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Hollyworld: Space, Power, And Fantasy In The American Economy
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“A book that looks new but has been read. Cover has no visible wear, and the dust jacket is in great ”... Read moreabout condition
Like New
A book that looks new but has been read. Cover has no visible wear, and the dust jacket (if applicable) is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
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Located in: Ipswich, Massachusetts, United States
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eBay item number:364832069446
Item specifics
- Condition
- Like New
- Seller Notes
- ISBN
- 9780801439261
- Book Title
- Hollyworld : Space, Power, and Fantasy in the American Economy
- Publisher
- Cornell University Press
- Item Length
- 9 in
- Publication Year
- 2001
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.9 in
- Genre
- Political Science, Performing Arts, Business & Economics
- Topic
- Political Economy, Industries / Entertainment, Film / History & Criticism
- Item Weight
- 32.1 Oz
- Item Width
- 6 in
- Number of Pages
- 256 Pages
About this product
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801439264
ISBN-13
9780801439261
eBay Product ID (ePID)
1961824
Product Key Features
Book Title
Hollyworld : Space, Power, and Fantasy in the American Economy
Number of Pages
256 Pages
Language
English
Publication Year
2001
Topic
Political Economy, Industries / Entertainment, Film / History & Criticism
Illustrator
Yes
Genre
Political Science, Performing Arts, Business & Economics
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
32.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-003646
Dewey Edition
21
Reviews
What Hozic studies is Hollywood's latest mode, its blockbuster domination, advance reservations at the box office, and heaping of television advertising.... However, Hozic's economic and political points deal with the blurring spaces, Hollywood and global homogeneity, truth as projected by 'merchants,' film's ability to be perceived as reality.... Though definition of terms is a problem, they are clarified in a stirring conclusion., "In Hollyworld, Aida Hozic delves into the economic engine room of Hollywood and comes back up with some remarkable insights. A significant part of the book's originality lies in its emphasis on distribution as a critical agency in shaping the production and consumption of contemporary culture."--Allen J. Scott, Professor Department of Policy Studies and Department of Geography, and Director, Center for Globalization and Policy Research, UCLA, "This ambitious study of the political economy of Hollywood, past and present, utilizes recent theories of cultural geography to offer the reader an often fresh understanding of the film industry's historical development."--Virginia Quarterly Review 78:4, In Hollyworld , Aida Hozic delves into the economic engine room of Hollywood and comes back up with some remarkable insights. A significant part of the book's originality lies in its emphasis on distribution as a critical agency in shaping the production and consumption of contemporary culture., Fusing world-system theory and Gramscian interpretations of ideological hegemony, Hozic offers a perceptive and engaging analysis of the global reach of the Hollywood studios in the contemporary era of mass media conglomerates.... Hozic offers a well-argued and erudite book exposing Hollywood as a transnational franchise, a branded global conglomerate that converts swords into ploughshares in a post-Cold War world through the marriage of ideology and entertainment., This ambitious study of the political economy of Hollywood, past and present, utilizes recent theories of cultural geography to offer the reader an often fresh understanding of the film industry's historical development., "She offers in this book a stimulating treatment of a very significant development of out time: the rise of an unprecedented global media system and its impact on our society."--Lary May, Harvard University. Business History Review, Winter 2002., "She offers in this book a stimulating treatment of a very significant development of out time: the rise of an unprecedented global media system and its impact on our society."-Lary May, Harvard University. Business History Review, Winter 2002., Hollyworld: Space, Power, and Fantasy in the American Economy is a thoughtful and important book. Hozic examines the political economy of film through the lens of geography, adding the dimension of space to the dimensions of power and wealth., "Despite decades of global dominance and Hollywood's archetypal centrality in projecting images of the United States to the world, very few scholars have used the industry to understand more general political patterns. . . . In recent years . . . the industry has become a prominent and dynamic focal point in the new economy and in the process of globalization allied with key strategic sectors. . . . In this light, Aida Hozic's 'Hollyworld ' takes a valuable first step to explore a new frontier. . . . 'Hollyworld's' fine account of filmmaking's industrial history has much to offer several distinct audiences, and it will spark vigorous debate in a few areas. . . . 'Hollyworld' is a fascinating book that deserves a audience among political economists and cultural theorists."--Andrew Flibbert, New York University. International Studies Review (2003) 5, 119-121, "Hollyworld: Space, Power, and Fantasy in the American Economy is a thoughtful and important book. Hozic examines the political economy of film through the lens of geography, adding the dimension of space to the dimensions of power and wealth."-Harvey B. Feigenbaum, Associate Dean of the Elliott School of International Affairs, George Washington University, Despite decades of global dominance and Hollywood's archetypal centrality in projecting images of the United States to the world, very few scholars have used the industry to understand more general political patterns.... In recent years... the industry has become a prominent and dynamic focal point in the new economy and in the process of globalization allied with key strategic sectors.... In this light, Aida Hozic's Hollyworld takes a valuable first step to explore a new frontier.... Hollyworld 's fine account of filmmaking's industrial history has much to offer several distinct audiences, and it will spark vigorous debate in a few areas.... Hollyworld is a fascinating book that deserves a audience among political economists and cultural theorists., "Fusing world-system theory and Gramscian interpretations of ideological hegemony, Hozic offers a perceptive and engaging analysis of the global reach of the Hollywood studios in the contemporary era of mass media conglomerates. . . . Hozic offers a well-argued and erudite book exposing Hollywood as a transnational franchise, a branded global conglomerate that converts "swords into ploughshares" in a post-Cold War world through the marriage of ideology and entertainment."--American Journal of Sociology, Vol. 108, No. 2, September 2002, "What Hozic studies is Hollywood's latest mode, its blockbuster domination, advance reservations at the box office, and heaping of television advertising. . . . However, Hozic's economic and political points deal with the blurring spaces, Hollywood and global homogeneity, truth as projected by 'merchants,' film's ability to be perceived as reality. . . . Though definition of terms is a problem, they are clarified in a stirring conclusion."-Choice, Vol. 40, No. 3, November 2002, "What Hozic studies is Hollywood's latest mode, its blockbuster domination, advance reservations at the box office, and heaping of television advertising. . . . However, Hozic's economic and political points deal with the blurring spaces, Hollywood and global homogeneity, truth as projected by 'merchants,' film's ability to be perceived as reality. . . . Though definition of terms is a problem, they are clarified in a stirring conclusion."--Choice, Vol. 40, No. 3, November 2002, "Despite decades of global dominance and Hollywood's archetypal centrality in projecting images of the United States to the world, very few scholars have used the industry to understand more general political patterns. . . . In recent years . . . the industry has become a prominent and dynamic focal point in the new economy and in the process of globalization allied with key strategic sectors. . . . In this light, Aida Hozic's 'Hollyworld ' takes a valuable first step to explore a new frontier. . . . 'Hollyworld's' fine account of filmmaking's industrial history has much to offer several distinct audiences, and it will spark vigorous debate in a few areas. . . . 'Hollyworld' is a fascinating book that deserves a audience among political economists and cultural theorists."-Andrew Flibbert, New York University. International Studies Review (2003) 5, 119-121, "Hollyworld: Space, Power, and Fantasy in the American Economy is a thoughtful and important book. Hozic examines the political economy of film through the lens of geography, adding the dimension of space to the dimensions of power and wealth."--Harvey B. Feigenbaum, Associate Dean of the Elliott School of International Affairs, George Washington University, "This ambitious study of the political economy of Hollywood, past and present, utilizes recent theories of cultural geography to offer the reader an often fresh understanding of the film industry's historical development."-Virginia Quarterly Review 78:4, "Fusing world-system theory and Gramscian interpretations of ideological hegemony, Hozic offers a perceptive and engaging analysis of the global reach of the Hollywood studios in the contemporary era of mass media conglomerates. . . . Hozic offers a well-argued and erudite book exposing Hollywood as a transnational franchise, a branded global conglomerate that converts "swords into ploughshares" in a post-Cold War world through the marriage of ideology and entertainment."-American Journal of Sociology, Vol. 108, No. 2, September 2002, [Aida Hozic] offers in this book a stimulating treatment of a very significant development of out time: the rise of an unprecedented global media system and its impact on our society.
Grade From
College Graduate Student
Dewey Decimal
384/.8/0973
Synopsis
Hollywood is currently one of the largest and most profitable sectors of the U.S. economy. In just a few decades, it has transformed itself from a dying company town into a merchandising emporium of movies, games, and licensed characters. It is quickly moving even further into cyberspace, virtual reality, and digital imaging. Aida Hozic writes of these enormous changes in the film industry from a novel perspective: by tracing shifts in spatial organization of film production from the enclosed worlds of old Hollywood studios through globally dispersed location shooting to digital production and distribution., Hollywood is currently one of the largest and most profitable sectors of the U.S. economy. In just a few decades, it has transformed itself from a dying company town into a merchandising emporium of movies, games, and licensed characters. It is quickly moving even further into cyberspace, virtual reality, and digital imaging. Aida Hozic writes of these enormous changes in the film industry from a novel perspective: by tracing shifts in spatial organization of film production from the enclosed worlds of old Hollywood studios through globally dispersed location shooting to digital production and distribution. Hozic's fascinating tale of latter-day capitalism suggests that the physical reorganization of production?across the American economy, but in Hollywood in particular?alters material and conceptual boundaries between work and leisure, public and private, reality and fantasy. Particular economic regimes and forms of spatial organization have specific moral implications, and so the story of Hollywood's cultural production is partly a story of censorship and moral surveillance. Hozic's account of industrial change in Hollywood, and of its attempts at moral control over the production of fantasy, is an illuminating confrontation with the peculiar nature of Hollywood's political authority and of its complex power., Hollywood is currently one of the largest and most profitable sectors of the U.S. economy. In just a few decades, it has transformed itself from a dying company town into a merchandising emporium of movies, games, and licensed characters. It is..., Hollywood is currently one of the largest and most profitable sectors of the U.S. economy. In just a few decades, it has transformed itself from a dying company town into a merchandising emporium of movies, games, and licensed characters. It is quickly moving even further into cyberspace, virtual reality, and digital imaging. Aida Hozic writes of these enormous changes in the film industry from a novel perspective: by tracing shifts in spatial organization of film production from the enclosed worlds of old Hollywood studios through globally dispersed location shooting to digital production and distribution. Hozic's fascinating tale of latter-day capitalism suggests that the physical reorganization of production--across the American economy, but in Hollywood in particular--alters material and conceptual boundaries between work and leisure, public and private, reality and fantasy. Particular economic regimes and forms of spatial organization have specific moral implications, and so the story of Hollywood's cultural production is partly a story of censorship and moral surveillance. Hozic's account of industrial change in Hollywood, and of its attempts at moral control over the production of fantasy, is an illuminating confrontation with the peculiar nature of Hollywood's political authority and of its complex power.
LC Classification Number
PN1993.5.U6H68 2001
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