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About this product
Product Identifiers
PublisherTaylor & Francis Group
ISBN-10113873165X
ISBN-139781138731653
eBay Product ID (ePID)22058629587
Product Key Features
Book TitleWomen Musicians in Victorian Fiction, 1860-1900 : Representations of Music, Science and Gender in the Leisured Home
Number of Pages348 Pages
LanguageEnglish
Publication Year2019
TopicGeneral
GenreLiterary Criticism, Political Science, Social Science
AuthorPhyllis Weliver
Book SeriesRoutledge Revivals Ser.
FormatTrade Paperback
Dimensions
Item Weight22.7 Oz
Item Length9.2 in
Item Width6 in
Additional Product Features
Dewey Edition23
Dewey Decimal823.8093578
Table Of ContentIntroduction; 1: Musical Women in England, 1860-1900; 2: Harmony and Discord in the Self: Music, Mesmerism and Mental Science; 3: Female Power in Sensation Fiction; 4: Dissonance and Fugue in The Mystery of Edwin Drood; 5: George Eliot: Melody, Evolution and Aesthetics; 6: Recapitulation and Natural Selection in The Mill on the Floss; 7: Sexual Selection and Music: Middlemarch and Daniel Deronda; Conclusion: Trilby
SynopsisThis title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time., This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.
