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Empty Wardrobes
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eBay item number:355712005586
Item specifics
- Condition
- Release Year
- 2021
- ISBN
- 9781949641219
- Book Title
- Empty Wardrobes
- Item Length
- 7in
- Publisher
- Two Lines Press
- Publication Year
- 2021
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Fiction
- Topic
- Literary
- Item Width
- 4.5in
- Item Weight
- 6.7 Oz
- Number of Pages
- 184 Pages
About this product
Product Information
A previously untranslated classic of Portuguese literature originally published in 1966, Maria Judite de Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and under-appreciated woman writer a la recent publishing sensations Tove Ditlevsen, Lucia Berlin, Natalia Ginzburg, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is tightly plotted and highly entertaining read, a book that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
Product Identifiers
Publisher
Two Lines Press
ISBN-10
194964121x
ISBN-13
9781949641219
eBay Product ID (ePID)
3050418709
Product Key Features
Book Title
Empty Wardrobes
Format
Trade Paperback
Language
English
Topic
Literary
Publication Year
2021
Genre
Fiction
Number of Pages
184 Pages
Dimensions
Item Length
7in
Item Height
0.6in
Item Width
4.5in
Item Weight
6.7 Oz
Additional Product Features
Lc Classification Number
Pq9265.A77a813 2021
Reviews
"A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The specter of the patriarchy looms over this mid-20th century tale like depression itself. With the astringent wit of Natalia Ginzburg, Empty Wardrobes is a spellbinding book of domestic disorder that sparks with bitterness and humor." --Lauren LeBlanc, Observer "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "Its timeliness is both enlightening and depressing...this novel shows us women who see their restraints but struggle to reach beyond the men and political institutions that uphold them." --Monica Cardenas, Litro Magazine "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "Executed as precisely and without sentiment as an autopsy...There is no doubting the authenticity of Carvalho's vision and the originality and severity of her voice, as scathing and pitiless in her depiction of 'empty' women as in her depiction of oafish swaggering machismo." --Joyce Carol Oates, The New York Review of Books "A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The specter of the patriarchy looms over this mid-20th century tale like depression itself. With the astringent wit of Natalia Ginzburg, Empty Wardrobes is a spellbinding book of domestic disorder that sparks with bitterness and humor." --Lauren LeBlanc, Observer "Margaret Jull Costa's translation hits not a single false note. The text has an antique finish without being dated...The novella manages to cast the eye of a worried oracle on an entire nation." --Asymptote "Translated from Portuguese by the award-winning and prolific translator Margaret Jull Costa, the novel is rendered in clear, finely-wrought prose. Not a single word feels wasted or misplaced. ...one of those rare, transcendent works." --The Rupture "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "Its timeliness is both enlightening and depressing...this novel shows us women who see their restraints but struggle to reach beyond the men and political institutions that uphold them." --Monica Cardenas, Litro Magazine "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The specter of the patriarchy looms over this mid-20th century tale like depression itself. With the astringent wit of Natalia Ginzburg, Empty Wardrobes is a spellbinding book of domestic disorder that sparks with bitterness and humor." --Lauren LeBlanc, Observer "Margaret Jull Costa's translation hits not a single false note. The text has an antique finish without being dated...The novella manages to cast the eye of a worried oracle on an entire nation." --Asymptote "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "Its timeliness is both enlightening and depressing...this novel shows us women who see their restraints but struggle to reach beyond the men and political institutions that uphold them." --Monica Cardenas, Litro Magazine "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "Executed as precisely and without sentiment as an autopsy...There is no doubting the authenticity of Carvalho's vision and the originality and severity of her voice, as scathing and pitiless in her depiction of 'empty' women as in her depiction of oafish swaggering machismo." --Joyce Carol Oates, The New York Review of Books "A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The specter of the patriarchy looms over this mid-20th century tale like depression itself. With the astringent wit of Natalia Ginzburg, Empty Wardrobes is a spellbinding book of domestic disorder that sparks with bitterness and humor." --Lauren LeBlanc, Observer "Margaret Jull Costa's translation hits not a single false note. The text has an antique finish without being dated...The novella manages to cast the eye of a worried oracle on an entire nation." --Asymptote "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "Its timeliness is both enlightening and depressing...this novel shows us women who see their restraints but struggle to reach beyond the men and political institutions that uphold them." --Monica Cardenas, Litro Magazine "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "Its timeliness is both enlightening and depressing...this novel shows us women who see their restraints but struggle to reach beyond the men and political institutions that uphold them." --Monica Cardenas, Litro Magazine "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "Empty Wardrobes will give you a sense of domestic life under the dictatorship: In precise, unsentimental prose, it tells the story of three generations of women overshadowed by the death of a patriarch." --Djaimilia Pereira de Almeida, New York Times "Executed as precisely and without sentiment as an autopsy...There is no doubting the authenticity of Carvalho's vision and the originality and severity of her voice, as scathing and pitiless in her depiction of 'empty' women as in her depiction of oafish swaggering machismo." --Joyce Carol Oates, The New York Review of Books "A book about how men betray women, and how women betray each other...a work that does not hesitate to expose the cruelties and power grabs that lie beneath marriage, and how quickly society discards aging women." --Rhian Sasseen, The Paris Review "The specter of the patriarchy looms over this mid-20th century tale like depression itself. With the astringent wit of Natalia Ginzburg, Empty Wardrobes is a spellbinding book of domestic disorder that sparks with bitterness and humor." --Lauren LeBlanc, Observer "Margaret Jull Costa's translation hits not a single false note. The text has an antique finish without being dated...The novella manages to cast the eye of a worried oracle on an entire nation." --Asymptote "Translated from Portuguese by the award-winning and prolific translator Margaret Jull Costa, the novel is rendered in clear, finely-wrought prose. Not a single word feels wasted or misplaced. ...one of those rare, transcendent works." --The Rupture "The first by this towering Portuguese novelist to be translated into English...A still, luminous book whose precise characters evoke broad truths about the human experience." --Kirkus Reviews (starred review) "Sharp...This unearthed story leaves readers with much to chew on." --Publishers Weekly "Gracefully translated by Margaret Jull Costa, Dora's story is illuminating, inspiring, and heartbreaking in equal measures. Fans of Anne Tyler, Marian Keyes, and Christine Féret-Fleury will find themselves absorbed in the novella's sparse but evocative prose." --Booklist "Its timeliness is both enlightening and depressing...this novel shows us women who see their restraints but struggle to reach beyond the men and political institutions that uphold them." --Monica Cardenas, Litro Magazine "A remarkable, necessary novel about women disposed of by men, about isolation and suspension and damage, with an acute perceptiveness that will pierce your mind. Dora, Manuela, Ana, Júlia, Lisa. These women will remain long after the middling men who have abandoned them fade away, as will Empty Wardrobes, finally, thankfully, translated into English." --Amina Cain, author of Indelicacy "A compact, merciless tragedy... I read this novel with something resembling a rapturous grief, as if I couldn't believe this consciousness had finally been rendered in literature, the consciousness of so many women familiar yet unknowable, no longer muted, not saturated with sanctimony but alive, alive with rage transmuting disdain into hilarity by sheer force, alive with intense paroxysms of sadness." --from the introduction by Kate Zambreno "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital, "Maria Judite de Carvalho's fiction...provides us with a vivid portrait of our times, especially in the strange, slippery area of everyday life..." --Expresso "Maria Judite de Carvalho will always be at the forefront of Portuguese literature, whether now or in two or three generations' time." --A Capital
Lccn
2021-015289
Dewey Decimal
869.342
Dewey Edition
23
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