Kelley Walker: Direct Drive, Pontégnie, Anne,Hudson, Suzanne,Cherix, Christophe,

Midtown Scholar Bookstore
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Condition:
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“HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ”... Read moreabout condition
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eBay item number:364537765606
Last updated on Sep 05, 2025 16:50:41 PDTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ...
ISBN
9783037644959
Book Title
Kelley Walker: Direct Drive
Publisher
Jrp Ringier Kunstverlag A&G
Item Length
10.9 in
Publication Year
2017
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.6 in
Author
Kelley Walker
Genre
Art
Topic
Individual Artists / Artists' Books, History / General
Item Weight
147.5 Oz
Item Width
8.3 in
Number of Pages
160 Pages
Category

About this product

Product Identifiers

Publisher
Jrp Ringier Kunstverlag A&G
ISBN-10
3037644958
ISBN-13
9783037644959
eBay Product ID (ePID)
235139711

Product Key Features

Book Title
Kelley Walker: Direct Drive
Number of Pages
160 Pages
Language
English
Publication Year
2017
Topic
Individual Artists / Artists' Books, History / General
Illustrator
Yes
Genre
Art
Author
Kelley Walker
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
147.5 Oz
Item Length
10.9 in
Item Width
8.3 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
709.2
Synopsis
Since the early 2000s, Kelley Walker has developed a body of work that alters and subverts some of the most ubiquitous cultural, political, and social signifiers of our contemporary society.Using the potency of advertising strategies, his work interrogates the ways a single image can migrate into a number of cultural contexts, how meaning constantly shifts, and how everything and everyone is subject to reinvention -- just as the iconic recycling symbol he uses in numerous manifestations might ironically suggest.He explores authorship and authenticity, the manipulation and repurposing of images and material from the public domain in order to destabilize issues of identity, race, class, sexuality, consumerism, and politics.Production, transaction, analogue/digital conversion, and distribution processes are central to his practice: 'I am working with a very complex way of producing objects that conflates and compresses and deflates all different types of modes of production in one object.'This comprehensive monograph is published as the editorial sequel to Kelley Walker's Direct Drive solo exhibition at the Contemporary Art Museum St. Louis (autumn 2016).Designed by NORM (Zurich), it features Walker's different bodies of works to date (the Black Star Press, Brick Paintings, Recycling Signs, and Schema series, among others) alongside his most recent pieces.Edited and introduced by Jeffrey Uslip, Direct Drive exhibition's curator, it brings together new essays by MoMA's Chief Curator of Drawings and Prints Christophe Cherix, Le Consortium's Co-Director Anne Pontegnie, and University of Southern California's Professor Suzanne Hudson., Since the early 2000s, New York-based Kelley Walker (born 1969) has developed a body of work that uses the potency of advertising strategies to interrogate the ways a single image can migrate into several cultural contexts and how everything and everyone is subject to reinvention. Often using such technologies as 3-D modeling and laser cutting, Walker works in photography, painting, printmaking, collage and sculpture, to draw attention to popular culture's perpetual consumption. This comprehensive monograph features Walker's various bodies of works to date (the Black Star Press , Brick Paintings , Recycling Signs and Schema series, among others) alongside his most recent pieces. Edited and introduced by Jeffrey Uslip, it brings together new essays by MoMA curator Christophe Cherix, Le Consortium's Co-Director Anne Pont gnie and University of Southern California's Professor Suzanne Hudson., Since the early 2000s, New York based Kelley Walker (born 1969) has developed a body of work that uses the potency of advertising strategies to interrogate the ways a single image can migrate into several cultural contexts and how everything and everyone is subject to reinvention. Often using such technologies as 3-D modeling and laser cutting, Walker works in photography, painting, printmaking, collage and sculpture, to draw attention to popular culture s perpetual consumption. This comprehensive monograph features Walker s various bodies of works to date (the Black Star Press , Brick Paintings , Recycling Signs and Schema series, among others) alongside his most recent pieces. Edited and introduced by Jeffrey Uslip, it brings together new essays by MoMA curator Christophe Cherix, Le Consortium s Co-Director Anne Pontégnie and University of Southern California s Professor Suzanne Hudson., Since the early 2000s, New York-based Kelley Walker (born 1969) has developed a body of work that uses the potency of advertising strategies to interrogate the ways a single image can migrate into several cultural contexts and how everything and everyone is subject to reinvention. Often using such technologies as 3-D modeling and laser cutting, Walker works in photography, painting, printmaking, collage and sculpture, to draw attention to popular culture's perpetual consumption. This comprehensive monograph features Walker's various bodies of works to date (the Black Star Press , Brick Paintings , Recycling Signs and Schema series, among others) alongside his most recent pieces. Edited and introduced by Jeffrey Uslip, it brings together new essays by MoMA curator Christophe Cherix, Le Consortium's Co-Director Anne Pontégnie and University of Southern California's Professor Suzanne Hudson.
LC Classification Number
N6537
Text by
Cherix, Christophe, Hudson, Suzanne, Uslip, Jeffrey

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