Reviews
"Mesmerizing... Toad , like Dunn herself, is defiantly, triumphantly, its own thing." -- Adrienne Raphel, The New York Times "Dunn's writing is dynamic and propulsive... Toad [is] a generous inquiry into what makes life worth living." --Terry Nguyen, Los Angeles Review of Books "A gentle, funny, heartbreaking indictment of the naïve excesses of the 1960s and the testament of a woman who survived them." -- Kirkus , starred review "A sobering look at the reality of what one's glory days actually entailed, shot through with the unmistakable undertow of pain and self-loathing." -- Publishers Weekly "With Toad , Katherine Dunn has written a primer for filthy, rhapsodic worship at the altar of the unavoidably real. Both visceral and philosophical, brutal and humane, Toad has the feel of gospel written by an exiled saint. A living, breathing document you don't so much read as shake its glorious, grimy hand." --Rachel Yoder, author of Nightbitch " Toad is a gift to those of us who have been dreaming for decades of a new novel from Katherine Dunn, and a book that will bring her many devoted new fans. Nobody's sentences heave and breathe like Dunn's do. Her language scintillates and sheds its scales, revealing truths that nobody else dares to utter, or can. She is Portland's bard of 'the genuine wound,' exploring the deep world within the body and the human animal's capacities for savagery, tenderness, loneliness, friendship, loathing, and love." --Karen Russell, Pulitzer Prize finalist and author of Orange World and Other Stories " Toad is, plainly, a masterpiece--a nimble, wry, innovative, and devastating novel. It is painful to know that this novel might have gone unpublished, that Katherine Dunn's brilliant language and her sly commentary about gender, desire, power, and self-direction might never have reached readers. Toad should join the canon of postwar literature, as well as the literature of counterculture, the literature of women's inner lives, the literature of the Pacific Northwest, the literature of America itself. It is a gift." --Lydia Kiesling, author of The Golden State "Dark and strange and funny, deeply lived, with a nothing-left-to-lose vibe of radical honesty, Toad is a joy. An unexpected final book from a literary hero, brimming with relatable madness and mendacity, ferocious desire, the fascinating ephemera of connections. Odd and tragic and cool--I loved Toad ." --Michelle Tea, author of Against Memoir, "A gentle, funny, heartbreaking indictment of the naïve excesses of the 1960s and the testament of a woman who survived them." -- Kirkus , starred review "A sobering look at the reality of what one's glory days actually entailed, shot through with the unmistakable undertow of pain and self-loathing." -- Publishers Weekly "With Toad , Katherine Dunn has written a primer for filthy, rhapsodic worship at the altar of the unavoidably real. Both visceral and philosophical, brutal and humane, Toad has the feel of gospel written by an exiled saint. A living, breathing document you don't so much read as shake its glorious, grimy hand." --Rachel Yoder, author of Nightbitch " Toad is a gift to those of us who have been dreaming for decades of a new novel from Katherine Dunn, and a book that will bring her many devoted new fans. Nobody's sentences heave and breathe like Dunn's do. Her language scintillates and sheds its scales, revealing truths that nobody else dares to utter, or can. She is Portland's bard of 'the genuine wound,' exploring the deep world within the body and the human animal's capacities for savagery, tenderness, loneliness, friendship, loathing, and love." --Karen Russell, Pulitzer Prize finalist and author of Orange World and Other Stories " Toad is, plainly, a masterpiece--a nimble, wry, innovative, and devastating novel. It is painful to know that this novel might have gone unpublished, that Katherine Dunn's brilliant language and her sly commentary about gender, desire, power, and self-direction might never have reached readers. Toad should join the canon of postwar literature, as well as the literature of counterculture, the literature of women's inner lives, the literature of the Pacific Northwest, the literature of America itself. It is a gift." --Lydia Kiesling, author of The Golden State "Dark and strange and funny, deeply lived, with a nothing-left-to-lose vibe of radical honesty, Toad is a joy. An unexpected final book from a literary hero, brimming with relatable madness and mendacity, ferocious desire, the fascinating ephemera of connections. Odd and tragic and cool--I loved Toad ." --Michelle Tea, author of Against Memoir, " Toad is a gift to those of us who have been dreaming for decades of a new novel from Katherine Dunn, and a book that will bring her many devoted new fans. Nobody's sentences heave and breathe like Dunn's do. Her language scintillates and sheds its scales, revealing truths that nobody else dares to utter, or can. She is Portland's bard of 'the genuine wound,' exploring the deep world within the body and the human animal's capacities for savagery, tenderness, loneliness, friendship, loathing, and love." --Karen Russell, Pulitzer Prize finalist and author of Orange World and Other Stories " Toad is, plainly, a masterpiece--a nimble, wry, innovative, and devastating novel. It is painful to know that this novel might have gone unpublished, that Katherine Dunn's brilliant language and her sly commentary about gender, desire, power, and self-direction might never have reached readers. Toad should join the canon of postwar literature, as well as the literature of counterculture, the literature of women's inner lives, the literature of the Pacific Northwest, the literature of America itself. It is a gift." --Lydia Kiesling, author of The Golden State "Dark and strange and funny, deeply lived, with a nothing-left-to-lose vibe of radical honesty, Toad is a joy. An unexpected final book from a literary hero, brimming with relatable madness and mendacity, ferocious desire, the fascinating ephemera of connections. Odd and tragic and cool--I loved Toad ." --Michelle Tea, author of Against Memoir, "If Geek Love was a misfit anthem, Toad is a misfit ballad . . .chaotic, intimate and unruly . . . Dunn's style is unlike that of anyone living or dead: simultaneously practical and bonkers; lovely and nasty." --Molly Young, The New York Times "The acerbic, audacious, and autobiographical Toad is a nod to Dunn's coming-of-age at Reed college, and it's a book geeks, devotees, and readers new to Dunn will love." --Erin Kodicek, Amazon Book Review "Mesmerizing... Toad , like Dunn herself, is defiantly, triumphantly, its own thing." -- Adrienne Raphel, The New York Times "Dunn's writing is dynamic and propulsive... Toad [is] a generous inquiry into what makes life worth living." --Terry Nguyen, Los Angeles Review of Books "A gentle, funny, heartbreaking indictment of the naïve excesses of the 1960s and the testament of a woman who survived them." -- Kirkus , starred review "A sobering look at the reality of what one's glory days actually entailed, shot through with the unmistakable undertow of pain and self-loathing." -- Publishers Weekly "With Toad , Katherine Dunn has written a primer for filthy, rhapsodic worship at the altar of the unavoidably real. Both visceral and philosophical, brutal and humane, Toad has the feel of gospel written by an exiled saint. A living, breathing document you don't so much read as shake its glorious, grimy hand." --Rachel Yoder, author of Nightbitch " Toad is a gift to those of us who have been dreaming for decades of a new novel from Katherine Dunn, and a book that will bring her many devoted new fans. Nobody's sentences heave and breathe like Dunn's do. Her language scintillates and sheds its scales, revealing truths that nobody else dares to utter, or can. She is Portland's bard of 'the genuine wound,' exploring the deep world within the body and the human animal's capacities for savagery, tenderness, loneliness, friendship, loathing, and love." --Karen Russell, Pulitzer Prize finalist and author of Orange World and Other Stories " Toad is, plainly, a masterpiece--a nimble, wry, innovative, and devastating novel. It is painful to know that this novel might have gone unpublished, that Katherine Dunn's brilliant language and her sly commentary about gender, desire, power, and self-direction might never have reached readers. Toad should join the canon of postwar literature, as well as the literature of counterculture, the literature of women's inner lives, the literature of the Pacific Northwest, the literature of America itself. It is a gift." --Lydia Kiesling, author of The Golden State "Dark and strange and funny, deeply lived, with a nothing-left-to-lose vibe of radical honesty, Toad is a joy. An unexpected final book from a literary hero, brimming with relatable madness and mendacity, ferocious desire, the fascinating ephemera of connections. Odd and tragic and cool--I loved Toad ." --Michelle Tea, author of Against Memoir "Now, in a year marked by renewed repression and the ominous rolling back of fundamental rights, her anger feels like a warm embrace. We need more women like Sally in the world, and more writers like Dunn to tell their stories. If Toad is indeed the last word we get from the late great author, thank the literary gods she didn't go quietly." --Sara Batkie, Chicago Review of Books
