Symphony No. 4 in F Minor, Op. 36 by Peter Ilyitch Tchaikovsky and Music Scores Staff (2012, Trade Paperback)

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Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier.

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Product Identifiers

PublisherDover Publications, Incorporated
ISBN-100486404218
ISBN-139780486404219
eBay Product ID (ePID)1105827

Product Key Features

Book TitleSymphony No. 4 in F Minor, Op. 36
Number of Pages160 Pages
LanguageEnglish
Publication Year2012
TopicPrinted Music / Opera & Classical Scores, Genres & Styles / Classical
IllustratorYes
GenreMusic
AuthorPeter Ilyitch Tchaikovsky, Music Scores Staff
Book SeriesDover Miniature Music Scores Ser.
FormatTrade Paperback

Dimensions

Item Weight8.3 Oz
Item Length8 in
Item Width5.4 in

Additional Product Features

Intended AudienceTrade
Dewey Edition21
Dewey Decimal784.2/184
SynopsisIn Tchaikovsky's symphonic output, his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time, overshadowing his previous, less-than-distinguished efforts in this form, and opened the way to his last, major, works: the haunting Fifth Symphony and the biographical Sixth, the profound Pathétique. Tchaikovsky's Fourth Symphony -- written in 1877 at the age of thirty-seven -- offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier. The Fourth opens unequivocally with the thrust of a brass fanfare -- the fate motive that is to reappear in the last movement -- then flows with the effortless quality that characterizes Tchaikovsky's great, generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies, and the third -- the Scherzo -- offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato, a unique moment in the entire orchestral literature. The symphony is reproduced here from the authoritative Breitkopf & Härtel edition, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high quality, conveniently sized volume will be the edition of choice for music students and music lovers alike, Impressive tone, melodic mastery, and majestic intensity characterize this splendid work from the supreme melodic genius of 19th-century Russian music. Authoritative edition. Contents. Instrumentation., In Tchaikovsky's symphonic output, his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time, overshadowing his previous, less-than-distinguished efforts in this form, and opened the way to his last, major, works: the haunting Fifth Symphony and the biographical Sixth, the profound "Path tique." Tchaikovsky's Fourth Symphony -- written in 1877 at the age of thirty-seven -- offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier. The Fourth opens unequivocally with the thrust of a brass fanfare -- the "fate" motive that is to reappear in the last movement -- then flows with the effortless quality that characterizes Tchaikovsky's great, generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies, and the third -- the Scherzo -- offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato, a unique moment in the entire orchestral literature. The symphony is reproduced here from the authoritative Breitkopf & H rtel edition, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high quality, conveniently sized volume will be the edition of choice for music students and music lovers alike, In Tchaikovsky's symphonic output, his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time, overshadowing his previous, less-than-distinguished efforts in this form, and opened the way to his last, major, works: the haunting Fifth Symphony and the biographical Sixth, the profound "Pathtique." Tchaikovsky's Fourth Symphony - written in 1877 at the age of thirty-seven - offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier. The Fourth opens unequivocally with the thrust of a brass fanfare - the "fate" motive that is to reappear in the last movement - then flows with the effortless quality that characterizes Tchaikovsky's great, generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies, and the third - the Scherzo - offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato, a unique moment in the entire orchestral literature. The symphony is reproduced here from the authoritative Breitkopf & Hrtel edition, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high quality, conveniently sized volume will be the edition of choice for music students and music lovers alike, This splendid symphony is rich in the impressive tone, melodic mastery, and majestic intensity that characterize Tchaikovsky's mature works. Reproduced from the authoritative Breitkopf & Hrtel edition.

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