A History of Music in Western Culture by Mark Evan Bonds (2008, Hardcover)

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Subject
History & Criticism, General
ISBN
9780205645312
Subject Area
Music
Publication Name
History of Music in Western Culture
Publisher
Prentice Hall PTR
Item Length
11 in
Publication Year
2008
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.4 in
Author
Mark Evan Bonds
Item Weight
59.1 Oz
Item Width
8.5 in
Number of Pages
696 Pages
Category

About this product

Product Identifiers

Publisher
Prentice Hall PTR
ISBN-10
0205645313
ISBN-13
9780205645312
eBay Product ID (ePID)
71114760

Product Key Features

Number of Pages
696 Pages
Publication Name
History of Music in Western Culture
Language
English
Publication Year
2008
Subject
History & Criticism, General
Type
Textbook
Subject Area
Music
Author
Mark Evan Bonds
Format
Hardcover

Dimensions

Item Height
0.4 in
Item Weight
59.1 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Edition Number
3
Intended Audience
College Audience
LCCN
2008-041660
TitleLeading
A
Dewey Edition
22
Dewey Decimal
780.9
Table Of Content
Preface Prologue: Antiquity Music in the Biblical World Ancient Greece Music in Ancient Greek Society Greek Musical Theory Music in the Roman Empire The Musical Legacies of Antiquity Music and the Cosmos Music and the Soul Music and the State Theory versus Practice Vocal versus Instrumental Music Discussion Questions   Part I The Medieval Era Prelude to Part I     Chapter 1: Plainchant and Secular Monophony The Emergence of Plainchant The Elements of Plainchant Liturgical Function Relationship of Words and Music Mode Melodic Structure Rhythm The Expansion of Plainchant Secular Monophony Songs in Latin France The Iberian Peninsula Germany   CHAPTER 2: Polyphony to 1300 Orgunum Innovations in Organum Notre Dame Organum Clausula Motet Conductus Mensural Notation Franconian Notation Petronian Notation   CHAPTER 3: Music in the 14th Century France: The Ars Nova Le Roman de Fauvel Polyphonic Settings of the Mass Ordinary Secular Song The Ars subtilior at the End of the 14th Century Italy: The Trecento England Instrumental Music Discussion Questions   Part II The Renaissance Prelude to Part II Renaissance Humanism The Protestant Reformation Renaissance Painting and Sculpture Music in Renaissance Society     Chapter 4: The Emergence of Renaissance Style Consonance and Dissonance: Trusting the Ear Sonority: The Contenance Angloise Fauxbourdon and Faburden New Sonority, Old Structure: Du Fay's Nuper rosarum flores Josquin's Ave Maria . . . Virgo Serena and The Style of the Renaissance Treatment of Text Texture Cadential Structure Mode Melody Rhythm Harmony   CHAPTER 5: The Genres of Renaissance Music, 1420-1520 Sacred Vocal Music The Mass: Du Fay and Ockeghem The Mass: Josquin des Prez and His <P style="MARG
Synopsis
A History of Music in Western Culture 3/e is based on the premise that the best way to convey the history of Western music is to focus squarely on the music.  Organized around a carefully selected repertory of works, this text integrates the requisite names, dates, and concepts around specific compositions.  Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition.  Even more importantly, they will have a sound basis from which to explore other musical works and repertories.  This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs., A History of Music in Western Culture 3/e is based on the premise that the best way to convey the history of Western music is to focus squarely on the music. Organized around a carefully selected repertory of works, this text integrates the requisite names, dates, and concepts around specific compositions. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Even more importantly, they will have a sound basis from which to explore other musical works and repertories. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs.
LC Classification Number
ML160.B75 2009

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