Reviews"Enormously entertaining as a comedy of manners about academic scholarship... [with] characters straight out of a Philip Roth campus novel." -- Washington Free Beacon, "As a literary-investigative reporter, Elizabeth Winkler... pursues her quarry with tenacity and grips it like a dog with a bone." -- The Wall Street Journal, "Elizabeth Winkler is blessed with the clear-eyed wit of a heroine in a Shakespearean comedy. Her undoing of the fools in the forest of the authorship question is iconoclasm As You Like It --joy to behold, lesson for us all." --Lewis Lapham, founder of Lapham's Quarterly
Dewey Edition23
Dewey Decimal822.33
SynopsisA thrillingly provocative investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote his plays became an act of blasphemy...and who the Bard might really be., A thrillingly provocative investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote his plays became an act of blasphemy...and who the Bard might really be. The theory that Shakespeare may not have written the works that bear his name is the most horrible, vexed, unspeakable subject in the history of English literature. Scholars admit that the Bard's biography is a "black hole," yet to publicly question the identity of the god of English literature is unacceptable, even (some say) "immoral." In Shakespeare Was a Woman and Other Heresies , journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking readers from London to Stratford-upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers--from Walt Whitman to Sigmund Freud to Supreme Court justices--who have grappled with the riddle of the plays' origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare's plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem. As she interviews scholars and skeptics, Winkler's interest turns to the larger problem of historical truth--and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we're looking for. An irresistible work of literary detection , Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare... and of how we as a society decide what's up for debate and what's just nonsense, just heresy., An "extraordinarily brilliant" and "pleasurably naughty" (André Aciman) investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote his plays became an act of blasphemy...and who the Bard might really be. The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard's biography is a "black hole," yet to publicly question the identity of the god of English literature is unacceptable, even (some say) "immoral." In Shakespeare Was a Woman and Other Heresies , journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers--from Walt Whitman to Sigmund Freud to Supreme Court justices--who have grappled with the riddle of the plays' origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare's plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem. As she interviews scholars and skeptics, Winkler's interest turns to the larger problem of historical truth--and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we're looking for. "Lively" ( The Washington Post ), "fascinating" (Amanda Foreman), and "intrepid" (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare...and of how we as a society decide what's up for debate and what's just nonsense, just heresy.