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Improvisation in Drama, Theatre and Performance: History, Practice, Theory
US $32.04
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A book with obvious wear. May have some damage to the cover but integrity still intact. The binding may be slightly damaged but integrity is still intact. Possible writing in margins, possible underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text. See the seller’s listing for full details and description of any imperfections.
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Located in: Augusta, Georgia, United States
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eBay item number:326019201561
Item specifics
- Condition
- ISBN
- 9781137348104
- Subject Area
- Performing Arts
- Publication Name
- Improvisation in Drama, Theatre and Performance : History, Practice, Theory
- Publisher
- Palgrave Macmillan The Limited
- Item Length
- 9.2 in
- Subject
- General
- Publication Year
- 2015
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Features
- New Edition
- Item Weight
- 16.2 Oz
- Item Width
- 6.1 in
- Number of Pages
- 320 Pages
About this product
Product Identifiers
Publisher
Palgrave Macmillan The Limited
ISBN-10
1137348100
ISBN-13
9781137348104
eBay Product ID (ePID)
212698044
Product Key Features
Number of Pages
320 Pages
Language
English
Publication Name
Improvisation in Drama, Theatre and Performance : History, Practice, Theory
Subject
General
Publication Year
2015
Features
New Edition
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16.2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Edition Number
3
Intended Audience
College Audience
LCCN
2015-027806
Dewey Edition
23
Reviews
'A much more wide-ranging and inclusive book than any I have used in teaching improvisation.' - Dr Barbara McKean, University of Arizona, USA
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
792.02/8
Table Of Content
Acknowledgements Introduction and Preface to the Third Edition PART I: WHO? MAJOR PRACTITIONERS OF IMPROVISATION Improvisation in training, rehearsal practice and writing (Europe and the UK) The improv scene (USA) Improvisation in the creation of new modes of performance Improvisations for change: 'Paratheatre', participation and performance work beyond the stage PART II: WHAT? THE PRACTICE OF IMPROVISATION: IMPROVISATION EXERCISES Preparation Working together Moving towards performance Improvisation for Scene-Building PART III: WHY? THE MEANINGS OF IMPROVISATION: TOWARDS A POETICS Enriching the communication of meaning Meaning and performance Notes Bibliography Index.
Edition Description
New Edition
Synopsis
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and Performance Studies as well as Drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation., Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation., This established text explores the history, theory and practice of improvisation within the rapidly changing field of Drama, Theatre and Performance Studies. New material includes improvisation in film, stand-up comedy, LARPing, applied theatre and theatre sports. It contains a wealth of new exercises and examples from contemporary practitioners.
LC Classification Number
HM621-HM656
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