose creations are much admired for their strength and beauty. Perhaps no other state possesses such an active and extensive ceramic heritage, and one that is entirely continuous. This book is an attempt to understand both the past and the present, the now largely vanished world of the folk potter and the continuing achievements of his descendants. It is a tribute that is long overdue.From the middle of the eighteenth century through the second quarter of the twentieth century, folk potters in North Carolina produced thousands of pieces of earthenware and stoneware -- sturdy, simple, indispensable forms like jars and jugs, milk crocks and butter churns, pitchers and dishes, ring jugs and flowerpots. Their wares were familiar and everyday, not innovative or unusual, because they were shaped through generations of use for specific functions. The utilitarian forms were so commonplace and embedded in daily life that few individuals documented the craft. Turners and Burners is the first book to chronicle these pottery traditions, with close attention to distinct regional and temporal patterns and the major families involved. It explores in detail the traditional technologies used, from the foot-powered treadle wheel to the wood-fired groundhog kiln.Terry Zug became interested in North Carolina pottery in 1969 shortly after moving to Chapel Hill. In 1974 he began documenting the craft and traveled throughout the state recording the reminiscences of potters, former potters, and members of potters' families who recalled the old craft in remarkable detail. He systematically photographed and cataloged old pots, located early shop sites, and carefully recorded the remaining waster dumps of broken shards and decaying equipment. His primary source, however, was the potters themselves. Their tape-recorded interviews provide an insider's view of their world and reveal the powerful underlying logic and autonomy of their craft., This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of turners and burners whose creations are much admired for their strength and beauty. Perhaps no other state possesses such an active and extensive ceramic heritage, and one that is entirely continuous. This book is an attempt to understand both the past and the present, the now largely vanished world of the folk potter and the continuing achievements of his descendants. It is a tribute that is long overdue. From the middle of the eighteenth century through the second quarter of the twentieth century, folk potters in North Carolina produced thousands of pieces of earthenware and stoneware -- sturdy, simple, indispensable forms like jars and jugs, milk crocks and butter churns, pitchers and dishes, ring jugs and flowerpots. Their wares were familiar and everyday, not innovative or unusual, because they were shaped through generations of use for specific functions. The utilitarian forms were so commonplace and embedded in daily life that few individuals documented the craft. Turners and Burners is the first book to chronicle these pottery traditions, with close attention to distinct regional and temporal patterns and the major families involved. It explores in detail the traditional technologies used, from the foot-powered treadle wheel to the wood-fired groundhog kiln. Terry Zug became interested in North Carolina pottery in 1969 shortly after moving to Chapel Hill. In 1974 he began documenting the craft and traveled throughout the state recording the reminiscences of potters, former potters, and members of potters' families who recalled the old craft in remarkable detail. He systematically photographed and cataloged old pots, located early shop sites, and carefully recorded the remaining waster dumps of broken shards and decaying equipment. His primary source, however, was the potters themselves. Their tape-recorded interviews provide an insider's view of their world and reveal the powerful underlying logic and autonomy of their craft.

LC Classification NumberNK4025.N8Z82 1986